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"Paris (France) Pictorial works Exhibitions."
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Old Paris and changing New York : photographs by Eugلene Atget and Berenice Abbott
\"In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city, old Paris, as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York. This publication discusses how, during the 1930s and 1940s, Abbott paid further tribute to Atget by publishing and exhibiting his work and by printing hundreds of images from his negatives, using the gelatin silver process. Through Abbott's efforts, Atget became known to an audience of photographers and writers who found diverse inspiration in his work. Abbott herself is remembered as one of the most independent, determined, and respected photographers of the 20th century\"-- Provided by publisher.
Book
Piercing time
Piercing Time examines the role of photography in documenting urban change by juxtaposing contemporary 'rephotographs' taken by the author with images of nineteenth-century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugène Atget taken in the early twentieth century. Revisiting the sites of Marville's photographs with a black cloth, tripod and view camera, Peter Sramek creates here a visually stunning book that investigates how urban development, the use of photography as a documentary medium and the representation of urban space reflect attitudes towards the city. The essays that run alongside these fascinating images discuss subjects such as the aesthetics of ruins and the documentation of the demolitions that preceded Haussmannization, as well as the different approaches taken by Marville and Atget to their work. The book also includes contemporary interviews with local Parisians, extracts from Haussmann's own writing and historical maps that allow for an intriguing look at the shifting city plan. Sure to be of interest to lovers of the city, be they Parisians or visitors, Piercing Time provides a unique snapshot of historical changes of the past 150 years. But it will also be of enduring value to scholars. The accurate cataloguing and high quality reproductions of the images make it a resource for a significant portion of the Marville collection in the Musée Carnavalet, and it will aid further research in urban history and change in Paris over the past century and a half. Photographers will be drawn to the book for its new thinking in relation to documentary methodologies.
eBook
Twilight visions : surrealism and Paris
In their works, photographers such as Jacques-Andrâe Boiffard, Brassaèi, Ilse Bing, Andrâe Kertâesz, Germaine Krull, Dora Maar, and Man Ray used fragmentation, montage, unusual viewpoints, and various technical manipulations to expose the disjunctive and uncanny aspects of modern urban life.
Book
Christian Dior : designer of dreams
Christian Dior's first collection in 1947 heralded the birth of a new fashion silhouette for women. Here, seventy of the most memorable looks created by Christian Dior and his successors--Yves Saint Laurent, Marc Bohan, Gianfranco Ferrâe, John Galliano, Raf Simons, and Maria Grazia Chiuri--have been specially selected and photographed in intimate detail. This essential volume also features those designs in original sketches, runway shots, and fashion shoots by the world's greatest fashion photographers, including Irving Penn, Richard Avedon, Cecil Beaton, William Klein, and Helmut Newton. Exploring the classic elements of Dior in depth, the book covers the concept of line and architecture in fashion; the influence of history and art; the use of color; gardens and landscapes as sources of inspiration.
BOOK
