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A poem is presented.

L'assassinat de François de Guise par Poltrot de Méré, le 24 février 1563, eut un retentissement considérable dans l'opinion publique. Pendant que les protestants se réjouissaient, les catholiques rendirent au défunt un hommage en vers français et latins. Celui-ci fut orchestré par la maison des Guises et prit la forme d'une salve de plaquettes imprimées par le libraire parisien Thomas Richard qui connurent une diffusion en France et hors de ses frontières. C'est ce corpus méconnu de vers manuscrits écrits par les protestants et des plaquettes imprimées publiées par les catholiques que nous analysons, afin d'identifier les motifs, les acteurs et les conséquences de la polémique de 1563. Il s'agira aussi d'observer les mécanismes de cette offensive, notamment par le moyen de l'édition, et de reconstituer les modes de constitution de « publics » (auteurs et lecteurs) que s'efforcent de fédérer les deux partis antagonistes. The assassination of François de Guise by Poltrot de Méré on 24 February 1563 exercised a considerable impact on public opinion. While Protestants celebrated, Catholics paid homage to the deceased in the form of verses written in French and Latin. His tribute was orchestrated by the de Guise family, who were responsible for the publication, via the Parisian bookseller, Thomas Richard, of a salvo of pamphlets distributed both in France and beyond its borders. This article examines the historical circumstances of the death of François de Lorraine in an attempt to shed light on the literary audiences, i.e., the Protestant and Catholic groups who gathered together to praise either the victim or the assassin. In this political, religious, and literary controversy of 1563, both sides turned to publication to spread their propaganda and to unite their supporters.

Homage to Heinemann Winter's rain has coated all the leafless trees, a drowsy stillness settles in, but still there's no release from nights ruined by rockets flown across a jungle sky by men you never see except in dreams. December Revolution Beijing winter so cold, our frozen breath hangs in the air. To understand the weight of that is to free your mind in ways impossible to understand. iii A boy in an ill-fitting suit, captured by his uncle's camera only a month away from the jungle around An Khe, and rockets and mortars at night.

This first issue of Mitologías hoy inaugurates a space for exchange and exploration in Latin American culture and literature, with new readings that seek to be shared and debated. The works of this issue converge, from different theoretical places, in the question about the Latin American story as a place of manifestation of the contradictions and the ruptures of modernity and postmodernity, and as a field of exercise of strategies such as parody, irony and the pastiche that, while they discuss and deconstruct the narratives of identity and of the nation, seek new questions from which to destroy / construct meaning.

The present article represents an homage to Constantin Brancusi, the sculptor of Romanian origin, who leftthe citizens of the town Targu Jiu the great Monumental Ensemble. It is an overview of his road to success with reference to Paris and some important moments in his life. The article is mainly based on two books, namely, The Saint of Montparnasse of Peter Neagoe and Brancusi of Ionel Jianu, as well as on the confessions of an art addict in the person of Peggy Guggenheim. Comparatively to the value of Brancusi's legacy, I consider the attention we pay to him as insignificant.