Explore the vast range of titles available.

Built on the southwestern coast of Cyprus in the second century A.D., the House of Dionysos is full of clues to a distant life—in the corner of a portico, shards of pottery, a clutch of Roman coins found on a skeleton under a fallen wall—yet none is so evocative as the intricate mosaic floors that lead the eye from room to room, inscribing in their colored images the traditions, aspirations, and relations of another world. In this lavishly illustrated volume, Christine Kondoleon conducts us through the House of Dionysos, showing us what its interior decoration discloses about its inhabitants and their time. Seen from within the context of the house, the mosaics become eloquent witnesses to an elusive dialogue between inhabitants and guests, and to the intermingling of public and private. Kondoleon draws on the insights of art history and archaeology to show what the mosaics in the House of Dionysos can tell us about these complex relations. She explores the issues of period and regional styles, workshop traditions, the conditions of patronage, and the forces behind iconographic change. Her work marks a major advance, not just in the study of Roman mosaics, but in our knowledge of Roman society.

In this lavishly illustrated volume, Christine Kondoleon conducts us through the House of Dionysos, showing us what its interior decoration discloses about its inhabitants and their time.

The article focuses on the stratigraphy of the late Byzantine pavement of the Southwest Church, Umm el-Jimal, Jordan and the production technology of their mortars by applying thin section petrography, x-ray diffractometry (XRD) and scanning electron microscopy with energy dispersive x-ray spectrometry (SEM-EDS). Investigations revealed the similarity between the studied pavement and standard Roman mosaic pavements. The pavement consists of four layers (statumen, rudus, nucleus and bedding), but lacks the tessellatum layer. The statumen was constructed using large stones and then leveled by soil and pebbles, while the other three layers are composed of lime-based mortars formed by two different recipes. The white-beige non-hydraulic mortar of the bedding layer consists of a lime binder and aggregates of scoria and organic fibers, and a Binder:Aggregate (B:A) ratio of 1:2. The grey hydraulic mortars of the rudus and nucleus are mixtures of lime and silica-rich silt/clay, fine sand, volcanic rocks, ceramics, and charcoal; and B:A ratios of 1:4. The rudus and nucleus mortars have high values of hydraulic and cementation indices, reflecting their hydraulic properties, which most probably originated from the reaction between lime, ceramic and volcanic inclusions. In contrast, lack of ceramic and absence of the reactions between lime and scoria of the bedding layer probably produced a mortar with low values of hydraulic and cementation indices, but durable and resistant to weight load.

Several well-known mosaics from Antioch give us the opportunity to address some problems in representation of women in Late Antiquity and Byzantine arts. Starting from the analysis of this female figures we will assess the documentary relevance of Antioch mosaics with respect to some objects of conspicuous consumption, as we know them specially thanks to the coeval goldsmith's production.

The significance of the well-known central roundel of the mosaic from Hinton St Mary, Dorset, UK, which carries a young male head with a chi-rho monogram behind it and pomegranates on each side, has been much discussed. This paper marshals evidence which suggests that the head is not a representation of Christ, but of one of the emperors of the House of Constantine, perhaps Constantine himself. Some of the implications for the nature of fourth-century imperial culture are discussed.

The plan of the Roman villa at East End in the parish of North Leigh (Oxfordshire) has long been familiar from R.G. Collingwood's handbook, The Archaeology of Roman Britain (1930), where it stands as the ‘type’ of the courtyard house (FIG. 1). Our knowledge of this plan is, however, only partial. Neither in the original excavations of 1813–17 by Henry Hakewill, nor in the re-excavation of 1910–11 by Donald Atkinson and H.G. Evelyn White, were the buildings surrounding the main courtyard completely examined. In addition, other buildings on the south-west side were suspected by Hakewill in 1817 and brilliantly demonstrated in air-photographs taken in 1943 by Derrick Riley, while John Ward conjectured a lower courtyard on the south-east side, like those at Bignor and Woodchester.

»Vielmehr bietet [der Kommentar] auf höchstem Niveau eine substantielle Auseinandersetzung mit den Hintergründen, den Zusammenhängen, der Theorie und der Praxis des Grundgesetzes. Besseres lässt sich von einem Verfassungskommentar nicht sagen.“ Herbert Günther Staaatsanzeiger für das Land Hessen 2018 (50), 1494–1495 The 4th edition of the first volume of this work provides an update of the commentary on the preamble and articles 1 to 19 in case law and literature. The structure of the book has been retained and its content supplemented by more recent developments, such as the implications of Europeanisation and digitalisation as well as the Corona pandemic. As of the 4th edition, Frauke Brosius-Gersdorf has taken over the editorship of the commentary. Die 4. Auflage bringt zunächst die Kommentierung der Präambel und der Art. 1 bis 19 auf den aktuellen Stand von Judikatur und Literatur. Die grundlegende Struktur des Kommentares wurde beibehalten und um neuere Entwicklungen wie die Implikationen der Europäisierung und Digitalisierung sowie der Corona-Pandemie ergänzt.Die Herausgeberschaft des Kommentares hat ab der 4. Auflage Frauke Brosius-Gersdorf übernommen. Auch im Autorenkreis sind personelle Veränderungen zu verzeichnen: Mit Ausnahme von Frauke Brosius-Gersdorf, Alexander Thiele und Ferdinand Wollenschläger, die bereits an der 3. Auflage mitgewirkt haben, liegen die Kommentierungen in den Händen neuer Autorinnen und Autoren.Der Kommentar erscheint in drei Bänden und wird nur geschlossen abgegeben.Der Grundgesetz-Kommentar ist Bestandteil des Moduls Verfassungsrecht PREMIUM, das bei beck-online.de erhältlich ist.