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"Perception visuelle."
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Visual Alterity
Reconsidering the dynamics of perception
Using cinema to explore the visual aspects of alterity, Randall
Halle analyzes how we become cognizant of each other and how we
perceive and judge another person in a visual field. Halle draws on
insights from philosophy and recent developments in cognitive and
neuroscience to argue that there is no pure \"natural\" sight. We
always see in a particular way, from a particular vantage point,
and through a specific apparatus, and Halle shows how human beings
have used cinema to experiment with the apparatus of seeing for
over a century. Visual alterity goes beyond seeing difference to
being conscious of how one sees difference. Investigating the
process allows us to move from mere perception to apperception, or
conscious perception.
Innovative and insightful, Visual Alterity merges film
theory with philosophy and cutting-edge science to propose new ways
of perceiving and knowing.
eBook
Eye movements and psychological functions : international views
Originally published in 1983, this volume represents the edited proceedings of the first conference organized by the European Group for Eye Movement Research with the theme \"Eye Movements: Current Research and Methodology\". The conference was held at the Department of Psychology, University of Bern, Switzerland in 1981. The book is divided into four parts covering: Methods; Central and Peripheral Processing; Picture Viewing and Visual Tracking; and Cognitive Processes and Reading. Each part is introduced by one of the session chairpersons of the conference.
BOOK
Information visualization : perception for design
Most designers know that yellow text presented against a blue background reads clearly and easily, but how many can explain why, and what really are the best ways to help others and ourselves clearly see key patterns in a bunch of data? When we use software, access a website, or view business or scientific graphics, our understanding is greatly enhanced or impeded by the way the information is presented. This book explores the art and science of why we see objects the way we do. Based on the science of perception and vision, the author presents the key principles at work for a wide range of applications--resulting in visualization of improved clarity, utility, and persuasiveness. The book offers practical guidelines that can be applied by anyone: interaction designers, graphic designers of all kinds (including web designers), data miners, and financial analysts. Complete update of the recognized source in industry, research, and academic for applicable guidance on information visualizing. Includes the latest research and state of the art information on multimedia presentation. More than 160 explicit design guidelines based on vision science. A new final chapter that explains the process of visual thinking and how visualizations help us to think about problems. Packed with over 400 informative full color illustrations, which are key to understanding of the subject.
eBook
Citizen Spectator
In this richly illustrated study, the first book-length exploration
of illusionistic art in the early United States, Wendy Bellion
investigates Americans' experiences with material forms of visual
deception and argues that encounters with illusory art shaped their
understanding of knowledge, representation, and subjectivity
between 1790 and 1825. Focusing on the work of the well-known Peale
family and their Philadelphia Museum, as well as other
Philadelphians, Bellion explores the range of illusions encountered
in public spaces, from trompe l'oeil paintings and drawings at art
exhibitions to ephemeral displays of phantasmagoria, \"Invisible
Ladies,\" and other spectacles of deception.
Bellion reconstructs the elite and vernacular sites where such art
and objects appeared and argues that early national exhibitions
doubled as spaces of citizen formation. Within a post-Revolutionary
culture troubled by the social and political consequences of
deception, keen perception signified able citizenship. Setting
illusions into dialogue with Enlightenment cultures of science,
print, politics, and the senses, Citizen Spectator
demonstrates that pictorial and optical illusions functioned to
cultivate but also to confound discernment. Bellion reveals the
equivocal nature of illusion during the early republic, mapping its
changing forms and functions, and uncovers surprising links between
early American art, culture, and citizenship.
eBook
Reading by design : the visual interfaces of the English Renaissance book
\"Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight.\"-- Provided by publisher.
Book
Staging Spectatorship in the Plays of Philip Massinger
The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.
Contents: Introduction; 'What do wee acte to day?': plays within the play: The Roman Actor; 'For your sport / You shall see a masterpiece': masques-within in The Picture, The Guardian and The City Madam; 'Speculations / On cheating pictures': visual art as dramatic inset: The Picture; Conclusion: 'Make your howse the stage on which weel act / Our comick sceane': trials and paradramatic scenes; Bibliography; Index.
Joanne Rochester, Assistant Professor of English, University of Saskatchewan, Canada
eBook
Epic Visions
This wide-ranging, interdisciplinary collection explores different ways of visualising Greek and Roman epic from Homer to Statius, in both ancient and modern culture. The book presents new perspectives on Homer, Virgil, Ovid, Lucan, Valerius Flaccus and Statius, and covers the re-working of epic matter in tragedy, opera, film, late antique speeches of praise, story-boarding, sculpture and wall-painting. The chapters use a variety of methods to address the relationship between narrative and visuality, exploring how and why epic has inspired artists, authors and directors and offering fresh visual interpretations of epic texts. Themes and issues discussed include: intermediality, ekphrasis and panegyric, illusion and deception, imagery and deferral, alienation and involvement, the multiplicity of possible visual responses to texts, three-dimensionality, miniaturisation, epic as cultural capital, and the specificity of genres, both literary and visual.
eBook
Archaeopoetics : word, image, history
Archaeopoetics explores “archaeological poetry,” ground-breaking and experimental writing by innovative poets whose work opens up broad new avenues by which contemporary readers may approach the past, illuminating the dense web of interconnections often lost in traditional historiography.
Critic Mandy Bloomfield traces the emergence of a significant historicist orientation in recent poetry, exemplified by the work of five writers: American poet Susan Howe, Korean-American artist Theresa Hak Kyung Cha, British poet Maggie O’Sullivan, and diasporic African Caribbean writers Kamau Brathwaite and M. NourbeSe Philip. Bloomfield sets the work of these five authors within a vigorous tradition, including earlier work by Ezra Pound and Walter Benjamin, and then shows how these five poets create poems that engender new encounters with pivotal episodes in history, such as the English regicide or Korea’s traumatized twentieth century.
Exploring our shared but imperfectly understood history as well as omissions and blind spots in historiography, Bloomfield outlines the tension between the irretrievability of effaced historical evidence and the hope that poetry may reconstitute such unrecoverable histories. She posits that this tension is fertile, engendering a form of aesthetically enacted epistemological enquiry.
Fascinating and seminal, Archaeopoetics pays special attention to the sensuous materiality of texts and most especially to the visual manifestations of poetry. The poems in Archaeopoetics employ the visual imagery of the word itself or incorporate imagery into the poetry to propose persuasive alternatives to narrative or discursive frameworks of historical knowledge.
eBook