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Belonging is an ambiguous concept that has tended to escape the rigorous theorization of other key concepts in geography. Rather than viewing this as a weakness, I turn to weak theory to consider belonging in generative ways, to reflect on the texture of how it is felt, used and practised. I particularly consider its emotional aspects and the ways it is performed by myriad humans and more-than-humans. I conclude with an ontological consideration. Understanding belonging as emergent co-becoming may allow for hopeful and inclusive geographies that are diversely care-ing and careful.

The structural focus of linguistics has led to a static and modular treatment of meaning. Viewing language as practice allows us to transcend the boundaries of subdisciplines that deal with meaning and to integrate the social indexicality of variation into this larger system. This article presents the expression of social meaning as a continuum of decreasing reference and increasing performativity, with sociolinguistic variation at the performative extreme. The meaning potential of sociolinguistic variables in turn is based in their form and their social source, constituting a cline of ‘interiority’ from variables that index public social facts about the speaker to more internal, personal affective states.

Purpose This paper aims to review the literature on the use of the notion of performativity and its related concepts in accounting research. The literature uses the term performativity in almost diametrically different ways, yet most papers assume that the meaning of the term is self-evident. We build on recent reviews of the notion of performativity and explicate the implicit tensions in the accounting literature, discovering a need to clarify how the accounting literature has explored the processes – how accounting becomes performative – and effects – what is performed – of accounting performativity. The paper develops suggestions for future theoretical and empirical research. Design/methodology/approach The authors have searched in six leading accounting journals (Accounting, Organizations and Society, Accounting, Auditing and Accountability Journal, Management Accounting Research, Critical Perspectives on Accounting and Qualitative Research in Accounting and Management) for the terms “performativity” and/or “performative” and/or “performable”. This yielded 289 results from which we distilled a core sample of 92 papers which substantially draw on the concept and explicate their use of the term. Findings The authors find that the accounting literature has paid almost equal attention to the conforming and amplifying effects of performativity but has mostly explored how conditions of performativity are built. Less attention has been paid to how accounting generates multiple worlds and how differences in these worlds are coordinated by accounting. Building institutions and searching for accounting incompleteness have been developed as the two main processes where accounting is made performative. Research limitations/implications The paper develops avenues for future research, highlighting the potential for a deeper understanding of how the notion of performativity can be used. We do not advocate homogenizing the literature, instead exploring its fruitful tensions to discover a renewed interest in how accounting is constitutive of existing and/or new worlds. We illustrate this potential by reflecting on the debates about accounting incompleteness and the boundaries of accounting. The authors also suggest the potentials for concepts of performativity in studying emerging phenomena such as big data and sustainability and revisiting the ethics of using accounting as a social and organizational practice. Originality/value The literature review explicates differences in the use of the term performativity, which usually remain implicit in the literature. The study develops a framework that attends to both the processes – problematizing the conditions for performativity or not – and effects – conforming and amplifying – of performativity accounting studies have drawn upon, which clarifies how the accounting literature has mobilized the notion of performativity and the contributions the accounting literature has added. Further, the authors extend Vosselman’s (2022) review both in scope and nuance.

Letter to the editors regarding Małgorzata Sugiera's article published in Pamiętnik Teatralny 71, z. 4 (2022).

This article examines the visual culture and fashion aesthetics of “Mipsterz,” or Muslim hipsters. Though the term originated amongst a group of friends based in New York in 2012, the neologism has arguably taken on a global life in fashion blogs and social media, with influencers from Turkey to Indonesia connecting transnationally. Many public debates celebrate these young, alternative voices and their projected self-images, while others critique the manner in which the ‘hipster’ label sanitizes, whitewashes, or secularizes Muslim piety. Indeed, these youths’ discourse highlight issues of performance, assimilation, normalization, and the dialectical construction of collective identity and individual subjectivity, yielding even greater interdisciplinary questions. Sitting at the theoretical nexus of cultural, fashion, and media studies, this article analyzes the ways in which such digital platforms not only give faith and fashion form, but it critiques the aesthetic, photographic, and performative mechanisms through which new sartorial politics are visualized.

The term robustness is ubiquitous in modern Machine Learning (ML). However, its meaning varies depending on context and community. Researchers either focus on narrow technical definitions, such as adversarial robustness, natural distribution shifts, and performativity, or they simply leave open what exactly they mean by robustness. In this paper, we provide a conceptual analysis of the term robustness , with the aim to develop a common language, that allows us to weave together different strands of robustness research. We define robustness as the relative stability of a robustness target with respect to specific interventions on a modifier. Our account captures the various sub-types of robustness that are discussed in the research literature, including robustness to distribution shifts, prediction robustness, or the robustness of algorithmic explanations. Finally, we delineate robustness from adjacent key concepts in ML, such as extrapolation, generalization, and uncertainty, and establish it as an independent epistemic concept.

Short editorial introduction to Pamiętnik Teatralny 71, no. 4 (2022).

This paper extends the author's previous enquiries and discussions of governmentality and neoliberal policy technologies in a number of ways. The paper explores the specificity and generality of performativity as a particular contemporary mode of power relations. It addresses our own imbrication in the politics of performative truths, through our ordinary everyday life and work. The paper is about the here and now, us, you and me, and who we are in neoliberal education. It draws upon and considers a set of ongoing email exchanges with a small group of teachers who are struggling with performativity. It enters the 'theoretical silence' of governmentality studies around the issues of resistance and contestation. Above all, the paper attempts to articulate the risks of refusal through Foucault's notion of fearless speech or truth-telling (parrhesia).

Drawing from the perspectives of transgender individuals, this article offers an empirical investigation of recent critiques of West and Zimmerman's \"doing gender\" theory. This analysis uses 19 in-depth interviews with transpeople about their negotiation and management of gendered interactions at work to explore how their experiences potentially contribute to the doing, undoing, or redoing of gender in the workplace. I find that transpeople face unique challenges in making interactional sense of their sex, gender, and sex category and simultaneously engage in doing, undoing, and redoing gender in the process of managing these challenges. Consequently, I argue that their interactional gender accomplishments are not adequately captured under the rubric of \"doing gender\" and suggest instead that they be understood as \"doing transgender.\" This article outlines the process of and consequences of \"doing transgender\" and its potential implications for the experience of and transformation of gender inequality at work.

The state often struggles to meet citizens’ demands but confronts strong public pressure to do so. What does the state do when public expectations exceed its actual governing capacity? This article shows that the state can respond by engaging in performative governance—the theatrical deployment of language, symbols, and gestures to foster an impression of good governance among citizens. Performative governance should be distinguished from other types of state behavior, such as inertia, paternalism, and the substantive satisfaction of citizens’ demands. The author illustrates this concept in the realm of environmental governance in China. Given the severity of China’s environmental pollution, the resulting public outcry, and the logistical and political challenges involved in solving the problem, how can the state redeem itself? Ethnographic evidence from participant observation at a municipal environmental protection bureau reveals that when bureaucrats are confronted with the dual burdens of low state capacity and high public scrutiny, they engage in performative governance to assuage citizens’ complaints. This study draws attention to the double meaning of “performance” in political contexts, and the essential distinction between the substantive and the theatrical.