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"Performing arts in literature"
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The hurt(ful) body : performing and beholding pain, 1600-1800
This book offers a cross-disciplinary approach to pain and suffering in the early modern period, based on research in the fields of literary studies, art history, theatre studies, cultural history and the study of emotions. The volume's two-fold approach to the hurt body, defining 'hurt' from the perspectives of both victim and beholder - as well as their combined creation of a gaze - is unique. It establishes a double perspective about the riddle of 'cruel' viewing by tracking the shifting cultural meanings of victims' bodies, and confronting them to the values of audiences, religious and popular institutional settings and practices of punishment. It encompasses both the victim's presence as an image or performed event of pain and the conundrum of the look - the transmitted 'pain' experienced by the watching audience.
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The Gothic Novel and the Stage: Romantic Appropriations
In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists.
eBook
Brian Friel : theatre and politics
\"Friel is widely recognised as Irelands leading playwright but through the ability of plays like Translations and Dancing at Lughnasa to translate into other cultures he has also made a major impact on world theatre. This study draws on the Friel Archive in the National Library of Ireland to deepen our understanding of how his plays were developed\"-- Provided by publisher.
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Music Hall and Modernity
The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture.Music Hall and Modernitydemonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of \"the people.\"In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm, and late-Victorian controversies over philanthropy and moral reform, scholar Barry Faulk argues that discourse on music-hall entertainment helped consolidate the identity and tastes of an emergent professional class. Critics and writers legitimized and cleaned up the music hall, at the same time allowing issues of class, respect, and empowerment to be negotiated.Music Hall and Modernityoffers a complex view of the new middle-class, middlebrow mass culture of late-Victorian London and contributes to a body of scholarship on nineteenth-century urbanism. The book will also interest scholars concerned with the emergence of a professional managerial class and the genealogy of cultural studies.
eBook
Readings in performance and ecology
\"Readings in Performance and Ecology is a ground-breaking collection of essays focusing on how theatre, dance, and other forms of performance are helping to transform our ecological values. Leading scholars and practitioners explore the ways that familiar and new works of theatre and dance can help us recognize our reciprocal relationship with the natural world; how performance helps us understand the way our bodies are integrally connected to the land; how environmentalists use performance as a form of protest; how performance illuminates our relationships with animals as autonomous creatures and artistic symbols; and how performance can help humans re-define our place in the larger ecological community\"-- Provided by publisher.
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Dickens and Popular Entertainment
Dickens and Popular Entertainment is the first extended study of this vital aspect of Dicken's life and work. Ranging widely through showmen's memoirs, playbills, advertisements, journals, drawings and imaginative literature, Paul Schlicke explores the ways in which Dickens channelled his love of entertainment into incomparable artistry. Circus, fair, theatre and street performances provided the novelist with subject matter and with the sources of imaginative stimulus essential to his art. Splendidly illustrated with nineteenth-century engravings, many reprinted here for the first time, this study offers a challenging reassessment of Nicholas Nickleby, The Old Curiosity Shop and Hard Times. It shows the important place entertainment held in Dicken's journalism and presents an illuminating perspective on the public readings which dominated the last twelve years of his life.
Paul Schlicke, lecturer in English at the University of Aberdeen, brings a lifetime's love of Dickens and many years of research to this book. Its importance will be evident not only to students of literature but to anyone interested in the dynamic social transformation of nineteenth-century England and in the history of popular culture.
eBook
Racial geometries of the Black Atlantic, Asian Pacific and American theatre
\"Drawing on original archival research, Racial Geometries examines popular forms of performance -- from musical theatre and minstrelsy to non-theatrical forms like Chinatown tourism -- to expose how American racial formation between the two World Wars was not determined only within national borders but traded on and influenced international dynamics\"--Provided by publisher.
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