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Cultural Genocide
Most scholars of genocide focus on mass murder. Lawrence Davidson, by contrast, explores the murder of culture. He suggests that when people have limited knowledge of the culture outside of their own group, they are unable to accurately assess the alleged threat of others around them. Throughout history, dominant populations have often dealt with these fears through mass murder. However, the shock of the Holocaust now deters today's great powers from the practice of physical genocide. Majority populations, cognizant of outside pressure and knowing that they should not resort to mass murder, have turned instead to cultural genocide as a \"second best\" politically determined substitute for physical genocide.
InCultural Genocide, this theory is applied to events in four settings, two events that preceded the Holocaust and two events that followed it: the destruction of American Indians by uninformed settlers who viewed these natives as inferior and were more intent on removing them from the frontier than annihilating them; the attack on the culture of Eastern European Jews living within Russian-controlled areas before the Holocaust; the Israeli attack on Palestinian culture; and the absorption of Tibet by the People's Republic of China.
In conclusion, Davidson examines the mechanisms that may be used to combat today's cultural genocide as well as the contemporary social and political forces at work that must be overcome in the process.
eBook
Global Visions of Violence
In Global Visions of Violence , the editors and contributors argue that violence creates a lens, bridge, and method for interdisciplinary collaboration that examines Christianity worldwide in the twentieth and twenty-first centuries. By analyzing the myriad ways violence, persecution, and suffering impact Christians and the imagination of Christian identity globally, this interdisciplinary volume integrates the perspectives of ethicists, historians, anthropologists, and ethnographers to generate new conversations. Taken together, the chapters in this book challenge scholarship on Christian growth that has not accounted for violence while analyzing persecution narratives that can wield data toward partisan ends. This allows Global Visions of Violence to push urgent conversations forward, giving voice to projects that illuminate wide and often hidden landscapes that have been shaped by global visions of violence, and seeking solutions that end violence and turn toward the pursuit of justice, peace, and human rights among suffering Christians.
eBook
The Internet and political protest in autocracies
\" Eight years after the Arab Spring there is still much debate over the link between Internet technology and protest against authoritarian regimes. While the debate has advanced beyond the simple question of whether the Internet is a tool of liberation or one of surveillance and propaganda, theory and empirical data attesting to the circumstances under which technology benefits autocratic governments versus opposition activists is scarce. In this book, Nils B. Weidmann and Espen Geelmuyden R²d offer a broad theory about why and when digital technology is used for one end or another, drawing on detailed empirical analyses of the relationship between the use of Internet technology and protest in autocracies. By leveraging new sub-national data on political protest and Internet penetration, they present analyses at the level of cities in more than 60 autocratic countries. The book also introduces a new methodology for estimating Internet use, developed in collaboration with computer scientists and drawing on large-scale observations of Internet traffic at the local level. Through this data, the authors analyze political protest as a process that unfolds over time and space, where the effect of Internet technology varies at different stages of protest. They show that violent repression and government institutions affect whether Internet technology empowers autocrats or activists, and that the effect of Internet technology on protest varies across different national environments. \"-- Provided by publisher.
Book
Show Time
In Show Time, Lee Ann Fujii asks why some perpetrators of political violence, from lynch mobs to genocidal killers, display their acts of violence so publicly and extravagantly. Closely examining three horrific and extreme episodes—the murder of a prominent Tutsi family amidst the genocide in Rwanda, the execution of Muslim men in a Serb-controlled village in Bosnia during the Balkan Wars, and the lynching of a twenty-two-year old Black farmhand on Maryland's Eastern Shore in 1933—Fujii shows how \"violent displays\" are staged to not merely to kill those perceived to be enemies or threats, but also to affect and influence observers, neighbors, and the larger society.
Watching and participating in these violent displays profoundly transforms those involved, reinforcing political identities, social hierarchies, and power structures. Such public spectacles of violence also force members of the community to choose sides—openly show support for the goals of the violence, or risk becoming victims, themselves. Tracing the ways in which public displays of violence unfold, Show Time reveals how the perpetrators exploit the fluidity of social ties for their own ends.
eBook
Iron curtain : the crushing of Eastern Europe, 1944-1956
In the follow-up to her previous book \"Gulag,\" the author, a journalist, delivers a history of how Communism took over Eastern Europe after World War II and transformed in frightening fashion the individuals who came under its sway. At the end of World War II, the Soviet Union, to its surprise and delight, found itself in control of a huge swath of territory in Eastern Europe. Josef Stalin and his secret police set out to convert a dozen radically different countries to Communism, a completely new political and moral system. In this book, the author describes how the Communist regimes of Eastern Europe were created and what daily life was like once they were complete. She draws on newly opened East European archives, interviews, and personal accounts translated for the first time to portray in detail the dilemmas faced by millions of individuals trying to adjust to a way of life that challenged their every belief and took away everything they had accumulated. Today the Soviet Bloc is a lost civilization, one whose cruelty, paranoia, bizarre morality, and strange aesthetics is captured in the pages of this book.
BOOK
Queer Attachments
Why is shame so central to our identity and to our culture? What is its role in stigmatizing subcultures such as the Irish, the queer or the underclass? Can shame be understood as a productive force? In this lucid and passionately argued book, Sally R. Munt explores the vicissitudes of shame across a range of texts, cultural milieux, historical locations and geographical spaces - from eighteenth-century Irish politics to Philip Pullman's His Dark Materials trilogy, from contemporary US academia to the aesthetics of Tracey Emin. She finds that the dynamics of shame are consistent across cultures and historical periods, and that patterns of shame are disturbingly long-lived. But she also reveals shame as an affective emotion, engendering attachments between bodies and between subjects - queer attachments. Above all, she celebrates the extraordinary human ability to turn shame into joy: the party after the fall. Queer Attachments is an interdisciplinary synthesis of cultural politics, emotions theory and narrative that challenges us to think about the queerly creative proclivities of shame.
Contents: Series editors' preface: After shame; Foreword, Donald L. Nathanson; The cultural politics of shame: an introduction; Queer Irish sodomites: the shameful histories of Edmund Burke, William Smith, Theodosius Reed, the Earl of Castlehaven and diverse servants - among others; Shove the queer: Irish/American shame in New York's annual St Patrick's Day parades; Expulsion: the queer turn of shame; Queering the pitch: contagious acts of shame in organisations; Shameless in Queer Street; A queer undertaking: uncanny attachments in the HBO television drama series Six Feet Under; After the fall: queer heterotopias in Philip Pullman's His Dark Materials trilogy; A queer feeling when I look at you: Tracey Emin's aesthetics of the self; Bibliography; Index.
Sally R. Munt is Professor of Media and Cultural Studies at the University of Sussex , UK. She has published extensively in cultural studies and is the author or editor of seven previous books including Heroic Desire: Lesbian Identity and Cultural Space (1998) and (as editor) Cultural Studies and the Working Class: Subject to Change (2000). She has given numerous keynote speeches and invited lectures in Europe and the US.
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End of Days Ethics, Tradition, and Power in Israel
End of Days is both a meditation on Jewish morality in the age of Israeli Jewish power, and a
cri du coeur by an Orthodox Israeli Jew, a former combat officer in the IDF, for Israelis to look into the Jewish religious ethical tradition for an alternative to the secular and religious Zionism that sanctifies power, statehood, and sovereignty. Appealing to a wealth of Jewish sources from the Bible to the present, including medieval Jewish ethical literature, rabbinic sources, Jewish law, and contemporary Israeli thought, the book presents an argument against Israel’s occupation of the Palestinians and the suppression of their rights from the perspective of a modern Israeli religious Jew.
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