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"Photography Digital techniques."
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The Art and Technique of Digital Color Correction
2012,2013,2014
How to\" books are a dime a dozen. What makes this book special is that it is also a \"Why\" book. Hullfish sits down with world-class colorists and records not only what they do but why they do it. That's where the magic lies.
\"How\" is the question to ask if you want to become a craftsman. \"Why\" is the question that creates artists. I bought the first edition for \"How\" and came away with a lot of \"Why.\" This edition has lots more of both, with material from several additional world class colorists.
If you want an inside look into the art and craft of the professional colorist there's no better way to do it in book form. Whether you're learning to be a colorist or just want to understand what really happens when you decide something can be \"fixed in post,\" you need to read this book. -Art Adams, cinematographer/educator, ProVideoCoalition.com. This book just keeps getting better with each new edition. Steve Hullfish's approach is designed to teach techniques that transfer to a wide range of popular and accessible color correction tools. The intent is to demystify the process, so readers can learn the concepts and apply them, regardless of whether the software has sliders, wheels or curves. Best of all, Hullfish features extensive tips and tricks from some of the premier colorists in the country, so you can learn from the masters. If you only purchase one book on color correction, this is the essential guide to include in your library. -Oliver Peters, Oliver Peters Peters Post Production Services, LLC A terrific and much-needed book for anybody serious about digital color correction. Starting with the basics, it helps the reader work through a series of specific, well-illustrated examples, covering all the major software applications, and supports the text with insightful comments from prominent working colorists. All in all, it's essential reading for anyone who wants to improve their skills in this rapidly changing field. -Steve Cohen, editor, Emmy and ACE Eddie winner, author of Avid Agility.
Book of GIMP
by
Lecarme, Olivier
,
Delvare, Karine
in
Digital techniques
,
GIMP (Computer file)
,
Image processing
2013,2017
GIMP (GNU Image Manipulation Program) is the open source movements answer to Adobe Photoshop: a free, fully featured, professional-grade graphics editor. Half guidebook, half reference manual, The Book of GIMP is really two books in one. In the first half, readers follow full-color illustrated, step-by-step instructions to complete a series of projects, including retouching photos, animating logos, designing website visuals, and much more. In the process, they learn to harness GIMPs power. Once readers have mastered GIMP, the second half of the book offers a comprehensive reference for its many features, including drawing tools, masks, filters, transformations, and plug-ins. With clear instructions for beginners and encyclopedic coverage for experts, The Book of GIMP is the definitive GIMP resource for all users, regardless of experience level.
Digital Wildlife Photography
2013,2012
“Using a combination of artistic approach and impeccable technique, professional photographers John and Barbara Gerlach will guide you through the field as you photograph the most intriguing and captivating subjects out in the wild.
A sampling of what you'll learn:
How to integrate equipment with technique to capture superb wildlife images of birds, mammals, amphibians, and more with an emphasis on precision and speed
Where and how animals can be approached closely enough to photograph well
How not to disturb the critters around you, depending on environment (den vs. tree and everything in-between)
When (and when-not) to feed the animals
Technical info like cropping, frames per second for capture, pixels/enlarging, and even HDR
Where to focus on various types of wildlife
Lighting depending on which animals have high contrast
Ethics
Traveling with your gear
The “top 10” places in the world to shoot and how to find the best location for your interests”
Art Beyond the Lens
2012
Vintage-looking, dream-like textures can open up a whole new world in your photography. However, there is much, much more to working with textures than simply merging them with an image via Photoshop. In this gorgeous new guide from texture guru Sarah Gardner, you'll learn everything there is to know about how to maximize the potential of these exciting tools. In addition to hundreds of beautiful example images, this book is also packed with practical advice on what makes a good texture, and how and when to use them. How an image is initially captured and processed has a significant impact on the effect a texture will have, so you'll also learn what to consider when composing and shooting (rather than simply relying on post-processing) and how to use lighting and background considerations effectively for later work with textures. Workshop notes and a supplemental website will help you put Sarah's techniques into practice immediately. Beautiful enough to sit on your coffee table yet practical enough to store near your computer, this book will show you everything you need to know to get that coveted vintage-feel in your images, whether you're a casual family snapper or a seasoned professional.
Sarah Gardner is a UK-based photographer who specializes in Fine Art Photography with a specific editing style. After ten years in the marketing and advertising business, Sarah decided to strike out on her own and now runs a very successful photography business where she is commissioned for wedding, portrait, and fine art work. She has designed a successful line of Photoshop Textures and runs workshops teaching others how to hone this craft. Her work is shown as part of the photographic group The Catch Light Collective and she has been featured on The D-Photo (www.thedphoto.com) and on The Photography Parlour (http://www.thephotographyparlour.com). She holds an honors degree in Fine Art from the Nottingham Trent University. http://www.sarahgardnerphotography.co.uk/
Introduction; Back to Art; A Working Style; Shooting with Textures in Mind; Digital Textures Explained; Processing Insights; Photography Insights; Presentation & Client Work; End Note
Photo box : bringing the great photographers into focus
by
Koch, Roberto, 1955- author of introduction, etc
,
Bargados, Jimena translator
,
Cappleman, Catriona translator
in
Photography, Artistic
,
Photography Digital techniques
2009
'Photobox' presents a collection of 250 photographs by 200 of the world's most prominent photographers, ranging from legendary masters to contemporary stars. Each image is accompanied by an engaging commentary and a brief biography of the photographer.
PaintShop Pro X6 for Photographers
2014
Written for photographers of all levels, PaintShop Pro X6 for Photographers is packed with inspirational, full-color images and easy-to-follow step-by-step projects that will have you producing great images in PaintShop Pro in no time! Everything you need to enhance and improve your digital photography is right here in this Corel® endorsed guide.
In this new edition, Ken McMahon looks at the pros and cons of the new, faster 64-bit version of the software and covers new features, including working with the Instant Effects palette, using the Smart selection brush, mapping photos, automatically tagging people, and uploading to Facebook, Flickr, and Google+. Other program features-selections, masking, layers, adjustments and effects, HDR, and scripting-are explained through practical examples that are just as relevant for older versions of the software.
This book has everything a photographer needs to take their photos to the next level with PaintShop Pro.
Learn from PaintShop Pro expert Ken McMahon with the most authoritative book on PaintShop Pro endorsed by Corel®.
Completely revised and updated with all of the new features in X6-get up to speed with 64-bit processing power, new selection tools, workspace enhancements, and much more.
A complete learning package with full-color screen shots and examples, and step-by-step projects at the end of each chapter.