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Effect of Continuous Planting on Tree Growth Traits and Growth Stress in Plantation Forests of IEucalyptus urophylla × E. grandis/I
Continuous planting is the primary method for managing Eucalyptus plantations. The “space-replacing time” approach assesses growth parameters of Eucalyptus trees in China across generations, including height, diameter at breast height (DBH), slenderness ratio, trunk oblateness, and longitudinal growth strain. The findings reveal: (1) significant variations in growth strain occur among generations, with average strain increasing noticeably; and (2) growth-linked traits of Eucalyptus urophylla × E. grandis are impacted, with negative correlation between slenderness ratio and growth strain, and positive correlation between height and trunk oblateness. Factors influencing growth strain include height, slenderness, and surface longitudinal growth strain at breast height, with strong correlations observed. These parameters serve as growth strain indicators. Continuous planting affects growth traits and strain in Eucalyptus plantations. It is advisable to select trees with stable or slow growth rates and to avoid continuous planting without limits.
Journal Article
Sorghum at The Plantation, a farm in Premer, New South Wales
Sorghum at The Plantation, a farm in Premer, New South Wales
Streaming Video
Sugar plantation in India and Indonesia : industrial production, 1770-2010
\"European markets almost exclusively relied on Caribbean sugar produced by slave labor until abolitionist campaigns began around 1800. Thereafter, importing Asian sugar and transferring plantation production to Asia became a serious option for the Western world. In this book, Ulbe Bosma details how the British and Dutch introduced the sugar plantation model in Asia and refashioned it over time. Although initial attempts by British planters in India failed, the Dutch colonial administration was far more successful in Java, where it introduced in 1830 a system of forced cultivation that tied local peasant production to industrial manufacturing. A century later, India adopted the Java model in combination with farmers' cooperatives rather than employing coercive measures. Cooperatives did not prevent industrial sugar production from exploiting small farmers and cane cutters, however, and Bosma finds that much of modern sugar production in Asia resembles the abuses of labor by the old plantation systems of the Caribbean\"-- Provided by publisher.
Book
Tom Simson works in a sorghum field at The Plantation
Tom Simson works in a sorghum field at The Plantation
Streaming Video
The botanical afterlife of indenture: Mehndi as imaginative visual archive
This article presents artwork from the project, 'The botanical afterlife of indenture: Mehndi as imaginative visual archive', which memorializes the legacy of Indian indenture by recording the flora brought by indentured workers as they exist in the midst of contemporary social life and in the region's landscape. In the project, mehndi works as a decolonializing and embodied, post-indenture feminist aesthetic praxis and a method for contributing to a new world visual archive. Indo-Caribbean imaginative visual archives can challenge gendered and racialized exclusions in colonial and creole visual representations, and can instead image indenture and post-indenture histories in ways that are accessible, inclusive, consensual and popular; connecting all in the Caribbean and its diaspora to the afterlife of indenture. The article reflects on the images produced, how they echo biographical and fictional writing, and how they critically engage with the orientalising lens of colonial-era photography. In presenting these original designs of a botanical imaginary, the project aims to transform mehndi in post-indenture sites so that art forms which are both traditional and contemporary can be seen as post-plantation techniques for making memory-work an act of beauty. Inspired by his scholarship and encouragement, the project is dedicated to beloved Professor Emeritus Brinsley Samaroo. KEYWORDS mehndi, afterlife of indenture, visual counter-archive, botanical imaginary, Indo-Caribbean feminism, post-indenture feminist praxis, embodiment, mothering
Journal Article
