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188 result(s) for "Plato Aesthetics."
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Western aesthetics and art theory begin with Plato; this book aims to offer an understanding of his criticisms of the arts in the context of his own philosophy, and to locate him in today's philosophy of art. Christopher Janaway provides an accessible and illuminating discussion of such issues as beauty, emotion, ethical knowledge, artistic autonom.
Greek Aesthetic Theory (RLE
This book provides a clear and informed account of aesthetic and callistic concepts as they occur in the works of Plato and Aristotle. The author illustrates their ideas on art and beauty by close reference to their texts and finds a profound similarity which unites them, revealing many of their differences to be complementary aspects of an essentially similar viewpoint. He also shows how Greek notions of art and beauty are not merely primitive steps in the advance to modern ideas but have a direct relevance to modern critical controversies.
Greek Aesthetic Theory (RLE: Plato)
This book provides a clear and informed account of aesthetic and callistic concepts as they occur in the works of Plato and Aristotle. The author illustrates their ideas on art and beauty by close reference to their texts and finds a profound similarity which unites them, revealing many of their differences to be complementary aspects of an essentially similar viewpoint. He also shows how Greek notions of art and beauty are not merely primitive steps in the advance to modern ideas but have a direct relevance to modern critical controversies. Introduction 1. Romantic Beauty in Plato 2. The Sense of Harmony 3. Plato’s Evaluation of Art and Poetry 4. The Poetic Process 5. Aristotle on Art and beauty 6. Mimesis and Rhythm 7. Catharsis 8. Comedy. Conclusion. Bibliography. Index
The Knowledge Most Worth Having
The Knowledge Most Worth Having represents the essence of education at the University of Chicago—faculty and students grappling with key intellectual questions that span the humanities, while still acknowledging the need to acquire a depth of knowledge in one's chosen field. The papers collected here were delivered during an often-heated conference at the university in 1966, and include contributions from such scholars as Northrop Frye, Richard McKeon, and, of course, the dean of the college, Wayne Booth himself. Taken as a whole, they present a passionate defense of liberal education, one that remains highly relevant today.
The knowledge most worth having
The Knowledge Most Worth Having represents the essence of education at the University of Chicago—faculty and students grappling with key intellectual questions that span the humanities, while still acknowledging the need to acquire a depth of knowledge in one’s chosen field. The papers collected here were delivered during an often-heated conference at the university in 1966, and include contributions from such scholars as Northrop Frye, Richard McKeon, and, of course, the dean of the college, Wayne Booth himself. Taken as a whole, they present a passionate defense of liberal education, one that remains highly relevant today.
Plato`s Ideas on Poetry
In his most important and most voluminous creation “The State” (Republic, Politeia), Plato included the most characteristically philosophical concepts which were an expression of his interests. Apart various fields of teaching, such metaphysics, theology, ethics, psychology, pedagogy, State system, which result from this creation, art and poetry could not go without being included as well (including the music). Otherwise, the Plato himself, in young age, except with mathematics he also dealt with poetry by believing that he is going to be more dedicated to it. But, it seems that acquaintance with the Socrates since he was 20 years old changed his mind and he was fully committed to the philosophy. His general philosophical reviews sublimating his philosophical ideas, which arise on the basis of the idea, as an alpha and omega of every human been in the world, took Plato away from poetry by making him more and more torrential in philosophy and more and more critical, even more cynical towards the poetry.