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To understand how global warming can be kept well below 2 degrees Celsius and even 1.5 degrees Celsius, climate policy uses scenarios that describe how society could reduce its greenhouse gas emissions. However, current scenarios have a key weakness: they typically focus on reaching specific climate goals in 2100. This choice may encourage risky pathways that delay action, reach higher-than-acceptable mid-century warming, and rely on net removal of carbon dioxide thereafter to undo their initial shortfall in reductions of emissions. Here we draw on insights from physical science to propose a scenario framework that focuses on capping global warming at a specific maximum level with either temperature stabilization or reversal thereafter. The ambition of climate action until carbon neutrality determines peak warming, and can be followed by a variety of long-term states with different sustainability implications. The approach proposed here closely mirrors the intentions of the United Nations Paris Agreement, and makes questions of intergenerational equity into explicit design choices. Fundamental value judgments about acceptable maximum levels of climate change and future reliance on controversial technologies can be made explicitly in climate scenarios, thereby addressing the intergenerational bias present in the scenario literature.

Between three and four thousand civilians, primarily Serbian and Jewish, were murdered in the Novi Sad massacre of 1942. Hungarian soldiers and gendarmes carried out the crime in the city and surrounding areas, in territory Hungary occupied after the German attack on Yugoslavia. The perpetrators believed their acts to be a contribution to a new order in Europe, and as a means to ethnically cleanse the occupied lands. In marked contrast to other massacres, the Horthy regime investigated the incident and tried and convicted the commanding officers in 1943-44. Other trials would follow. During the 1960s, a novel and film telling the story of the massacre sparked the first public open debate about the Hungarian Holocaust. This book examines public contentions over the Novi Sad massacre from its inception in 1942 until the final trial in 2011. It demonstrates how attitudes changed over time toward this war crime and the Holocaust through different political regimes and in Hungarian society. The book also views how the larger European context influenced Hungarian debates, and how Yugoslavia dealt with memories of the massacre.

This engaging and stimulating book argues that Shakespeare's plays significantly influenced movie genres in the twentieth century, particularly in films concerning love in the classic Hollywood period. Shakespeare's 'green world' has a close functional equivalent in 'tinseltown' and on 'the silver screen', as well as in hybrid genres in Bollywood cinema. Meanwhile, Romeo and Juliet continues to be an enduring source for romantic tragedy on screen. The nature of generic indebtedness has not gained recognition because it is elusive and not always easy to recognise. The book traces generic links between Shakespeare's comedies of love and screen genres such as romantic comedy, 'screwball' comedy and musicals, as well as clarifying the use of common conventions defining the genres, such as mistaken identity, 'errors', disguise and 'shrew-taming'. Speculative, challenging and entertaining, the book will appeal to those interested in Shakespeare, movies and the representation of love in narratives.