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4,919 result(s) for "Poetry Influence."
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Parrots and Nightingales
The love songs of Occitan troubadours inspired a rich body of courtly lyric by poets working in neighboring languages. For Sarah Kay, these poets were nightingales, composing verse that is recognizable yet original. But troubadour poetry also circulated across Europe in a form that is less well known but was more transformative. Writers outside Occitania quoted troubadour songs word for word in their original language, then commented upon these excerpts as linguistic or poetic examples, as guides to conduct, and even as sources of theological insight. If troubadours and their poetic imitators were nightingales, these quotation artists were parrots, and their practices of excerption and repetition brought about changes in poetic subjectivity that would deeply affect the European canon. The first sustained study of the medieval tradition of troubadour quotation,Parrots and Nightingalesexamines texts produced along the arc of the northern Mediterranean-from Catalonia through southern France to northern Italy-through the thirteenth century and the first half of the fourteenth. Featuring extensive appendices of over a thousand troubadour passages that have been quoted or anthologized,Parrots and Nightingalestraces how quotations influenced the works of grammarians, short story writers, biographers, encyclopedists, and not least, other poets including Dante and Petrarch. Kay explores the instability and fluidity of medieval textuality, revealing how the art of quotation affected the transmission of knowledge and transformed perceptions of desire from the \"courtly love\" of the Middle Ages to the more learned formulations that emerged in the Renaissance.Parrots and Nightingalesdeftly restores the medieval tradition of lyric quotation to visibility, persuasively arguing for its originality and influence as a literary strategy.
Classical Chinese poetry in Singapore
As the essence of Chinese traditional culture, classical Chinese poetry in Singapore played a very important role in the social and cultural development of Singapore’s Chinese community. Numerous poems depicted the unique scenery of tropical rainforest and the customs with a Nanyang flavor, recorded the various historical events from the colonial era, the World War II to the independent nation, and reflected the poets’ multiple feelings. This book sketches out the brief history of classical Chinese poetry in Singapore over a hundred years, and focuses on the complex identity of poets from different generations, the function of literary societies in the construction of cultural space and the influence of modern media on the development of classical Chinese poetry based on the text interpretation. In addition, the author attempts to define different types of poetry writing using diaspora literature and Sinophone literature. The discussion of these topics will not only expand the research horizon of Chinese literature, but also provide a meaningful reference to the studies of the worldwide Chinese overseas, especially in Southeast Asia.
The breakbeat poets : new American poetry in the age of hip-hop
\"This is the first anthology of poems by and for the hip-hop generation. It includes more than four decades of poets and covers the birth to the now of hip-hop culture and music and style\"--Introduction.
Assembling the Lyric Self
Assembling the Lyric Self investigates the transition in the thirteenth and fourteenth centuries from the first surviving Provençal and Italian manuscripts (mostly multiauthor lyric anthologies prepared by scribes) to the single-author codex-that is, to the form we now think of as the book of poems. Working from extensive archival and philological research, Olivia Holmes explores the efforts of individual poets to establish poetic authenticity and authority in the context of expanding vernacular literacy.
Lucretius and the Transformation of Greek Wisdom
This book is designed to appeal both to those interested in Roman poetry and to specialists in ancient philosophy. In it David Sedley explores Lucretius' complex relationship with Greek culture, in particular with Empedocles, whose poetry was the model for his own, with Epicurus, the source of his philosophical inspiration, and with the Greek language itself. He includes a detailed reconstruction of Epicurus' great treatise On Nature, and seeks to show how Lucretius worked with this as his sole philosophical source, but gradually emancipated himself from its structure, transforming its raw contents into something radically new. By pursuing these themes, the book uncovers many unrecognised aspects of Lucretius' methods and achievements as a poetic craftsman.
Verse and Virtuosity
While there is little evidence of formal rhetorical instruction in Anglo-Saxon England, traditional Old English poetry clearly shows the influence of Latin rhetoric.Verse and Virtuositydemonstrates how Old English poets imitated and adapted the methods of Latin literature, and, in particular, the works of the Christian Latin authors they had studied at school. It is the first full-length study to look specifically at what Old English poets working in a Latinate milieu attempted to do with the schemes and figures they found in their sources. Janie Steen argues that, far from sterile imitation, the inventiveness of Old English poets coupled with the constraints of vernacular verse produced a vital and markedly different kind of poetry. Highlighting a selection of Old English poetic translations of Latin texts, she considers how the translators responded to the challenge of adaptation, and shows how the most accomplished, such as Cynewulf, absorb Latin rhetoric into their own style and blend the two traditions into verse of great virtuosity. With its wide-ranging discussion of texts and rhetorical figures, this book can serve as an introduction to Old English poetic composition and style.Verse and Virtuosity,will be of considerable interest to Anglo-Saxonists, linguists, and those studying rhetorical traditions.