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101 result(s) for "Political television programs History and criticism."
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Gladiators in suits : race, gender, and the politics of representation in Scandal
\"\"Gladiators in Suits\" is a contributed volume that provides an opportunity to analyze the communication, politics, stereotypes, and genre techniques featured in the television series \"Scandal\" while raising key questions about the intersections of race, gender, sexuality, and viewing audiences. The essays included range from critical looks at various members of Scandal's ensemble, to in-depth analyses of the show's central themes, to audience reception studies via interviews and social media analysis. Additionally, the volume contributes to research on femininity, masculinity, and representations of Black womanhood on television\"-- Provided by publisher.
Strange Bedfellows
It is no coincidence that presidential candidates have been making it a point to add the late-night comedy circuit to the campaign trail in recent years. In 2004, when John Kerry decided it was time to do his first national television interview, he did not choose CBS's60 Minutes, ABC'sNightline,orNBC Nightly News. Kerry picked Comedy Central'sThe Daily Show. When George W. Bush was lagging in the polls, his appearance on theDavid Letterman Showgave him a measurable boost. Candidates for the 2008 presidential election began their late-night bookings almost as soon as they launched their campaigns. How can this be? The reason is that polls have been consistently finding that a significant number of Americans-and an even larger proportion of those under the age of thirty-get at least some of their \"news\" about politics and national affairs from comedy shows. While this trend toward what some have called \"infotainment\" seems to herald the descent of our national discourse-the triumph of entertainment over substance-the reality, according to Russell L. Peterson, is more complex. He explains that this programming is more than a mere replacement for traditional news outlets; it plays its own role in shaping public perception of government and the political process. From Johnny Carson to Jon Stewart, from Chevy Chase's spoofing of President Ford onSaturday Night Liveto Stephen Colbert's roasting of President Bush at the White House Correspondents Dinner,Strange Bedfellowsexplores what Americans have found so funny about our political institutions and the people who inhabit them, and asks what this says about the health of our democracy. Comparing the mainstream network hosts-Jay, Dave, Conan, and Johnny before them-who have always strived to be \"equal opportunity offenders\" to the newer, edgier crop of comedians on cable networks, Peterson shows how each brand of satire plays off a different level of Americans' frustrations with politics.
Reality Television and Arab Politics
What does it mean to be modern outside the West? Based on a wealth of primary data collected over five years, Reality Television and Arab Politics analyzes how reality television stirred an explosive mix of religion, politics, and sexuality, fuelling heated polemics over cultural authenticity, gender relations, and political participation in the Arab world. The controversies, Kraidy argues, are best understood as a social laboratory in which actors experiment with various forms of modernity, continuing a long-standing Arab preoccupation with specifying terms of engagement with Western modernity. Women and youth take center stage in this process. Against the backdrop of dramatic upheaval in the Middle East, this book challenges the notion of a monolithic 'Arab Street' and offers an original perspective on Arab media, shifting attention away from a narrow focus on al-Jazeera, toward a vibrant media sphere that compels broad popular engagement and contentious political performance.
25 years of 22 minutes : an unauthorized oral history of this hour has 22 minutes, as told by cast members, staff, and guests
\"The final chaotic season of Codco had just wrapped when Mary Walsh sat down at a Toronto bistro with George Anthony, then creative head of CBC TV's arts programming. She'd been thinking about a news-based comedy show-did he think that would fly? He did. That was the early '90s. Twenty-five seasons later, hundreds of thousands of Canadians continue to tune in weekly to This Hour Has 22 Minutes for its unashamedly Canadian, bitingly satirical take on politics and power. 25 Years of 22 Minutes takes readers backstage to hear first-hand accounts of the show's key moments-in the words of the writers, producers, and cast members who were there. Readers will have a front-row seat to the birth of the show-including a crisis that had producers scrambling in the very first episode-and an insider's take on the highs, the lows and the daily grind behind the scenes at 22 Minutes.\"-- Provided by publisher.
American Mass Incarceration and Post-Network Quality Television
Far more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically interdisciplinary work presents a series of investigations into some of the most influential and innovative treatments of American mass incarceration to hit our screens in recent decades. Looking beyond celebratory accolades, Lee A. Flamand argues that we cannot understand the eagerness of influential programs such as OZ, The Wire, Orange Is the New Black, 13th, and Queen Sugar to integrate the sensibilities of prison ethnography, urban sociology, identity politics activism, and even Black feminist theory into their narrative structures without understanding how such critical postures relate to the cultural aspirations and commercial goals of a quickly evolving TV industry and the most deeply ingrained continuities of American storytelling practices.
Cowboy politics
Cowboy Politics uses key works of literature, film, and television to explore how westerns address political challenges of Western civilization. This book tracks how westerns supplement liberal politics with republican, populist, perfectionist, and environmentalist politics.
TV formats worldwide
This book redresses the balance of reality shows and the program format as a central mode of business and culture in the new television landscape. It explores topics such as reality TV, makeover programs, sitcoms, talent shows, fiction serials, broadcaster management policies, production decision chains and audience participation processes.
Music Video and the Politics of Representation
How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features* Provides a framework for how to describe and analyse a music video.* Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyoncé to explore issues of representation of gender, sexuality and ethnicity.* Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica.