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"Politics and culture Italy History 20th century."
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Censorship and Literature in Fascist Italy
Examining the breadth and scope of censorship in Fascist Italy, from Mussolini's role as 'prime censor' to the specific experiences of female writers, this is a fascinating look at the vulnerability of culture under a dictatorship.
eBook
After la dolce vita : a cultural prehistory of Berlusconi's Italy
This book chronicles the demise of the supposedly leftist Italian cultural establishment during the long 1980s. During that time, the nation's literary and intellectual vanguard managed to lose the prominence handed it after the end of World War II and the defeat of Fascism. What emerged instead was a uniquely Italian brand of cultural capital that deliberately avoided any critical questioning of the prevailing order. Ricciardi criticizes the development of this new hegemonic arrangement in film, literature, philosophy, and art criticism. She focuses on several turning points: Fellini's futile, late-career critique of Berlusconi-style commercial television, Calvino's late turn to reactionary belletrism, Vattimo's nihilist and conservative responses to French poststructuralism, and Bonito Oliva's movement of art commodification, Transavanguardia.
eBook
After La Dolce Vita
This book chronicles the demise of the supposedly leftist Italian cultural establishment during the long 1980s. During that time, the nation's literary and intellectual vanguard managed to lose the prominence handed it after the end of World War II and the defeat of Fascism. What emerged instead was a uniquely Italian brand of cultural capital that deliberately avoided any critical questioning of the prevailing order. Ricciardi criticizes the development of this new hegemonic arrangement in film, literature, philosophy, and art criticism. She focuses on several turning points: Fellini's futile, late-career critique of Berlusconi-style commercial television, Calvino's late turn to reactionary belletrism, Vattimo's nihilist and conservative responses to French poststructuralism, and Bonito Oliva's movement of art commodification, Transavanguardia.
eBook
Not a normal country : Italy after Berlusconi
'I know of no book in English dedicated with such focus and depth on Berlusconi's politics... Geoff Andrew's grasp of political culture is profound and reflective.' Gino Bedani, Research Professor in Italian, University of Swansea '[Andrews provides] unusually penetrating insights... Beautifully written.' Jim Newell, Reader in Politics, University of Salford Not a Normal Country explores Italian politics and culture in the era of Silvio Berlusconi, Italy's richest man and one of its longest serving prime ministers. Geoff Andrews argues that the 'Berlusconi phenomenon' was a populist response to widespread cynicism towards politics. Berlusconi posed as an 'anti-politician', and based his appeal on his virtues as a salesman rather than a statesman. The second part of the book discusses the varied opposition to Berlusconi. This ranges from the anti-global demonstrations in Genoa in 2001 to unconventional protests such as the Girotondo movement led by the film director Nanni Moretti. According to Andrews, this new associationism has helped rebuild Italian politics. Finally, Andrews looks to the future and, through the examples of anti-mafia protests in Sicily as well as opposition to the Americanisation of Italian culture, considers the prospects for the new post-Berlusconi Italy.
eBook
Social Bodies
Using as his example post-World War I Italy and the government's interest in the size, growth rate, and \"vitality\" of its national population, David Horn suggests a genealogy for our present understanding of procreation as a site for technological intervention and political contestation.Social Bodieslooks at how population and reproductive bodies came to be the objects of new sciences, technologies, and government policies during this period. It examines the linked scientific constructions of Italian society as a body threatened by the \"disease\" of infertility, and of women and men associalbodies--located neither in nature nor in the private sphere, but in that modern domain of knowledge and intervention carved out by statistics, sociology, social hygiene, and social work.
Situated at the intersection of anthropology, cultural studies, and feminist studies of science, the book explores the interrelated factors that produced the practices of reason we call social science and social planning. David Horn draws on many sources to analyze the discourses and practices of \"social experts,\" the resistance these encountered, and the often unintended effects of the new objectification of bodies and populations. He shows how science, while affirming that maternity was part of woman's \"nature,\" also worked to remove reproduction from the domain of the natural, making it an object of technological intervention. This reconstitution of bodies through the sciences and technologies of the social, Horn argues, continues to have material consequences for women and men throughout the West.
eBook
Mussolini's Decennale
Positioning the 1932 anniversary celebrations as the crux of the fascist transition from conservatism to totalitarianism,Mussolini's Decennalebroadens our understanding of fascist ideology, cultural politics, andRealpolitik.
eBook
Piero Gobetti's New World
Piero Gobetti's New Worldis both an introduction to Gobetti's thought and an in-depth study of the three main questions on which his writings focus: the relationship between Italian history and fascism, the nature of a genuine antifascist political culture, and the crisis of Italian liberalism in his day.
eBook
The Historic Imaginary
Focusing on both ritual and mass-visual representations of history in 1920s and 1930s Italy,The Historic Imaginaryunveils how Italian Fascism sought to institutionalize a modernist culture of history. The study takes a new historicist and microhistorical approach to cultural-intellectual history, integrating theoretical tools of analysis acquired from visual-cultural studies, art history, linguistics, and reception theory in a sophisticated examination of visual modes of historical representation - from commemorations to monuments to exhibitions and mass-media - spanning the entire period of the Italian-fascist regime.
Claudio Fogu argues that the fascist historic imaginary was intellectually rooted in the actualist philosophy of history elaborated by Giovanni Gentile, culturally grounded in Latin-Catholic rhetorical codes, and aimed at overcoming both Marxist and liberal conceptions of the relationship between historical agency, representation, and consciousness. The book further proposes that this modernist vision of history was a core element of fascist ideology, encapsulated by the famous Mussolinian motto that \"fascism makes history rather than writing it,\" and that its institutionalization constituted a key point of intersection between the fascist aesthetization and sacralization of politics. The author finally claims that his study of fascist historic culture opens the way to an understanding and re-evaluation of the historical relationship between the modernist critique of historical consciousness and the rise of post-modernist forms of temporality.
eBook