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The ultimate guide to vinyl and more : all you need to know about collecting essential music, from cylinders and CDs to LPs and tapes
\"An in-depth and comprehensive guide to and history of music collecting, The Ultimate Guide to Vinyl and More traces the hobby from its beginnings over a century ago. The book features informative and entertaining sections on every significant format in which recorded music has been released and some that are now almost completely forgotten. Based on Dave Thompson's original Backbeat classic, The Music Lover's Guide to Record Collecting, this revamped, colorful, expanded edition takes readers from the early days of cylinders, 78s, and Edison records on through 45s, LPs, 8-tracks, cassettes, bootlegs, CDs, MiniDiscs, MP3s, LPs, and other formats. Landmark labels, collectable artists, specialist themes, and more are explored across a series of essays, while dozens of color images bring the most obscure corners of the hobby to life. Unlike other volumes that focus exclusively on vinyl, this book caters to the audiophile whose obsession for music welcomes all formats. Through it all, the joy and fascination of music collecting in all its guises comes alive\"--Provided by publisher.
Book
Sound, Society and the Geography of Popular Music
Popular music is a cultural form much rooted in space and place. This book interprets the meaning of music from a spatial perspective and, in doing so it furthers our understanding of broader social relations and trends, including identity, attachment to place, cultural economies, social activism and politics. The book's editors have brought together a team of scholars to discuss the latest innovative thinking on music and its geographies, illustrated with a fascinating range of case studies from the USA, Canada, the Caribbean, Australia and Great Britain.
eBook
Not dead yet : the memoir
Phil Collins pulls no punches -- about himself, his life, or the ecstasy and heartbreak that has inspired his music. In this memoir, he tells the story of his epic career, with an auspicious debut at age 11 in a crowd shot from the Beatles' legendary film A Hard Day's Night. A drummer since almost before he could walk, Collins received on-the-job training in the seedy, thrilling bars and clubs of 1960s swinging London before finally landing the drum seat in Genesis. He would step into the spotlight on vocals after the departure of Peter Gabriel and begin to stockpile the songs that would rocket him to international fame with the release of Face Value and \"In the Air Tonight.\" Collins recalls jamming with Eric Clapton and Robert Plant, pulling together a big band fronted by Tony Bennett, and writing the music for Disney's animated Tarzan. And of course he answers the pressing question on everyones mind : just what does \"Sussudio\" mean?
Book
Music Video and the Politics of Representation
How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features* Provides a framework for how to describe and analyse a music video.* Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyoncé to explore issues of representation of gender, sexuality and ethnicity.* Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica.
eBook
The Jacksons legacy
A visual history of the Jacksons combines exclusive interviews, anecdotes, quotes, and previously unseen family archive photographs to trace their meteoric rise and history-making tours.
Book
K-pop
K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. John Lie provides not only a history of South Korean popular music—the premodern background, Japanese colonial influence, post-Liberation American impact, and recent globalization—but also a description of K-pop as a system of economic innovation and cultural production. In doing so, he delves into the broader background of South Korea in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe.
eBook
Lost Sounds
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved._x000B__x000B_Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and \"the color line,\" and their stories illuminate the forces--both black and white--that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws._x000B__x000B_Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
eBook
Audiotopia
Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Café Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching-a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically,Audiotopiaforges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come.
eBook
1989
In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as “the end of history.” Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if ”perhaps pop had been biding its time until 1989 came along to make sense of its sensibility.” His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how “history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being.”
eBook
Music and tourism
This book comprehensively examines the links between travel and music. It combines contemporary and historical analysis of the economic and social impact of music tourism, with discussions of the cultural politics of authenticity and identity.
eBook