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"Popular culture Political aspects United States."
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Chicanx Utopias
Amid the rise of neoliberalism, globalization, and movements for
civil rights and global justice in the post-World War II era,
Chicanxs in film, music, television, and art weaponized culture to
combat often oppressive economic and political conditions. They
envisioned utopias that, even if never fully realized, reimagined
the world and linked seemingly disparate people and places. In the
latter half of the twentieth century, Chicanx popular culture
forged a politics of the possible and gave rise to utopian dreams
that sprang from everyday experiences.
In Chicanx Utopias , Luis Alvarez offers a broad study
of these utopian visions from the 1950s to the 2000s. Probing the
film Salt of the Earth , brown-eyed soul music, sitcoms,
poster art, and borderlands reggae music, he examines how Chicanx
pop culture, capable of both liberation and exploitation, fostered
interracial and transnational identities, engaged social movements,
and produced varied utopian visions with divergent possibilities
and limits. Grounded in the theoretical frameworks of Walter
Benjamin, Stuart Hall, and the Zapatista movement, this book
reveals how Chicanxs articulated pop cultural utopias to make sense
of, challenge, and improve the worlds they inhabited.
eBook
The Covert Sphere
In December 2010 the U.S. Embassy in Kabul acknowledged that it was providing major funding for thirteen episodes of Eagle Four-a new Afghani television melodrama based loosely on the blockbuster U.S. series24. According to an embassy spokesperson, Eagle Four was part of a strategy aimed at transforming public suspicion of security forces into something like awed respect. Why would a wartime government spend valuable resources on a melodrama of covert operations? The answer, according to Timothy Melley, is not simply that fiction has real political effects but that, since the Cold War, fiction has become integral to the growth of national security as a concept and a transformation of democracy.
InThe Covert Sphere, Melley links this cultural shift to the birth of the national security state in 1947. As the United States developed a vast infrastructure of clandestine organizations, it shielded policy from the public sphere and gave rise to a new cultural imaginary, \"the covert sphere.\" One of the surprising consequences of state secrecy is that citizens must rely substantially on fiction to \"know,\" or imagine, their nation's foreign policy. The potent combination of institutional secrecy and public fascination with the secret work of the state was instrumental in fostering the culture of suspicion and uncertainty that has plagued American society ever since-and, Melley argues, that would eventually find its fullest expression in postmodernism.
The Covert Spheretraces these consequences from the Korean War through the War on Terror, examining how a regime of psychological operations and covert action has made the conflation of reality and fiction a central feature of both U.S. foreign policy and American culture. Melley interweaves Cold War history with political theory and original readings of films, television dramas, and popular entertainments-fromThe Manchurian Candidatethrough24-as well as influential writing by Margaret Atwood, Robert Coover, Don DeLillo, Joan Didion, E. L. Doctorow, Michael Herr, Denis Johnson, Norman Mailer, Tim O'Brien, and many others.
eBook
Popular culture as art and knowledge : a critique of authoritarian neoliberalism and the crisis of democracy
\"To adjudicate between continental and analytic philosophy this book looks at the Star Trek television series, as well as Nazi cinema. Popular culture is germane to philosophy and contemporary politics because television creators attract viewers by conveying authentic philosophical and political motifs\"-- Provided by publisher.
Book
Americans all : good neighbor cultural diplomacy in World War II
No detailed description available for \"Americans All\".
eBook
Neocitizenship
How political realities are formed when the government ceases to be a guarantor of rights and democracy
Neocitizenshipexplores how the constellation of political and economic forces of neoliberalism have assailed and arguably dismantled the institutions of modern democratic governance in the U.S. As overtly oligarchical structures of governance replace the operations of representative democracy, the book addresses the implications of this crisis for the practices and imaginaries of citizenship through the lens of popular culture. Rather than impugn the abject citizen-subject who embraces her degraded condition, Eva Cherniavsky asks what new or hybrid forms of civic agency emerge as popular sovereignty recedes.
Drawing on a range of political theories,Neocitizenshipalso suggests that theory is at a disadvantage in thinking the historical present, since its analytical categories are wrought in the very historical contexts whose dissolution we now seek to comprehend. Cherniavsky thus supplements theory with a focus on popular culture that explores the de-democratization for citizenship in more generative and undecided ways. Tracing the contours of neocitizenship in fiction through examples such asThe White Boy ShuffleandDistraction, television shows likeBattlestar Galactica, and in the design of American studies abroad,Neocitizenshipaims to take the measure of a transformation in process, while evading the twin lures of optimism and regret.
eBook
After broadcast news : media regimes, democracy, and the new information environment
\"The new media environment has challenged the role of professional journalists as the primary source of politically relevant information. After Broadcast News puts this challenge into historical context, arguing that it is the latest of several critical moments in which the relationship among citizens, political elites, and the media has been contested\"-- Provided by publisher.
Book
The Naked Communist
The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the \"world\" names the totality that functioned as the ultimate horizon of modern political imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation. The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950s. Its primary objective is to describe the internal mechanisms of what we could call an anti-Communist \"aesthetic ideology.\" The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950s (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program.
eBook