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"Popular culture Serbia History 20th century."
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Serbian dreambook : national imaginary in the time of Milošević
2011
The central role that the regime of Slobodan Miloevic played in the bloody dissolution of Yugoslavia is well known, but Marko ivkovic explores another side of this time period: the stories people in Serbia were telling themselves (and others) about themselves. ivkovic traces the recurring themes, scripts, and narratives that permeated public discourse in Miloevic's Serbia, as Serbs described themselves as Gypsies or Jews, violent highlanders or peaceful lowlanders, and invoked their own mythologized defeat at the Battle of Kosovo. The author investigates national narratives, the use of tradition for political purposes, and local idioms, paying special attention to the often bizarre and outlandish tropes people employed to make sense of their social reality. He suggests that the enchantments of political life under Miloevic may be fruitfully seen as a dreambook of Serbian national imaginary. Summary reprinted by permission of Indiana University Press
Metropolitan Belgrade : culture and class in interwar Yugoslavia
\"Metropolitan Belgrade presents a sociocultural history of the city as an entertainment mecca during the 1920s and 1930s. It unearths the ordinary and extraordinary leisure activities that captured the attention of urban residents and considers the broader role of popular culture in interwar society.\"--Provided by publisher.
Serbian Dreambook
2011
The central role that the regime of Slobodan Milo?eviÄ? played in the bloody dissolution of Yugoslavia is well known, but Marko ?ivkoviÄ? explores another side of this time period: the stories people in Serbia were telling themselves (and others) about themselves. ?ivkoviÄ? traces the recurring themes, scripts, and narratives that permeated public discourse in Milo?eviÄ?'s Serbia, as Serbs described themselves as Gypsies or Jews, violent highlanders or peaceful lowlanders, and invoked their own mythologized defeat at the Battle of Kosovo. The author investigates national narratives, the use of tradition for political purposes, and local idioms, paying special attention to the often bizarre and outlandish tropes people employed to make sense of their social reality. He suggests that the enchantments of political life under Milo?eviÄ? may be fruitfully seen as a dreambook of Serbian national imaginary.