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"Popular music -- Social aspects -- Korea (South)"
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K-pop : popular music, cultural amnesia, and economic innovation in South Korea
\"K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. John Lie provides not only a history of South Korean popular music--the premodern background, Japanese colonial influence, post-Liberation American impact, and recent globalization--but also a description of K-pop as a system of economic innovation and cultural production. In doing so, K-Pop delves into the broader background of South Korea that gave rise to K-pop in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe\"--Provided by publisher.
Book
K-pop
K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. John Lie provides not only a history of South Korean popular music—the premodern background, Japanese colonial influence, post-Liberation American impact, and recent globalization—but also a description of K-pop as a system of economic innovation and cultural production. In doing so, he delves into the broader background of South Korea in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe.
eBook
From factory girls to K-pop idol girls : cultural politics of developmentalism, patriarchy, and neoliberalism in South Korea's popular music industry
Focusing on female idols' proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea's development trajectories, scrutinizing how a formula of developments from the country' rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault's discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals' subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation's century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state's export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago.
Book
The Effects of Globalization on Korea
There are a plethora of studies on globalization, yet few studies have examined the overall effects of globalization on Korea. Thus, in this study, we investigated the overall effects of globalization on Korea's economy, society, language, and culture. The Korean economy enjoyed further growth as globalization facilitated trade expansion. Yet, income inequality and wealth gap deteriorated. Globalization is expanding generational gap as the younger generation introduces changes in language usage. Social culture is altering from Confucianism and collectivism to individualism and materialism particularly among young people. International marriages raise many social issues as well. Children born in international or interethnic couple experience serious identity confusion, requiring the government's and society's support. Gender equality and low childbirth are serious problems for future economic growth. In summary, globalization helped Korea's economic growth, yet introduced many other issues.
Journal Article
Korean Masculinities and Transcultural Consumption
South Korean masculinities have enjoyed dramatically greater influence in recent years in many realms of pan-Asian popular culture, which travels freely in part because of its hybrid trans-nationalistic appeal. This book investigates transcultural consumption of three iconic figures — the middle-aged Japanese female fandom of actor Bae Yong-Joon, the Western online cult fandom of the thriller film Oldboy, and the Singaporean fandom of the pop-star Rain. Through these three specific but hybrid contexts, the author develops the concepts of soft masculinity, as well as global and postmodern variants of masculine cultural impacts. In the concluding chapter, the author also discusses recently emerging versatile masculinity within the transcultural pop production paradigm represented by K-pop idol boy bands.
eBook
Naturalistic Decision-Making in Intentional Communities: Insights from Youth, Disabled Persons, and Children on Achieving United Nations Sustainable Development Goals for Equality, Peace, and Justice
The seventeen UN SDGs address critical global challenges. Among them, Goal 10—reducing inequality—and Goal 16—promoting peace, justice, and strong institutions—serve as foundational pillars in democracies, enabling the achievement of all other goals. Children, youth, and persons with disabilities are among those who stand to benefit most from these goals. Insights from the naturalistic decision-making practices of intentional communities, often framed as Contenders or Deviants in social construction theory, could be instrumental in advancing these objectives. This study examines the decision-making practices of three intentional communities representing youth, disabled persons, and children, each fostering a different version of equitable, peaceful, and justice-oriented governance to build strong institutions. The communities studied include a self-producing Korean popular music (K-pop) group representing youth Contenders, a mental health-supporting annual English conference for individuals on the autistic spectrum, and a Canadian alternative education, self-directed public senior elementary and secondary school—both considered Deviant societies in social construction theory, one focusing on disabled persons and the other on children. The historical method assesses the effectiveness of these communities’ preferred practices in achieving Goals 10 and 16. The results offer actionable insights for enhancing equality, peace, and justice while strengthening institutions to realize the full range of UN SDGs in democratic societies.
Journal Article
Global Goes Local
In Global Goes Local , international scholars from a variety of disciplinary perspectives examine different forms of popular culture in Asia. Covering topics from pop music in Korea to TV commercials in Malaysia, this collection shows how imported cultural forms can be invested with fresh meaning and transformed by local artists to result in new forms of assertion and resistance that also meet the needs of their particular audiences.
eBook
Organizing K-Pop: Emergence and Market Making of Large Korean Entertainment Houses, 1980–2010
This paper studies the connection between the emergence and market making activities of the large Korean entertainment houses and the global level success of “K-pop,” an increasingly popular type of Korean popular music. We review a set of conventional explanations, respectively pointing to cultural factors, government support, and technological development as core factors that led to the global success of K-pop. We find all three explanations unsatisfactory and, alternatively, building on studies of market intermediaries, argue that the roles of three large entertainment houses—SM Entertainment, YG Entertainment, and JYP Entertainment—have been the most crucial in the development and success of K-pop. Through combining data from Korean music charts, newspaper articles, and revenue data, we trace the increasingly systematic musical production strategies of the entertainment houses and the macro-consequences of their organizational activities.
Journal Article
Reconsidering Transnational Cultural Flows of Popular Music in East Asia: Transbordering Musicians in Japan and Korea Searching for \Asia\
After the South Korean government lifted its ban on Japanese culture in 1998, transnational cultural flows between Japan and South Korea entered a third phase of cultural traffic between the two countries. Among the flows, I concentrate on transbordering or translocation of Japanese and Korean musicians and interactions between them. After analyzing cultural interactions between Japanese and Korean music both in contemporary and historical experience, I explain in detail the practices of these transbordering musicians, especially Lee-tzsche (Sang-ŭn Yi) and Hachi (Kasuga Hirofumi). The different types of symbolic representations by different transbordering musicians are critically examined. I argue that analyzing contemporary Asian cultural flows in this conceptual framework has implications for the public debate in Korea in regard to how to go beyond postcolonial relations without erasing the memory of a troubled history.
Journal Article
The Place of Sentimental Song in Contemporary Korean Musical Life
Scholarly and official discourses on Korean music have focused almost exclusively on the range of genres that fall under the broad rubric of \"kugak.\" Yet it is well known to Koreans and foreign observers alike that kugak is little known and under-appreciated by the majority of Koreans today. While many Koreans study Western classical music and hold it in high regard, the music that is most widely consumed, and can be said to be the most popular and meaningful in the lives of contemporary Koreans, is Korean popular music (taejung kayo), and particularly the genre of sentimental love songs known as palladu. Although the Korean government has expressed pride in the international spread of Korean popular culture (the \"Korean Wave\"), cultural policy mostly sanctions kugak and denigrates popular music. I challenge the notion that Korean popular music should merely be viewed as an economic commodity, somehow not truly representative of Korean culture, lacking \"Koreanness.\" Focusing on musical style, language, emotion, and visual imagery, I discuss representative palladŭ songs and their recent history, considering the elements that are widely felt to be \"Korean.\"
Journal Article