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result(s) for
"Popular music Economic aspects Korea (South)"
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K-pop : popular music, cultural amnesia, and economic innovation in South Korea
\"K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. John Lie provides not only a history of South Korean popular music--the premodern background, Japanese colonial influence, post-Liberation American impact, and recent globalization--but also a description of K-pop as a system of economic innovation and cultural production. In doing so, K-Pop delves into the broader background of South Korea that gave rise to K-pop in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe\"--Provided by publisher.
K-pop
2014,2015
K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. John Lie provides not only a history of South Korean popular music—the premodern background, Japanese colonial influence, post-Liberation American impact, and recent globalization—but also a description of K-pop as a system of economic innovation and cultural production. In doing so, he delves into the broader background of South Korea in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe.
The Effects of Globalization on Korea
2022
There are a plethora of studies on globalization, yet few studies have examined the overall effects of globalization on Korea. Thus, in this study, we investigated the overall effects of globalization on Korea's economy, society, language, and culture. The Korean economy enjoyed further growth as globalization facilitated trade expansion. Yet, income inequality and wealth gap deteriorated. Globalization is expanding generational gap as the younger generation introduces changes in language usage. Social culture is altering from Confucianism and collectivism to individualism and materialism particularly among young people. International marriages raise many social issues as well. Children born in international or interethnic couple experience serious identity confusion, requiring the government's and society's support. Gender equality and low childbirth are serious problems for future economic growth. In summary, globalization helped Korea's economic growth, yet introduced many other issues.
Journal Article
Korean Masculinities and Transcultural Consumption
2010,2011
South Korean masculinities have enjoyed dramatically greater influence in recent years in many realms of pan-Asian popular culture, which travels freely in part because of its hybrid trans-nationalistic appeal. This book investigates transcultural consumption of three iconic figures — the middle-aged Japanese female fandom of actor Bae Yong-Joon, the Western online cult fandom of the thriller film Oldboy, and the Singaporean fandom of the pop-star Rain. Through these three specific but hybrid contexts, the author develops the concepts of soft masculinity, as well as global and postmodern variants of masculine cultural impacts. In the concluding chapter, the author also discusses recently emerging versatile masculinity within the transcultural pop production paradigm represented by K-pop idol boy bands.
Organizing K-Pop: Emergence and Market Making of Large Korean Entertainment Houses, 1980–2010
2013
This paper studies the connection between the emergence and market making activities of the large Korean entertainment houses and the global level success of “K-pop,” an increasingly popular type of Korean popular music. We review a set of conventional explanations, respectively pointing to cultural factors, government support, and technological development as core factors that led to the global success of K-pop. We find all three explanations unsatisfactory and, alternatively, building on studies of market intermediaries, argue that the roles of three large entertainment houses—SM Entertainment, YG Entertainment, and JYP Entertainment—have been the most crucial in the development and success of K-pop. Through combining data from Korean music charts, newspaper articles, and revenue data, we trace the increasingly systematic musical production strategies of the entertainment houses and the macro-consequences of their organizational activities.
Journal Article
The Place of Sentimental Song in Contemporary Korean Musical Life
2011
Scholarly and official discourses on Korean music have focused almost exclusively on the range of genres that fall under the broad rubric of \"kugak.\" Yet it is well known to Koreans and foreign observers alike that kugak is little known and under-appreciated by the majority of Koreans today. While many Koreans study Western classical music and hold it in high regard, the music that is most widely consumed, and can be said to be the most popular and meaningful in the lives of contemporary Koreans, is Korean popular music (taejung kayo), and particularly the genre of sentimental love songs known as palladu. Although the Korean government has expressed pride in the international spread of Korean popular culture (the \"Korean Wave\"), cultural policy mostly sanctions kugak and denigrates popular music. I challenge the notion that Korean popular music should merely be viewed as an economic commodity, somehow not truly representative of Korean culture, lacking \"Koreanness.\" Focusing on musical style, language, emotion, and visual imagery, I discuss representative palladŭ songs and their recent history, considering the elements that are widely felt to be \"Korean.\"
Journal Article