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"Post-war history"
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Food security and food sustainability: reformulating the debate
The notion of food security has an important history as a key concept for 20th-century policymakers. Two overarching perspectives on food security are identified. One centred on raising production as the core answer to under-consumption and hunger. The other is an emerging perspective, more social and ecological, accepting the need to address a complex array of problems, not just production. The first is primarily agricultural-focused; the latter a food systems approach. From its inception in post-World War 2 international reconstruction, the UN and governments have given tackling hunger a high profile, via a changing package of policy measures. Within a few decades, the production-oriented approach or paradigm was being questioned by the emerging paradigm with its more complex, multi-focused notion of the challenges ahead. When oil and agricultural commodity prices spiked in 2007—8, the complex agenda was marginalised by a renewed international focus on primary production and the needs of low-income countries. Against this background, the paper explores the diversity of perspectives on what is meant by food security, concluding that the core 21st-century task is to create a sustainable food system. This requires a more coherent policy framework than currently exists, a goal thwarted by competing solutions vying for policy attention and policy failure thus far to integrate the complex range of evidence from social as well as environmental and economic sources into an integrated policy response.
Journal Article
Introduction: Popular Music and Space in Post-War German History
Scholars are increasingly turning to rock'n’roll and its many genres as a means of exploring the recent past. What is electrifying about popular music in all its myriad forms is that it becomes a channel for rethinking social relations and affective communities (those held together by emotional ties) in the post-war period. These new identities and unconventional groupings exploded onto national societies, and their emancipatory programmes and inventive scenes drove democratisation. Societal responses to rock'n’roll indicate that popular music and the spaces where it manifested were highly contested, confrontations that enable scholars to reconsider historical narratives from alternative perspectives. Perhaps most importantly, as an expressive genre both driving and recording change, popular music is uniquely positioned to initiate and then document, through its material output, the efforts by individuals to alter everyday life and, as such, is an ideal vehicle for exploring the tremendous transformations that society has undergone in the post-war era.
Journal Article
The war inside : psychoanalysis, total war, and the making of the democratic self in postwar Britain
\"In recent years the field of modern history has been enriched by the exploration of two parallel histories. These are the social and cultural history of armed conflict, and the impact of military events on social and cultural history\"-- Provided by publisher.
Book
The Logics and Politics of Post-WWII Migration to Western Europe
Few phenomena have been more disruptive to West European politics and society than the accumulative experience of post-WWII immigration. Against this backdrop spring two questions: Why have the immigrant-receiving states historically permitted high levels of immigration? To what degree can the social and political fallout precipitated by immigration be politically managed? Utilizing evidence from a variety of sources, this study explores the links between immigration and the surge of popular support for anti-immigrant groups; its implications for state sovereignty; its elevation to the policy agenda of the European Union; and its domestic legacies. It argues that post-WWII migration is primarily an interest-driven phenomenon that has historically served the macroeconomic and political interests of the receiving countries. Moreover, it is the role of politics in adjudicating the claims presented by domestic economic actors, foreign policy commitments, and humanitarian norms that creates a permissive environment for significant migration to Western Europe.
eBook
Hystopia
\"By the early 1970s, President John F. Kennedy has survived several assassination attempts and--martyred, heroic--is now in his third term. Twenty-two-year-old Eugene Allen returns home from his tour of duty in Vietnam and begins to write a war novel--a book echoing Catch-22 and Slaughterhouse-Five--about veterans who have their battlefield experiences \"enfolded,\" wiped from their memories through drugs and therapy. In Eugene's fictive universe, veterans too damaged to be enfolded stalk the American heartland, reenacting atrocities on civilians and evading the Psych Corps, a federal agency dedicated to upholding the mental hygiene of the nation by any means necessary. This alternative America, in which a veteran tries to reimagine a damaged world, is the subject of Hystopia, the long-awaited first novel by David Means.\"-- Provided by publisher.
Book
In Search of Space: The Trope of Escape in German Electronic Music around 1968
‘In Search of Space’ explores the history of Krautrock, a futuristic musical genre that began in Germany in the late 1960s and flowered in the 1970s. Not usually explicitly political, Krautrock bore the unmistakable imprint of the revolt of 1968. Groups arose out of the same milieux and shared many of the same concerns as anti-authoritarian radicals. Their rebellion expressed, in an artistic way, key themes of the broader countercultural moment of which they were a part. A central theme, the article argues, was escape – escape from the situation of Germany in the 1960s in general, and from the specific conditions of the anti-authoritarian revolt in the Federal Republic in the wake of 1968. Mapping Krautrock's relationship to key locations and routes (both real and imaginary), the article situates Krautrock in relationship to the political and cultural upheavals of its historical context.
Journal Article
AGAINST PERIODIZATION: KOSELLECK'S THEORY OF MULTIPLE TEMPORALITIES
In this essay I intend to flesh out and discuss what I consider to be the groundbreaking contribution by the German historian and theorist of history Reinhart Koselleck to postwar historiography: his theory of historical times. I begin by discussing the view, so prominent in the Anglophone context, that Koselleck's idea of the plurality of historical times can be grasped only in terms of a plurality of historical periods in chronological succession, and hence, that Koselleck's theory of historical times is in reality a theory of periodization. Against this interpretation, to be found in works by Kathleen Davis, Peter Osborne, and Lynn Hunt, among others, I will argue that not only is Koselleck's theory of historical times, or, with a more phenomenlogical turn of phrase, his theory of multiple temporalities, not a theory of periodization, it is, furthermore, a theory developed to defy periodization. Hence, at the core of Koselleck's work is the attempt to replace the idea of linear, homogeneous time with a more complex, heterogeneous, and multilayered notion of temporality. In this essay I will demonstrate how this shift is achieved by means of three dichotomies: between natural and historical, extralinguistic and intralinguistic, and diachronic and synchronic time.
Journal Article