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22
result(s) for
"Pottery Congresses."
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Chaco's Northern Prodigies
by
Reed, Paul F
in
Aztec Ruins National Monument (N.M.)
,
Excavations (Archaeology)-New Mexico-Congresses
,
Plant remains (Archaeology)-New Mexico-Congresses
2008
In the late eleventh and early twelfth centuries, the ancient pueblo sites of Aztec and Salmon in the Middle San Juan region rapidly emerged as population and political centers during the closing stages of Chaco's ascendancy.
Materiality, Techniques and Society in Pottery Production
by
Albero Santacreu, Daniel
in
archaeological ceramic
,
archaeological ceramic, pottery analysis, pottery production, pottery making, ceramic studies, ceramic raw material, ceramic paste analysis, ceramic technology, archaeometry, ethnoarchaeometry, social theory of technology
,
Archaeology
2014,2015
Daniel Albero Santacreu presents a wide overview of certain aspects of the pottery analysis and summarizes most of the methodological and theoretical information currently applied in archaeology in order to develop wide and deep analysis of ceramic pastes. The book provides an adequate framework for understanding the way pottery production is organised and clarifies the meaning and role of the pottery in archaeological and traditional societies. The goal of this book is to encourage reflection, especially by those researchers who face the analysis of ceramics for the first time, by providing a background for the generation of their own research and to formulate their own questions depending on their concerns and interests. The three-part structure of the book allows readers to move easily from the analysis of the reality and ceramic material culture to the world of the ideas and theories and to develop a dialogue between data and their interpretation. Daniel Albero Santacreu is a Lecturer Assistant in the University of the Balearic Islands, member of the Research Group Arqueo UIB and the Ceramic Petrology Group. He has carried out the analysis of ceramics from several prehistoric societies placed in the Western Mediterranean, as well as the study of handmade pottery from contemporary ethnic groups in Northeast Ghana.
Ceramics and Atlantic Connections
2020
Papers focus on the pottery of Mediterranean origin imported into the Atlantic, as well as ceramics of Atlantic production which had widespread distribution. They examine chronologies and relative distributions, and consider the composition of key Atlantic assemblages, revealing new insights into the networks of exchange between c. 400-700 AD.
Bodies of Clay
by
Becker, Valeska
,
Schwarzberg, Heiner
in
Anthropomorphism in art
,
Anthropomorphism in art-Congresses
,
Antiquities, Prehistoric
2017
Since the earliest use of pottery, vessels have been associated with both the general shape and specific parts of the human body. The production of human-shaped pottery might be understood as one element of the spectrum of figural art in prehistoric communities. The idea of studying anthropomorphic pottery and the return of human beings into a body made of clay, which forms the core theme of this collection of 12 papers, stems from work on anthropomorphic features of Neolithic communities between the Near East and Europe. Contributors are engaged in questions about the analysis of human features and characteristics on vessels, their occurrence, function and disposal. Beginning with the European Neolithic and moving on through the Bronze and Iron Ages, papers focus on diachronic archaeological patterns and contexts as well as on the theoretical background of this particular type of container in order to shed light on similarities and differences through the ages and to understand possibilities and limits of interpretation.
Pots, Farmers and Foragers
2010
In Pots, Farmers and Foragers the contributing 24 European scholars show with evidence a new synthesis of the complex interaction of the communities of the western part of the North European Plain during early Neolithic.
Relentlessly Plain
by
Nieuwenhuyse, Olivier
,
Van As, Bram
in
Antiquities. fast (OCoLC)fst00810745
,
Archaeology
,
Ceramics-Congresses
2018
The prehistoric site of Tell Sabi Abyad lies in the valley of the Balikh River, a tributary of the Euphrates in northern Syria. Between 2001 and 2008 excavations focused on the north-western, western and southwestern slopes of the main mound (Operations III, IV and V). Relentlessly Plain presents the results of detailed investigations into the 7th millennium BC ceramic assemblages recovered from those excavations by an interdisciplinary group of scholars. The 7th millennium BC was an era of profound cultural transformations in the ancient Near East. This began with the sustained adoption of pottery c. 7000 cal BC, followed by the slow advance of the new craft as pottery containers became increasingly common. Important social, economic and ritual activities became increasingly dependent on pottery containers. Over the course of the millennium, prehistoric communities began to cook food and drink, store surpluses, and send symbolic messages via the medium of pottery vessels. Tell Sabi Abyad offers a unique vantage point from which to study these innovations. Supported by a strong program of radiocarbon dating, extensive excavations have revealed a lengthy, continuous sequence of prehistoric occupation from the start of the Late Neolithic into the Early Halaf period. Pottery changed dramatically in the course of this long trajectory. Whereas in the initial stages pottery containers were rare, at the end of the sequence they represented a mass-produced craft. Initially ceramic containers were visually conspicuous, occasionally decorated, but masses of relentlessly plain pottery characterize subsequent stages. The book combines detailed discussion of themes relevant to the study of early ceramics in the ancient Near East with extensive analyses of each of the individual wares currently distinguished at the site. Separate chapters offer perspectives on the archaeometry, the depositional context, early repairs, food residues, provenance, and associated human burials.
Athenian potters and painters
by
Oakley, John Howard
,
Palagia, Olga
in
Vase-painting, Greek
,
Vase-painting, Greek -- Congresses
,
Vases, Greek
2009,2014
Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops - Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms - plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters' names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers - chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.
Cultural Practices and Material Culture in Archaic and Classical Crete
2014
Crete offers rich material for investigating questions at the heart of research on social organization in ancient Greece.The essays in these proceedings use archeological and historical approaches to analyze the processes of structural change that took place in the cities of Crete during the Archaic and Classical periods, bringing together for.
Bodies of clay: on prehistoric humanised pottery : proceedings of the session at the 19th EAA Annual Meeting at Pilsen, 5th September 2013
by
Becker, Valeska
,
Schwarzberg, Heiner
in
Anthropomorphism in art
,
Antiquities, Prehistoric
,
Neolithic period
2017
Since the earliest use of pottery, vessels have been associated with both the general shape and specific parts of the human body. The production of human-shaped pottery might be understood as one element of the spectrum of figural art in prehistoric communities. The idea of studying anthropomorphic pottery and the return of human beings into a body made of clay, which forms the core theme of this collection of 12 papers, stems from work on anthropomorphic features of Neolithic communities between the Near East and Europe. Contributors are engaged in questions about the analysis of human features and characteristics on vessels, their occurrence, function and disposal. Beginning with the European Neolithic and moving on through the Bronze and Iron Ages, papers focus on diachronic archaeological patterns and contexts as well as on the theoretical background of this particular type of container in order to shed light on similarities and differences through the ages and to understand possibilities and limits of interpretation.