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"Printemps arabe, 2010-2011 Influence."
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The people are not an image : vernacular video after the Arab Spring
The wave of uprisings and revolutions that swept the Middle East and North Africa between 2010 and 2012 were most vividly transmitted throughout the world not by television or even social media, but in short videos produced by the participants themselves and circulated anonymously on the internet. In The People Are Not An Image, Snowdon explores this radical shift in revolutionary self-representation, showing that the political consequences of these videos cannot be located without reference to their aesthetic form. Looking at videos from Tunisia, Bahrain, Syria, Libya, and Egypt, Snowdon attends closely to the circumstances of both their production and circulation, drawing on a wide range of historical and theoretical material, to discover what they can tell us about the potential for revolution in our time and the possibilities of video as a genuinely decentralized and vernacular medium.
The United States and The Arab Spring
by
Haas, Mark L.
in
21st century
,
Arab countries
,
Arab countries -- Foreign relations -- 21st century
2014,2018,2013
Mark L. Haas explores the major political consequences of the Arab Spring protests in North Africa and the Middle East as well as how and why US leaders responded to these developments. A detailed examination of the threats and opportunities to US interests created by the uprisings are prominent in the analysis of the events. Students will learn about the individual protests and aftermath of the Arab Spring as well as the various policies the United States might adopt to best advance US security in the new international environment.
Arabic literature in a posthuman world : proceedings of the 12th Conference of the European Association for Modern Arabic Literature (EURAMAL), May 2016, Oslo
Arabic Literature in a Posthuman World explores Arabic literary production after the so-called ?Arab Spring?. 23 specialists of modern Arabic literature analyze the many ways in which contemporary Arab authors view and comment on a world that is dramatically changing and disintegrating, a world full of violent conflict, social instability, ideological vacuum and political collapse where there does not seem to be any place for humanity any more. The spread of new technologies and media added, this world not only appears inhumane, but also posthuman, a world of monstrosity in which mankind no longer controls its own destiny. Authors react to this with a writing of a new quality that makes the old humanist project of an Arab nah?a appear as a failed utopia.0A first section focuses on the increased interest that authors assign to the past as a shaper of the present. The other sections highlight the many subversive techniques with which the writers try to reassert humanity against the overall trend of de-humanization. The spectrum spans from ?Contested Spaces over Science Fiction and Dystopia? and methods of ?Countering/Resisting Fragmentation?, ?Dispersal?, ?Loss?, ?Oblivion?, to ?Satire and Rap?. The volume is the first to explore what Ihab Hassan?s term posthuman(ism), widely debated only in and for Western contexts so far, may mean in other parts of the world
Religious radicalism after the Arab uprisings
2015
Gathering field work from almost twenty countries along with in-depth analysis and case studies, Religious Radicalism after the Arab Uprisings explores how radical groups, governments, and publics have responded to the Arab uprisings of 2011 and how conflicts that many thought were coming to an end are likely to continue indefinitely.