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result(s) for
"Prints Technique."
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The print before photography : an introduction to European printmaking, 1550-1820
Gutenberg's invention of moveable type made it possible to print letters. But images could only be printed using two other technologies that were developed alongside letterpress. One depended on wooden blocks which were cut and printed in relief, the other on copper plates into which lines were cut by engraving or etching and were printed on a rolling press. Copper-plate printmaking developed into a huge business employing thousands of people, and dominated image production for nearly four centuries across the whole of Europe. Its processes remained very stable, and a man of 1500 could have walked into a printing shop of 1800 and understood what was going on. During the nineteenth century this world was displaced by new technologies, of which photography was by far the most important.
Perspectives on contemporary printmaking
2020,2018
The anthology provides a critical topography of printmaking since the mid-1980s. Its texts, by well-known authors as well as 'insiders', span different formats and critical and theoretical approaches.
Contact : art and the pull of print
A leading art historian presents a new grammar for understanding the meaning and significance of print: In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them.
Engraving the Savage
by
Michael Gaudio
in
America
,
America -- Discovery and exploration -- Historiography
,
Art & Art History
2008
In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples.
Practical mixed-media printmaking
\"Practical Mixed-Media Printmaking is an essential introduction to printmaking using a wide range of low-cost materials. This practical guide includes easy-to-follow instructions, hints and tips on all of the main printmaking techniques, as well as over 90 examples of works by contemporary printmakers and 19 profiles explaining the artists' methods and inspiration. Mixed-media printmaking allows vast freedom for experimentation and armed with the knowledge inside this book it is possible to adapt and refine the basic techniques to suit your own projects. This beautiful book will be an inspiration for printmakers at all levels.\"--Publisher's description.
Printmaking as therapy : frameworks for freedom
2002
The process of printmaking can be useful to art therapists in a wide range of settings: for example, the incremental process can be helpful in groupwork, and physically challenged clients can benefit from the physical aspects of printmaking. The author explores these therapeutic advantages of printmaking. She also describes its roots outside art therapy. Relief printing, intaglio, planographic or surface processes, and stencilling are all covered in detail, with many ideas for incorporating them into art therapy sessions. The author gives a comprehensive and clear account of the impact that printmaking can have on clients' inner lives, using many examples drawn from her own practice.
The combination of technical information, clinical applications and practical instructions for using the printmaking processes will make this book a valuable tool for art therapists, occupational therapists, physiotherapists, and others working with clients with a range of needs and abilities.
Printmaking skills lab
by
Hodgson, Sarah, 1962- author
in
Prints Technique Juvenile literature.
,
Artists Biography Juvenile literature.
,
Printing Technique.
2019
\"This interesting art book inspires children to unleash their creativity as they learn how to use a variety of tools, media, and processes to create original works in printmaking. Mini-bio sections highlight the work of well-known artists and encourage readers to consider the artist's use of the elements of art and principles of design. Skill-building projects support readers as they create prints using mono-printing, relief techniques, and more\"-- Provided by publisher.
Low-tech print : contemporary hand-made printing
by
Williamson, Caspar
in
ART -- Folk & Outsider Art bisacsh
,
CRAFTS & HOBBIES -- Folkcrafts bisacsh
,
Drucker gnd
2013
Featuring a global showcase of 100 of the crafts most exciting and influential practitioners, Low-Tech Print is an exploration of hand-made printmaking techniques and how they are used in contemporary design and illustration. It examines the huge recent resurgence in the popularity of printmaking, with chapters on screenprinting, letterpress, relief printing, and other printing methods. The book shows how practitioners develop a love affair with these hand-made techniques and use them to create beautiful contemporary designs, explaining the process behind each technique and its historical context. In focus sections profile practitioners such as the Lambe Lambe hand-made letterpress printers of São Paulos Grafica Fidalga studio and cult printing techniques such as Gocco (Japan) and Chicha (Peru).Low-Tech Print is a must-have for all design, illustration, craft, and printmaking enthusiasts.
Printed pattern : printing by hand from potato prints to silkscreen
This is a handbook on how to develop and use patterns on a wide range of domestic items, including 15-20 inspirational and adaptable projects. The book shows how to select concepts, gives suggestions for choosing ideas and pulling themes together and teaches how to develop looks for interior spaces.
Dynamic wavelet fingerprint for differentiation of tweet storm types
by
Kirn, Spencer Lee
,
Hinders, Mark K.
in
Agnosticism
,
Applications of Graph Theory and Complex Networks
,
Automation
2020
We describe a novel method for analyzing topics extracted from Twitter by utilizing the dynamic wavelet fingerprint technique (DWFT). Topics are derived from 7 different tweet storms analyzed in the study by using a dynamic topic model. Using the time series of each topic, we run DWFT analyses to get a two-dimensional, time-scale, binary image. Gaussian mixture model clustering is used to identify individual objects, or storm cells, that are characteristic to specific local behaviors commonly occurring in topics. The DWFT time series transformation is volume agnostic, meaning we can compare tweet storms of different intensities. We find that we can identify behavior, localized in time, that is characteristic to how different topics propagate through Twitter. The use of dynamic topic models and the DWFT create the basis for future applications as a real-time Twitter analysis system for flagging fake news.
Journal Article