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381 result(s) for "Psychological fiction, American"
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Psychoanalysis and Black novels : desire and the protocols of race
Although psychoanalytic theory is one of the most important and influential tools in contemporary literary criticism, to date it has had very little impact on the study of African-American literature and culture. Now, Claudia Tate argues that psychoanalytic paradigms can produce rich readings of African-American desire, alienation, and subjectivity. Tate summarizes the work of such figures as Freud and Lacan, with references to their contemporary literary proponents, and examines a series of texts by Emma Kelly, W.E.B. DuBois, Richard Wright, Zora Neale Hurston, and Nella Larsen. This provocative new book will serve as an introduction to psychoanalytic theory and its application for African-American literature and culture. Tate strikes unchartered territory, and her work will be of great interest to scholars and students in African-American studies.
Beautiful days : stories
\"A new collection of stories by American master Joyce Carol Oates, mysterious and surreal, and perfectly pitched for the confusion of the current political landscape\"-- Provided by publisher.
Henry James and the Suspense of Masculinity
Using insights from feminist studies, men's studies, and gay and queer studies, Leland Person examines Henry James's subversion of male identity and the challenges he poses to conventional constructs of heterosexual masculinity. Sexual and gender categories proliferated in the nineteenth and early twentieth centuries, and Person argues that James exploited the taxonomic confusion of the times to experiment with alternative sexual and gender identities. In contrast to scholars who have tried to give a single label to James's sexuality, Person argues that establishing James's gender and sexual identity is less important than examining the novelist's shaping of male characters and his richly metaphorical language as an experiment in gender and sexual theorizing. Just as an author's creations can be animated by his or her own sexuality, Person contends, James's sexuality may be most usefully understood as something primarily aesthetic and textual. As Person shows in chapters devoted to some of this author's best-known novels-Roderick Hudson,The American,The Portrait of a Lady,The Bostonians,The Ambassadors,The Golden Bowl-James conducts a series of experiments in gender/sexual construction and deconstruction. He delights in positioning his male characters so that their gender and sexual orientations are reversed, ambiguous, and even multiple. Ultimately, he keeps male identity in suspense by pluralizing male subjectivity.
Strange bodies : gender and identity in the novels of Carson McCullers
Adapts Mikhail Bakhtin's theory of the grotesque, as well as the latest in gender and psychoanalytic theory, to the major works of acclaimed southern writer Carson McCullers. This innovative reconsideration of the themes of Carson McCullers's fiction argues that her work has heretofore suffered under the pall of narrow gothic interpretations, obscuring a more subversive agenda. By examining McCullers's major novels—The Heart is a Lonely Hunter, Reflections in a Golden Eye, The Member of the Wedding, and The Ballad of the Sad Cafe—Gleeson-White locates a radical and specific form of the grotesque in the author's fiction: the liberating and redemptive possibilities of errant gender roles and shifting sexuality. She does this by employing Bakhtin's theory of the grotesque, which is both affirming and revolutionary, and thereby moves McCullers's texts beyond the 'gloom and doom' with which they have been charged for over fifty years. The first chapter explores female adolescence by focusing on McCullers's tomboys in the context of oppressive southern womanhood. The second chapter analyzes McCullers's fascinating struggle to depict homosexual desire outside of traditional stereotypes. Gleeson-White then examines McCullers's portrayals of feminine and masculine gender through the tropes of cross-dressing, transvestism, and masquerade. The final chapter takes issue with earlier readings of androgyny in the texts to suggest a more useful concept McCullers herself called the hybrid. Underpinning the whole study is the idea of a provocative, dynamic form of the grotesque that challenges traditional categories of normal and abnormal. Because the characters and themes of McCullers's fiction were created in the 1940s and 1950s, a time of tension between the changing status of women and the southern ideal of womanhood, they are particularly fertile ground for a modern reexamination of this nature. Gleeson-White's study will be valued by scholars of American literature and gender and queer studies, by students of psychology, by academic libraries, and by readers of Carson McCullers. Strange Bodies is a thoughtful, highly credible analysis that adds dimension to the study of southern literature. Sarah Gleeson-White is an independent scholar living in Sydney, Australia.
Soul Standard
\"The economy has fallen, and flesh is worth more than dollars. Across four different districts of the City, a desperate banker must keep his employer happy at any cost, a boxer must choose between honor and the woman he loves, a criminal must atone for his past, and a man with a terrifying condition searches desperately for his missing daughter. Richard Thomas is the editor in chief of Dark House press. Caleb Ross is the author of five books of fiction. Axel Taiari is a French writer. Nik Korpon is the author of several books of fiction\"-- Provided by publisher.
Reading The Text That Isn't There
Through a careful examination of the work of the canonical nineteenth-century novelists, Mike Davis traces conspiracies and conspiratorial fantasy from one narrative site to another.
Homesick : stories
Dark, irreverent, and truly innovative, the speculative stories in Homesick meditate on the theme of home and our estrangement from it, and what happens when the familiar suddenly shifts into the uncanny. In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients' house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species of intelligent weasels.
Henry James and the suspense of masculinity
Using insights from feminist studies, men's studies, and gay and queer studies, Leland Person examines Henry James's subversion of male identity and the challenges he poses to conventional constructs of heterosexual masculinity. Sexual and gender categories proliferated in the nineteenth and early twentieth centuries, and Person argues that James exploited the taxonomic confusion of the times to experiment with alternative sexual and gender identities. In contrast to scholars who have tried to give a single label to James's sexuality, Person argues that establishing James's gender and sexual identity is less important than examining the novelist's shaping of male characters and his richly metaphorical language as an experiment in gender and sexual theorizing. Just as an author's creations can be animated by his or her own sexuality, Person contends, James's sexuality may be most usefully understood as something primarily aesthetic and textual. As Person shows in chapters devoted to some of this author's best-known novels-Roderick Hudson, The American, The Portrait of a Lady, The Bostonians, The Ambassadors, The Golden Bowl-James conducts a series of experiments in gender/sexual construction and deconstruction. He delights in positioning his male characters so that their gender and sexual orientations are reversed, ambiguous, and even multiple. Ultimately, he keeps male identity in suspense by pluralizing male subjectivity.