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Moving nimbly between literary and historical texts, Monica Flegel provides a much-needed interpretive framework for understanding the specific formulation of child cruelty popularized by the National Society for the Prevention of Cruelty to Children (NSPCC) in the late nineteenth century. Flegel considers a wide range of well-known and more obscure texts from the mid-eighteenth century to the early twentieth, including philosophical writings by Locke and Rousseau, poetry by Coleridge, Blake, and Caroline Norton, works by journalists and reformers like Henry Mayhew and Mary Carpenter, and novels by Frances Trollope, Charles Dickens, Wilkie Collins, and Arthur Morrison. Taking up crucial topics such as the linking of children with animals, the figure of the child performer, the relationship between commerce and child endangerment, and the problem of juvenile delinquency, Flegel examines the emergence of child abuse as a subject of legal and social concern in England, and its connection to earlier, primarily literary representations of endangered children. With the emergence of the NSPCC and the new crime of cruelty to children, new professions and genres, such as child protection and social casework, supplanted literary works as the authoritative voices in the definition of social ills and their cure. Flegel argues that this development had material effects on the lives of children, as well as profound implications for the role of class in representations of suffering and abused children. Combining nuanced close readings of individual texts with persuasive interpretations of their influences and limitations, Flegel's book makes a significant contribution to the history of childhood, social welfare, the family, and Victorian philanthropy.

After Britain abolished slavery throughout most of its empire in 1834, Victorians adopted a creed of \"anti-slavery\" as a vital part of their national identity and sense of moral superiority to other civilizations. The British government used diplomacy, pressure, and violence to suppress the slave trade, while the Royal Navy enforced abolition worldwide and an anxious public debated the true responsibilities of an anti-slavery nation. This crusade was far from altruistic or compassionate, but Richard Huzzey argues that it forged national debates and political culture long after the famous abolitionist campaigns of William Wilberforce and Thomas Clarkson had faded into memory. These anti-slavery passions shaped racist and imperialist prejudices, new forms of coerced labor, and the expansion of colonial possessions. In a sweeping narrative that spans the globe,Freedom Burningexplores the intersection of philanthropic, imperial, and economic interests that underlay Britain's anti-slavery zeal- from London to Liberia, the Sudan to South Africa, Canada to the Caribbean, and the British East India Company to the Confederate States of America. Through careful attention to popular culture, official records, and private papers, Huzzey rewrites the history of the British Empire and a century-long effort to end the global trade in human lives.

The British empire was a huge enterprise. To foreigners, it more or less defined Britain in the 19th and early 20th centuries. Its repercussions in the wider world are still with us today. It also had a great impact on Britain herself: for example, on her economy, security, population, and eating habits. One might expect this to have been reflected in her society and culture. Indeed, this has now become the conventional wisdom: that Britain was steeped in imperialism domestically, which affected (or infected) almost everything Britons thought, felt, and did. This book examines this assumption critically against the broader background of contemporary British society. It argues that the empire had a far lower profile in Britain than it did abroad. Although Britain was an imperial nation in this period, she was never a genuine imperial society. As well as showing how this was possible, the book also discusses the implications of this attitude for Britain and her empire, and for the relationship between culture and imperialism more generally, bringing his study up to date by including the case of the present-day United States.

An examination of the treatment of serious violence by men against women in nineteenth-century England. During Victoria's reign the criminal law came to punish such violence more systematically and heavily, while propagating a new, more pacific ideal of manliness. Yet this apparently progressive legal development called forth strong resistance, not only from violent men themselves but, from others who drew upon discourses of democracy, humanitarianism and patriarchy to establish sympathy with 'men of blood'. In exploring this development and the contest it generated, Professor Wiener analyzes the cultural logic underlying shifting practices in nineteenth-century courts and Whitehall, and locates competing cultural discourses in the everyday life of criminal justice. The tensions and dilemmas this book highlights are more than simply 'Victorian' ones; to an important degree they remain with us. Consequently this work speaks not only to historians and to students of gender but also to criminologists and legal theorists.

In The Eternal Paddy , Michael de Nie examines anti-Irish prejudice, Anglo-Irish relations, and the construction of Irish and British identities in nineteenth-century Britain. This book provides a new, more inclusive approach to the study of Irish identity as perceived by Britons and demonstrates that ideas of race were inextricably connected with class concerns and religious prejudice in popular views of both peoples. De Nie suggests that while traditional anti-Irish stereotypes were fundamental to British views of Ireland, equally important were a collection of sympathetic discourses and a self-awareness of British prejudice. In the pages of the British newspaper press, this dialogue created a deep ambivalence about the Irish people, an ambivalence that allowed most Britons to assume that the root of Ireland’s difficulties lay in its Irishness. Drawing on more than ninety newspapers published in England, Scotland, and Wales, The Eternal Paddy offers the first major detailed analysis of British press coverage of Ireland over the course of the nineteenth century. This book traces the evolution of popular understandings and proposed solutions to the \"Irish question,\" focusing particularly on the interrelationship between the press, the public, and the politicians. The work also engages with ongoing studies of imperialism and British identity, exploring the role of Catholic Ireland in British perceptions of their own identity and their empire.

Intellectual Politics and Cultural Conflict in the Romantic Period maps the intellectual formation of English plebeian radicalism and Scottish philosophic Whiggism over the long eighteenth century and examines their associated strategies of critical engagement with the cultural, social and political crises of the early nineteenth century. It is a story of the making of a wider British public sphere out of the agendas and discourses of the radical and liberal publics that both shaped and responded to them. When juxtaposed, these competing intellectual formations illustrate two important expressions of cultural politics in the Romantic period, as well as the peculiar overlapping of national cultural histories that contributed to the ideological conflict over the public meaning of Britain's industrial modernity. Alex Benchimol's study provides an original contribution to recent scholarship in Romantic period studies centred around the public sphere, recovering the contemporary debates and national cultural histories that together made up a significant part of the ideological landscape of the British public sphere in the early nineteenth century.

The Romantic Era witnessed a series of conflicts concerning definitions of health and disease. In this book, Martin Wallen discusses those conflicts and the cultural values that drove them. The six chapters progress from the mainstream rejuvenation of the Socratic values by Wordsworth and Coleridge to the radical alternatives offered by the Scottish theorist, John Brown, and the speculative German philosopher, F. W. J. Schelling. Wallen shows how actual definitions of health and disease changed at the turn of the nineteenth century, and provides an analysis of the metaphorical uses to which romantic thinkers put these different definitions in their attempts to value or devalue competing concepts of individuality, poetic expression, and history. Key to the redefinition of these concepts was the use of the rhetoric of medicine to add value to those statements considered desirable and to undermine those targeted for elimination from public discourse. By juxtaposing the well-known critical works of Wordsworth and Coleridge with lesser-known works such as Schelling's Yearbooks of Medicine and Thomas Beddoes' medical treatises, Wallen illuminates the central role medicine played in redefining the human being's relationship to society and nature - part of the cultural revolution that began in the nineteenth century. Martin Wallen is Associate Professor in the English Department at Oklahoma State University, USA. Contents: Introduction; Lyrical health in Wordsworth and Coleridge; Coleridge's scrofulous dejection; The medical frame of character and the enforcement of normative health in Thomas Beddoes' 'Observations on the Character and Writings of John Brown, M.D.'; A secret excitement: Coleridge, John Brown, and the chance for a physical imagination; Schelling's medical singing school in the Yearbooks of Medicine as Science; The electromagnetic orgasm and history outside the city; Notes; Works cited; Index.

This is a detailed study of the various ways in which London and India were imaginatively constructed by British observers during the nineteenth century. This process took place within a unified field of knowledge that brought together travel and evangelical accounts to exert a formative influence on the creation of London and India for the domestic reading public. Their distinct narratives, rhetoric and chronologies forged homologies between representations of the metropolitan poor and colonial subjects - those constituencies that were seen as the most threatening to imperial progress. Thus the poor and particular sections of the Indian population were inscribed within discourses of western civilization as regressive and inferior peoples. Over time these discourses increasingly promoted notions of overt and rigid racial hierarchies, the legacy of which remains to this day. This comparative analysis looks afresh at the writings of observers such as Henry Mayhew, Patrick Colquhoun, Charles Grant, Pierce Egan, James Forbes and Emma Roberts, thereby seeking to rethink the location of the poor and India within the nineteenth-century imagination. Drawing upon cultural and intellectual history it also attempts to extend our understanding of the relationship between 'centre' and 'periphery'. The other empire will be of value to students and scholars of modern imperial and urban history, cultural studies, and religious studies.