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14 result(s) for "Publishers and publishing -- Great Britain -- History -- 20th century"
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Creating postcolonial literature : African writers and British publishers
Using case studies, this book explores the publishing of African literature, addressing the construction of literary value, relationships between African writers and British publishers, and importance of the African market. It analyses the historical, political and economic conditions framing the emergence of postcolonial literature.
Victorian Publishing
Drawing on research into the book-production records of twelve publishers-including George Bell & Son, Richard Bentley, William Blackwood, Chatto & Windus, Oliver & Boyd, Macmillan, and the book printers William Clowes and T&A Constable - taken at ten-year intervals from 1836 to 1916, this book interprets broad trends in the growth and diversity of book publishing in Victorian Britain. Chapters explore the significance of the export trade to the colonies and the rising importance of towns outside London as centres of publishing; the influence of technological change in increasing the variety and quantity of books; and how the business practice of literary publishing developed to expand the market for British and American authors. The book takes examples from the purchase and sale of popular fiction by Ouida, Mrs. Wood, Mrs. Ewing, and canonical authors such as George Eliot, Wilkie Collins, and Mark Twain. Consideration of the unique demands of the educational market complements the focus on fiction, as readers, arithmetic books, music, geography, science textbooks, and Greek and Latin classics became a staple for an increasing number of publishing houses wishing to spread the risk of novel publication. Alexis Weedon did her D.Phil at Linacre College, Oxford, on William Hurrell Mallock. She worked for a time in publishing before becoming a postdoctoral researcher on the History of the Book in Britain project. Since its foundation in 1996, she has co-edited the academic journal Convergence: The Journal of Research into New Media Technologies and is currently a principal lecturer in publishing and the new media at the University of Luton. Contents: Introduction; Archives and information sources; The growth of the mass market for books; Trends in book production costs; Looking after the bottom line; Educational publishing; Publishing strategies for the mass market: a case study; Conclusion; Appendices; Bibliography; Index.
Circus of dreams : adventures in the 1980s literary world
\"Something extraordinary happened to the UK literary scene in the 1980s. In the space of eight years, a generation of young British writers took the literary novel into new realms of setting, subject matter and style, challenging - and almost eclipsing - the Establishment writers of the 1950s. It began with two names - Martin Amis and Ian McEwan - and became a flood: Julian Barnes, William Boyd, Graham Swift, Salman Rushdie, Jeanette Winterson and Pat Barker among them. The rise of the newcomers coincided with astonishing changes in the way books were published - and the ways in which readers bought them and interacted with their authors. Suddenly, authors of serious fiction were like rock stars, fashionable, sexy creatures, shrewdly marketed and feted in public...Through this exciting, hectic period, the journalist and author John Walsh played many parts: literary editor, reviewer, interviewer, prize judge and TV pundit. He met and interviewed numerous literary stars, attended the best launch parties and digested all the gossip and scandal of the time. In Circus of Dreams he reports on what he found, first with wide-eyed delight and then with a keen eye on what drove this glorious era. The result is a unique hybrid of personal memoir, oral history, literary investigation and elegy for a golden age.\" -- Provided by publisher.
A publisher's paradise : expatriate literary culture in Paris, 1890-1960
From 1890 to 1960, some of Anglo-America's most heated cultural contests over books, sex, and censorship were staged not at home, but abroad in the City of Light. Paris, with its extraordinary liberties of expression, became a special place for interrogating the margins of sexual culture and literary censorship, and a wide variety of English language \"dirty books\" circulated through loose expatriate publishing and distribution networks. A Publisher's Paradise explores the political and literary dynamics that gave rise to this expatriate cultural flourishing, which included everything from Victorian pornography to the most daring and controversial modernist classics. Colette Colligan tracks the British and French politicians and diplomats who policed Paris editions of banned books and uncovers offshore networks of publishers, booksellers, authors, and readers. She looks closely at the stories the \"dirty books\" told about this publishing haven and the smut peddlers and literary giants it brought together in transnational cultural formations. The book profiles an eclectic group of expatriates living and publishing in Paris, from relatively obscure figures such as Charles Carrington, whose list included both The Picture of Dorian Gray and the pornographic novel Randiana, to bookshop owner Sylvia Beach, famous for publishing James Joyce's Ulysses in 1922. A Publisher's Paradise is a compelling exploration of the little-known history of foreign pornography in Paris and the central role it played in turning the city into a modernist outpost for literary and sexual vanguardism, a reputation that still lingers today in our cultural myths of midnight in Paris.
\Colour'd shadows\ : contexts in publishing, printing, and reading nineteenth-century British women writers
Colour'd Shadows interprets nineteenth-century British women writers' works in connection with the material contexts of writing, printing, and publishing, and the book illustrates methods of \"reading\" the material book for what it reveals about the meanings of the literary work that it embodies.
Kegan Paul - A Victorian Imprint
Howsam combines biography and analytic bibliography in her study of the Kegan Paul imprint to reconstruct a biographical and business history of the firm.
The Romantic Fiction Of Mills & Boon, 1909-1995
This study to analyzes romantic fiction's depiction of women as part of the broader history of ideas about women.; Given the success of the Mills & Boon romance, their portrayal of subjects like sex, love, marriage, class, motherhood and femineity are important cultural barometers and make interesting study.; The author shows how all these themes have an historical trajectory and how these novels have come to reflect feminist concerns.; Based on a study of over 1000 Mills & Boon romances the book provides analysis of plot types and shows how these have changed in response to women's own changing position within society.