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7 result(s) for "Queen of Mycenae"
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The Play of Words
\"The play of words\" examines the dynamics of interfamilial violence in the Oresteia. It argues that the key element of the play's discourse about violence is to be found in the inquiry for a definition of Clytemnestra's motherhood. The failure of this research challenges the reader with some open questions: who is Clytemnestra? Where is justice if a mother dies? By reading the play's narrative on interfamilial violence and matricide as a narrative of uncertainties in terms of the role of the mother figure, this book illustrates the complexity of the maternal role of Clytemnestra. It also breaks silence among scholars, who have generally portrayed Clytemnestra as the bad mother who kills the children's father and as the bad wife who betrays her husband.
Agamemnon
Director James Thomas, brings together a talented young cast and Peter Arnott's faithful translation, to unleash the gruesome raw power of the Oresteia. This beautifully-spoken original staging makes vivid the poetry and wisdom - and the themes of terror, revenge, and justice - that are Aeschylus' eternal trilogy. Agamemnon is part one of the Oresteia trilogy.
Daughters of Sparta : a novel
\"For millennia, men have told the legend of the woman whose face launched a thousand ships-but now it's time to hear her side of the story. Daughters of Sparta is a tale of secrets, love, and tragedy from the women behind mythology's most devastating war, the infamous Helen and her sister Klytemnestra\"-- Provided by publisher.
The Libation Bearers
Director James Thomas, brings together a talented young cast and Peter Arnott's faithful translation, to unleash the gruesome raw power of the Oresteia. This beautifully-spoken original staging makes vivid the poetry and wisdom - and the themes of terror, revenge, and justice - that are Aeschylus' eternal trilogy. Libation Bearers is part two of the Oresteia trilogy.
Stealing Helen
It's a familiar story: a beautiful woman is abducted and her husband journeys to recover her. This story's best-known incarnation is also a central Greek myth-the abduction of Helen that led to the Trojan War.Stealing Helensurveys a vast range of folktales and texts exhibiting the story pattern of the abducted beautiful wife and makes a detailed comparison with the Helen of Troy myth. Lowell Edmunds shows that certain Sanskrit, Welsh, and Old Irish texts suggest there was an Indo-European story of the abducted wife before the Helen myth of theIliadbecame known. Investigating Helen's status in ancient Greek sources, Edmunds argues that if Helen was just one trope of the abducted wife, the quest for Helen's origin in Spartan cult can be abandoned, as can the quest for an Indo-European goddess who grew into the Helen myth. He explains that Helen was not a divine essence but a narrative figure that could replicate itself as needed, at various times or places in ancient Greece. Edmunds recovers some of these narrative Helens, such as those of the Pythagoreans and of Simon Magus, which then inspired the Helens of the Faust legend and Goethe. Stealing Helenoffers a detailed critique of prevailing views behind the \"real\" Helen and presents an eye-opening exploration of the many sources for this international mythical and literary icon.