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Book of rhymes : the poetics of hip hop
\"Rap may be the most revolutionary development in poetry over the past forty years, yet its originality is hidden in plain sight. Often overshadowed by the beat, bluster, and hype surrounding the music, lyrics are the heart of hip hop. Book of Rhymes explores America's least-understood poets by unpacking their complex craft and according them the respect they deserve as lyricists. Examining the language and techniques of hip hop's most memorable artists, literary scholar Adam Bradley argues that a new world of rhythm and rhyme awaits us if we put aside preconceptions and encounter rap with new ears and new eyes. Updated to reflect nearly a decade of the genre's evolution, Book of Rhymes remains the definitive work on the poetry of hip hop\"--Page 4 of cover.
Book
The come up : an oral history of the rise of hip-hop
\"The essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture-from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire. The music that we would later know as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it's the most popular genre in America and its electric impact on contemporary music is likened to that of jazz on the first half of the twentieth century. And yet, despite its tremendous influence, the voices of many of hip-hop's pioneers have never been thoroughly catalogued-and some are at risk of being lost forever. Now, in The Come Up, Jonathan Abrams offers the most comprehensive account so far of hip-hop's rise, told in the voices of the people who made it happen. Abrams traces how the genre grew out of the resourcefulness of an overlooked population amid the decay of the South Bronx, and from there how it overflowed into the other boroughs and then across the nation-from parks onto vinyl, below to the Mason-Dixon line, to the West Coast through gangster rap and G-funk, and then across generations. In more than 300 interviews conducted over three years, Abrams has captured the stories of the DJs, label executives, producers, and artists who both witnessed and made the history of hip-hop. He has on record Grandmaster Caz detailing hip-hop's infancy, Edward \"Duke Bootee\" Fletcher describing the origins of \"The Message,\" DMC narrating his introduction of hip-hop to the mainstream, Ice Cube recounting N.W.A's breakthrough and breakup, Kool Moe Dee elaborating on his Grammys boycott, and many more key players. And he has conveyed with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music. The Come Up is an important contribution to the historical record and an exhilarating behind-the-scenes account of how hip-hop came to rule the world\"-- Provided by publisher
Book
Chronicling Stankonia
This vibrant book pulses with the beats of a new American South,
probing the ways music, literature, and film have remixed southern
identities for a post-civil rights generation. For scholar and
critic Regina N. Bradley, Outkast's work is the touchstone, a blend
of funk, gospel, and hip-hop developed in conjunction with the work
of other culture creators-including T.I., Kiese Laymon, and Jesmyn
Ward. This work, Bradley argues, helps define new cultural
possibilities for black southerners who came of age in the 1980s
and 1990s and have used hip-hop culture to buffer themselves from
the historical narratives and expectations of the civil rights era.
Andre 3000, Big Boi, and a wider community of creators emerge as
founding theoreticians of the hip-hop South, framing a larger
question of how the region fits into not only hip-hop culture but
also contemporary American society as a whole. Chronicling
Stankonia reflects the ways that culture, race, and
southernness intersect in the late twentieth and early twenty-first
centuries. Although part of southern hip-hop culture remains
attached to the past, Bradley demonstrates how younger southerners
use the music to embrace the possibility of multiple Souths,
multiple narratives, and multiple points of entry to contemporary
southern black identity.
eBook
The concise guide to hip-hop music : a fresh look at the art of hip-hop, from old-school beats to freestyle rap
\"In 1973, the music scene was forever changed by the emergence of hip-hop. Masterfully blending the rhythmic grooves of funk and soul with layered beats and chanted rhymes, artists such as DJ Kool Herc and Grandmaster Flash paved the way for an entire new genre and generation of musicians. In this comprehensive, accessible guide, Paul Edwards breaks down the difference between old school and new school, recaps the biggest influencers of the genre, and sets straight the myths and misconceptions of the artists and their music. Fans old and new alike will all learn something new about the history and development of hip-hop, from its inception up through the current day.\"--Back cover.
Book
Pulse of the People
Hip-Hop music encompasses an extraordinarily diverse range of approaches to politics. Some rap and Hip-Hop artists engage directly with elections and social justice organizations; others may use their platform to call out discrimination, poverty, sexism, racism, police brutality, and other social ills. InPulse of the People, Lakeyta M. Bonnette illustrates the ways rap music serves as a vehicle for the expression and advancement of the political thoughts of urban Blacks, a population frequently marginalized in American society and alienated from electoral politics.
Pulse of the Peoplelays a foundation for the study of political rap music and public opinion research and demonstrates ways in which political attitudes asserted in the music have been transformed into direct action and behavior of constituents. Bonnette examines the history of rap music and its relationship to and extension from other cultural and political vehicles in Black America, presenting criteria for identifying the specific subgenre of music that is political rap. She complements the statistics of rap music exposure with lyrical analysis of rap songs that espouse Black Nationalist and Black Feminist attitudes. Touching on a number of critical moments in American racial politicsincluding the 2008 and 2012 elections and the cases of the Jena 6, Troy Davis, and Trayvon MartinPulse of the Peoplemakes a compelling case for the influence of rap music in the political arena and greatly expands our understanding of the ways political ideologies and public opinion are formed.
eBook
RAP2 mediates mechanoresponses of the Hippo pathway
Mammalian cells are surrounded by neighbouring cells and extracellular matrix (ECM), which provide cells with structural support and mechanical cues that influence diverse biological processes
1
. The Hippo pathway effectors YAP (also known as YAP1) and TAZ (also known as WWTR1) are regulated by mechanical cues and mediate cellular responses to ECM stiffness
2
,
3
. Here we identified the Ras-related GTPase RAP2 as a key intracellular signal transducer that relays ECM rigidity signals to control mechanosensitive cellular activities through YAP and TAZ. RAP2 is activated by low ECM stiffness, and deletion of RAP2 blocks the regulation of YAP and TAZ by stiffness signals and promotes aberrant cell growth. Mechanistically, matrix stiffness acts through phospholipase Cγ1 (PLCγ1) to influence levels of phosphatidylinositol 4,5-bisphosphate and phosphatidic acid, which activates RAP2 through PDZGEF1 and PDZGEF2 (also known as RAPGEF2 and RAPGEF6). At low stiffness, active RAP2 binds to and stimulates MAP4K4, MAP4K6, MAP4K7 and ARHGAP29, resulting in activation of LATS1 and LATS2 and inhibition of YAP and TAZ. RAP2, YAP and TAZ have pivotal roles in mechanoregulated transcription, as deletion of YAP and TAZ abolishes the ECM stiffness-responsive transcriptome. Our findings show that RAP2 is a molecular switch in mechanotransduction, thereby defining a mechanosignalling pathway from ECM stiffness to the nucleus.
The Ras-related GTPase RAP2 is a key intracellular signal transducer by which extracellular matrix rigidity controls mechanosensitive cellular activities through YAP and TAZ.
Journal Article
Afro-Colombian hip-hop
This collection of transcripts from sessions by certified Dyadic Developmental Psychotherapists gives therapists, educators, and child welfare and residential treatment professionals a detailed understanding of how Dyadic Developmental Psychotherapy is used to help children who have a history of neglect, abuse, orphanage care, or other experiences that may interfere with the normal development of attachment between parent and child. The book begins with a description of DDP, its essential components, and the ways in which those components are used differentially in different phases of treatment. The transcripts that follow illustrate those components and their uses. They cover a diverse range of clients and families so that the reader can appreciate the depth and breadth of DDP. Both the editor and the therapists themselves provide analysis and commentary on the therapists' goals, impressions, and techniques. This book complements the treatment manual Dyadic Developmental Psychotherapy: Essential Methods and Practices, and will be useful in graduate courses on treatment, child welfare, family therapy, and child psychology.
eBook