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American Babel
When American radio broadcasting began in the early 1920s there was a consensus among middle-class opinion makers that the airwaves must never be used for advertising. Even the national advertising industry agreed that the miraculous new medium was destined for higher cultural purposes. And yet, within a decade American broadcasting had become commercialized and has remained so ever since. Much recent scholarship treats this unsought commercialization as a coup, imposed from above by mercenary corporations indifferent to higher public ideals. Such research has focused primarily on metropolitan stations operated by the likes of AT&T, Westinghouse, and General Electric. InAmerican Babel, Clifford J. Doerksen provides a colorful alternative social history centered on an overlooked class of pioneer broadcaster-the independent radio stations. Doerksen reveals that these \"little\" stations often commanded large and loyal working-class audiences who did not share the middle-class aversion to broadcast advertising. In urban settings, the independent stations broadcast jazz and burlesque entertainment and plugged popular songs for Tin Pan Alley publishers. In the countryside, independent stations known as \"farmer stations\" broadcast \"hillbilly music\" and old-time religion. All were unabashed in their promotional practices and paved the way toward commercialization with their innovations in programming, on-air style, advertising methods, and direct appeal to target audiences. Corporate broadcasters, who aspired to cultural gentility, were initially hostile to the populist style of the independents but ultimately followed suit in the 1930s. Drawing on a rich array of archives and contemporary print sources, each chapter ofAmerican Babellooks at a particular station and the personalities behind the microphone. Doerksen presents this group of independents as an intensely colorful, perpetually interesting lot and weaves their stories into an expansive social and cultural narrative to explain more fully the rise of the commercial network system of the 1930s.
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NPR: the trials and triumphs of National Public Radio
The people who shaped America's public broadcasting system thought it should be \"a civilized voice in a civilized community\" - a clear alternative to commercial broadcasting. This book tells the story of how NPR has tried to embody this idea. Michael P. McCauley describes NPR's evolution from virtual obscurity in the early 1970s, when it was riddled with difficulties - political battles, unseasoned leadership, funding problems - to a first-rate broadcast organization. The book draws on a wealth of primary evidence, including fifty-seven interviews with people who have been central to the NPR story, and it places the network within the historical context of the wider U.S. radio industry. Since the late 1970s, NPR has worked hard to understand the characteristics of its audience. Because of this, its content is now targeted toward its most loyal listeners - highly educated baby-boomers, for the most part - who help support their local stations through pledges and fund drives.
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Dirty windshields : the best and the worst of the Smugglers tour diaries
\"Dirty windshields is the long-awaited memoir from CBC host and award-winning author Grant Lawrence\"-- Provided by publisher.
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I Hear Voices
Jean Feraca’s road to self-fulfillment has been as quirky and demanding as the characters in her incredible memoir. A veteran of several decades of public radio broadcasting, Feraca is also a writer and a poet. She is a talk show host beloved for her unique mixture of the humanities, poetry, and journalism, and is the creator of the pioneering international cultural affairs radio program
Here on Earth: Radio without Borders . In this searing memoir, Feraca traces her own emergence. She pulls back the curtain on her private life, revealing unforgettable portraits of the characters in her brawling Italian-American family: Jenny, the grandmother, the devil woman who threw Casey Stengel down an excavation pit; Dolly, the mother, a cross between Long John Silver and the Wife of Bath, who in battling mental illness becomes the scourge of a Lutheran nursing home; and Stephen, the brilliant but troubled older brother, an anthropologist adopted by a Sioux tribe. In a new chapter that reinforces and ties together the book’s exploration of the multiple forms of love, Jean introduces us to Roger, a Wildman and her husband’s best friend with whom she, too, develops an extraordinary intimacy. A selection of fifteen of Feraca’s poems add counterpoint to her engaging prose.
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Benaud in Wisden
Richie Benaud, who died this year aged 84, was \"perhaps the most influential cricketer and cricket personality since the Second World War\" according to Gideon Haigh, the world's best cricket historian. He excelled as a batsman, legspin bowler, revolutionary captain - and most of all as a commentator in England and Australia for almost 50 years. He was universally loved for his authority, knowledge, dry wit and generosity of spirit. Benaud in Wisden records the highlights of an exceptional career both as a player and a journalist. There are edited reports on each of his 63 Test matches, including the legendary Tied Test of 1960-61 and the match at Old Trafford in 1961 when Benaud memorably stole the Ashes from England. \"If one player, more than any other, has deserved the goodwill of cricket for lifting the game out of the doldrums, that man is Richard Benaud,\" said Wisden in 1962.
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It's one o'clock and here is Mary Margaret McBride : a radio biography
One of the most beloved radio show hosts of the 1940s and 1950s, Mary Margaret McBride (1899-1976) regularly attracted between six and eight million listeners to her daily one o'clock broadcast. During her twenty years on the air she interviewed tens of thousands of people, from President Harry Truman and Frank Lloyd Wright to Rachel Carson and Zora Neale Hurston. This is her story. Five decades after their broadcast, her shows remain remarkably fresh and interesting. And yet McBride-the Oprah Winfrey of her day-has been practically forgotten, both in radio history and in the history of twentieth-century popular culture, primarily because she was a woman and because she was on daytime radio. Susan Ware explains how Mary Margaret McBride was one of the first to exploit the cultural and political importance of talk radio, pioneering the magazine-style format that many talk shows still use. This radio biography recreates the world of daytime radio from the 1930s through the 1950s, confirming the enormous significance of radio to everyday life, especially for women. In the first in-depth treatment of McBride, Ware starts with a description of how widely McBride was revered in the mid-1940s-the fifteenth anniversary party for her show in 1949 filled Yankee Stadium. Once the readers have gotten to know Mary Margaret (as everyone called her), Ware backtracks to tell the story of McBride's upbringing, her early career, and how she got her start in radio. The latter part of the book picks up McBride's story after World War II and through her death in 1976. An epilogue discusses the contemporary talk show phenomenon with a look back to Mary Margaret McBride's early influence on the format.
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Rodigan : my life in reggae
'David Rodigan is a force of nature. His spirit and passion are a rare and wonderful thing. He has dedicated his life to carrying the torch for Reggae music and is hugely respected all over the world for his knowledge and talent as a broadcaster and a DJ. Long may he reign on our stages and on our airwaves' Annie Mac\"-- Publisher.
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Burying Don Imus
In Burying Don Imus, Michael Awkward provides the first balanced, critical analysis of Imus’s comments on the Rutgers women’s basketball team and the public outrage they provoked. Written from the singular perspective of a black intellectual with both a long-standing commitment to feminism and a deep familiarity with—and appreciation of—Imus in the Morning, this book contends that the reaction to the insult ignored the nature of Imus’s contributions to popular culture and political debate while eliding the real and complicated issues within contemporary racial politics.
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