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"Religious places"
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Performativity of the memory of religious places through sound and image
In this essay, we explore and deepen the confluence between sound and image, linking and relating concepts, purposes and coherence of artistic practices mediating and reconfiguring the memory of religious places. We observed that the performativity of memory, as an autobiographical concept, can be enhanced through live audiovisual performances in religious places. We have established that the performativity of memory in religious places can promote a spatial ‘self’, creating dynamic, immersive and physical experiences in the religious places. And we argue that the construction of this spatial ‘self’ involves processes of social and artistic reconfiguration that contribute to transforming not only the social dynamics within the community but also the artistic representations of memory. These main findings were reached following a process of research through artistic practice, thus a systematization of the processes involved in approaching three religious places. It also assumes the (de)construction of the sense of place throughout a personal reading on the mediation through nonverbal means. In this research, we also observed that the aesthetic and performative configurations can have an impact on the most individual manifestations of religion, religiosity and religious belief, influencing the interpretation and creation of meaning, evoking emotional and spiritual responses.
Journal Article
Reconsidering the Value of Multi-Religious Spaces Based on the Notion of Religious Cultural Heritage: Beyond a Purely Symbolic or Entirely Utilitarian Function
Sociological research increasingly examines the diversity of cultural and religious resources that various community groups contribute to urban spaces and the public sphere. A key focus within this field is the reinterpretation of shared religious and spiritual spaces as part of the tangible and intangible religious cultural heritage. Adopting a spatial perspective, this analysis focuses on the specific case of top-down multi-religious places. Through an exploration of representative examples, this article investigates the different typologies of these places—from complexes that host distinct spaces for different faiths or religions to interfaith chapels and prayer and meditation rooms located in non-religious settings—using the framework of religious cultural heritage. The central conceptual bases of this framework—namely, the historical and memorial value, aesthetic considerations, sacredness and social function—are discussed in terms of their partial and complex association with the qualities of these unconventional spaces. This article suggests that the significance of multi-religious places from the perspective of religious cultural heritage is greater when these places do not serve merely a symbolic function or a purely pragmatic one. This article emphasizes the significance of spatial elements shaped by architectural design and construction choices, which can play a crucial role in integrating multi-religious spaces into the collective memory and foster appreciation for unique forms of sacred beauty.
Journal Article
Music of the mountains : a story in Pakistan
\"Can Roohi find the courage and rhythm to play the rabab at her school's Eid concert?\"--Amazon.
CHILDBOOK
Religious Places and Cultural Heritage: The Greek Orthodox Church in the Historic Center of Turin
Religious places represent one of the most significant categories of protected heritage. In Italy, however, places of worship belonging to minority communities often remain inconspicuous and are not legally recognized as part of the nation’s cultural heritage. Consequently, the histories of these communities face challenges in securing a space within the collective memory. This contribution, through a spatial approach and an interdisciplinary methodology, highlights the richness of the hidden heritage—both tangible and intangible—of the Greek Orthodox Church of the Nativity of St. John the Baptist in Turin. In particular, this research explores the role of the Greek language, which constitutes a significant element of intangible heritage for the community. Since the 1960s, regular celebrations in the Byzantine rite and the Greek language have been held in the Piedmontese capital. These biritual practices emerged in response to the demands of numerous Greek university students and families who revitalized the Orthodox presence in the territory during those years. In 2000, the Catholic Archdiocese granted the Greek Orthodox community the use of a church in the city’s historic center. This church is interpreted as a shared religious space, having undergone a transformation of identity over time: its Orthodox identity remains architecturally invisible, as the community continues to worship in a former Catholic church.
Journal Article
Chloe's Lunar New Year
Chloe cannot wait to celebrate the Lunar New Year, but first she and her family must prepare for the holiday. Includes a recipe for fortune cake.
Book
Romanian Orthodox Heritage in Italy: Blurring Lines Between Different Identities
This research paper explores Romanian Orthodox religious places as vital centers for producing and promoting national identity as well as cultural and religious heritage in Italy. Through the application of a spatial perspective, it addresses the complexities of heritage recognition, questioning what constitutes “heritage” for the religious minorities in Italy and highlighting the inadequacies of the current legal frameworks in this context. The paper focuses on the interplay between history and memory, scrutinizing the dialectical relationships that shape polyphonic, collective, and public memories of the Romanian parishes’ national and religious heritage. Moreover, it analyzes how memories, traditions, and national identity influence the perception of religious communities by focusing on constructing a group memory that highlights ethnic identity rather than religious affiliation.
Journal Article
Julián is a mermaid
While riding the subway home from the pool with his abuela one day, Julián notices three women spectacularly dressed up. Their hair billows in brilliant hues, their dresses end in fishtails, and their joy fills the train car. When Julián gets home, daydreaming of the magic he's seen, all he can think about is dressing up just like the ladies in his own fabulous mermaid costume: a butter-yellow curtain for his tail, the fronds of a potted fern for his headdress. But what will Abuela think about the mess he makes -- and even more importantly, what will she think about how Julián sees himself?
Book
The Bahá’í Temple, Emptiness, and Richness: An Example of Cultural Sustainable Heritage
This paper aims to examine, from a historical–religious perspective, the significance of the Bahá’í Temple, how it was envisioned by the founder of the religion, Bahá’u’lláh, what it symbolizes for believers, and how it appears to followers of other religious traditions or simply visitors. Using academic sources, including those produced by the religion’s founders, along with oral sources collected during fieldwork among various Bahá’í communities from 2020 to 2024, I intend to highlight the meaning of this place, framing the topic within the context of cultural sustainability: the temple can be seen as a vehicle for heritage and ‘traditional’ enhancement. The study reveals the importance of symbols—whether present or absent—in the Bahá’í worship space. While attending the temple may not be essential, its significant role as a place for gathering and meeting stands out. It encourages and nurtures a core principle of the faith: unity.
Journal Article