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"Revolution, 1910-1920"
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Constructing the Image of the Mexican Revolution
With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico’s twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution’s timeline (1910–1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931–1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.
eBook
Photographing the Mexican Revolution
The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,\" there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
eBook
The Sonoran Dynasty in Mexico
Two generals from the northwestern state of Sonora, Álvaro Obregón
and Plutarco Elías Calles, dominated Mexico between 1920 and 1934,
having risen to prominence in the course of the Mexican Revolution.
Torn between popular demands for ending the privileges of wealthy
foreign investors and opposition by a hawkish U.S. administration
and enemies at home, the two generals and their allies from their
home state mixed radical rhetoric with the accommodation of
entrenched interests. In The Sonoran Dynasty in Mexico
Jürgen Buchenau tells the story of this ruling group, which
rejected the Indigenous and Catholic past during the decades of the
revolution and aimed to reinvent Mexico along the lines of the
modern and secular societies in western Europe and the United
States. In addition to Obregón and Calles, the Sonoran Dynasty
included Adolfo de la Huerta and Abelardo L. Rodríguez, four
Sonorans among six presidents in less than two decades. Although
the group began with the common aims of nationalism, modernization,
central political control, and enrichment, Buchenau argues that
this group progressively fell apart in a series of bloody conflicts
that reflected broader economic, political, and social
disagreements. By analyzing the dynasty from its origins through
its eventual downfall, Buchenau presents an innovative look at the
negotiation of power and state formation in revolutionary Mexico.
eBook
War along the Border
In 1910 Francisco Madero, in exile in San Antonio, Texas, launched a revolution that changed the face of Mexico. The conflict also unleashed violence and instigated political actions that kept that nation unsettled for more than a decade. As in other major uprisings around the world, the revolution’s effects were not contained within the borders of the embattled country. Indeed, the Mexican Revolution touched communities on the Texas side of the Rio Grande from Brownsville to El Paso. Fleeing refugees swelled the populations of South Texas towns and villages and introduced nationalist activity as exiles and refugees sought to extend moral, financial, and even military aid to those they supported in Mexico. Raiders from Mexico clashed with Texas ranchers over livestock and property, and bystanders as well as partisans died in the conflict.
One hundred years later, Mexico celebrated the memory of the revolution, and scholars in Mexico and the United States sought to understand the effects of the violence on their own communities. War along the Border, edited by noted Tejano scholar Arnoldo De León, is the result of an important conference hosted by the University of Houston’s Center for Mexican American Studies.
Scholars contributing to this volume consider topics ranging from the effects of the Mexican Revolution on Tejano and African American communities to its impact on Texas’ economy and agriculture. Other essays consider the ways that Mexican Americans north of the border affected the course of the revolution itself. The work collected in this important book not only recaps the scholarship done to date but also suggests fruitful lines for future inquiry. War along the Border suggests new ways of looking at a watershed moment in Mexican American history and reaffirms the trans-national scope of Texas history.
eBook
Culture and Revolution
In the twenty years of postrevolutionary rule in Mexico, the war remained fresh in the minds of those who participated in it, while the enigmas of the revolution remained obscured. Demonstrating how textuality helped to define the revolution, Culture and Revolution examines dozens of seemingly ahistorical artifacts to reveal the radical social shifts that emerged in the war’s aftermath. Presented thematically, this expansive work explores radical changes that resulted from postrevolution culture, including new internal migrations; a collective imagining of the future; popular biographical narratives, such as that of the life of Frida Kahlo; and attempts to create a national history that united indigenous and creole elite society through literature and architecture. While cultural production in early twentieth-century Mexico has been well researched, a survey of the common roles and shared tasks within the various forms of expression has, until now, been unavailable. Examining a vast array of productions, including popular festivities, urban events, life stories, photographs, murals, literature, and scientific discourse (including fields as diverse as anthropology and philology), Horacio Legrás shows how these expressions absorbed the idiosyncratic traits of the revolutionary movement. Tracing the formation of modern Mexico during the 1920s and 1930s, Legrás also demonstrates that the proliferation of artifacts—extending from poetry and film production to labor organization and political apparatuses—gave unprecedented visibility to previously marginalized populations, who ensured that no revolutionary faction would unilaterally shape Mexico’s historical process during these formative years.
eBook