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A collection of interviews conducted and recorded by famed Irish republican revolutionary Ernie O'Malley during the 1940s and 1950; an insightful and painstaking reflection of the horror of the Irish War of Independence and Civil War.

When examining history, one must be careful not to blame rapid political change solely on famine, war, economic inequality, or structural disfunctions alone.These conditions may linger for decades without social upheaval.

This book, first published in 1979, examines the little-studied forerunners of the Russian revolutionary movement – the Russian section of the First International. It looks at the social democratic and Marxist Russians in the International, as well as examining the complex relations between the terrorist Sergei Nechaev and Marx’s friends, as well as tracing the activities of Michael Bakunin. It also analyses, for the first time in English, the activities of the Russian revolutionaries in the Paris Commune. It integrates early Russian social democracy into the larger context of European socialist and working-class movements.

Haiti Fights Back: The Life and Legacy of Charlemagne Péralte is the first US scholarly examination of the politician and caco leader (guerrilla fighter) who fought against the US military occupation of Haiti. The occupation lasted close to two decades, from 1915-1934. Alexis argues for the importance of documenting resistance while exploring the occupation’s mechanics and its imperialism. She takes us to Haiti, exploring the sites of what she labels as resistance zones, including Péralte’s hometown of Hinche and the nation’s large port areas--Port-au-Prince and Cap-Haïtien. Alexis offers a new reading of US military archival sources that record Haitian protests as banditry. Haiti Fights Back illuminates how Péralte launched a political movement, and meticulously captures how Haitian women and men resisted occupation through silence, military battles, and writings. She locates and assembles rare, multilingual primary sources from traditional repositories, living archives (oral stories), and artistic representations in Haiti and the United States. The interdisciplinary work draws on legislation, cacos’ letters, newspapers, and murals, offering a unique examination of Péralte’s life (1885-1919) and the significance of his legacy through the 21st century. Haiti Fights Back offers a new approach to the study of the US invasion of the Americas by chronicling how Caribbean people fought back.

Standing outside elite or even middling circles, outsiders who were marginalized by limitations on their freedom and their need to labor for a living had a unique grasp on the profoundly social nature of print and its power to influence public opinion. In Empowering Words, Karen A. Weyler explores how outsiders used ephemeral formats such as broadsides, pamphlets, and newspapers to publish poetry, captivity narratives, formal addresses, and other genres with wide appeal in early America. To gain access to print, outsiders collaborated with amanuenses and editors, inserted their stories into popular genres and cheap media, tapped into existing social and religious networks, and sought sponsors and patrons. They wrote individually, collaboratively, and even corporately, but writing for them was almost always an act of connection. Disparate levels of literacy did not necessarily entail subordination on the part of the lessliterate collaborator. Even the minimally literate and the illiterate understood the potential for print to be life changing, and outsiders shrewdly employed strategies to assert themselves within collaborative dynamics. Empowering Words covers an array of outsiders including artisans; the minimally literate; the poor, indentured, or enslaved; and racial minorities. By focusing not only on New England, the traditional stronghold of early American literacy, but also on southern towns such as Williamsburg and Charleston, Weyler limns a more expansive map of early American authorship.

This article analyzes the sketches of Ernesto “Che” Guevara and fellow guerrillas made by the Argentine Ciro Bustos during his captivity in Bolivia in 1967. Many of the references to Bustos in biographies of Guevara and in writings about the latter’s failed Bolivian campaign depict Bustos, because of those sketches, as “the man who betrayed Che.” The tensions and discrepancies in those accounts suggest instead that Bustos’s sketches should be seen not merely as documents of betrayal but as artworks embedded in the period’s wider revolutionary visualities. The article argues that Bustos’s drawing of Che Guevara, who is usually depicted visually as “heroic guerrilla” or “saintly martyr,” introduces an affective, intimate gaze of armed struggle in all its complications. En este artículo se analizan los retratos que el argentino Ciro Bustos hizo durante su cautiverio en Bolivia en 1967 de sus compañeros guerrilleros, entre los que se encontraba Ernesto “Che” Guevara. Muchas de las biografías de Guevara y los escritos sobre su fallida campaña en Bolivia señalan a Bustos como “el hombre que traicionó al Che” y justifican la acusación refiriéndose precisamente a esos dibujos. Pero la falta de acuerdo en el rol que ocuparon los retratos en la captura de Guevara habilita la posibilidad de que los bocetos de Bustos sean abordados no como meros documentos de una traición sino como imágenes complejas del régimen visual de aquella época revolucionaria. Sostenemos aquí que el retrato hecho por Bustos del Che Guevara, históricamente representado como “guerrillero heroico” o “mártir sagrado,” introduce una mirada afectiva, íntima y compleja de la lucha armada.

From a debut author, an intimate, multigenerational narrative of the Russian and Chinese revolutions through the eyes of the Chinese youth who traveled to the Soviet Union and the fate of their blended offspring.

This book vividly evokes radical women's integral roles within France's revolutionary civil war known as the Paris Commune. It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-siècle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.