Explore the vast range of titles available.

This paper examines the thematic structure of a corpus of insults using the inference-boundary model of Theme and Rheme. It focuses on the concept of negative inference—which must be generated for an insult to be successfully delivered—and shows how it allows us to better understand and characterize the form that insults generally take. The analysis suggests that insults are typically structured to generate backward-looking negative inferences from the decoder, much in line with how new information (in this case, the thrust of the insult) is generally located in final position. The paper also proposes a summary statement capturing the general configuration of insults and suggestions for further research.

This article explores the roles that language and the body play in the iconization of cross-modal personae (see Agha 2003, 2004). Focusing on a community of radical drag queens in San Francisco, I analyze the interplay of visual presentation and acoustic dimensions of /s/ in the construction of the fierce queen persona, which embodies an extreme, larger-than-life, and anti-normative type of femininity. Taking data from transformations—conversations during which queens visually transform from male-presenting into their feminine drag personae—I explore the effect of fluid visual presentation on linguistic production, and argue that changes in both the linguistic and visual streams increasingly invoke qualia (see Gal 2013; Harkness 2015) projecting ‘harshness’ and ‘sharpness’ in the construction of fierce femininity. I argue that personae like the fierce queen become iconized through rhematization (see Gal 2013), a process in which qualic congruences are construed and constructed across multiple semiotic modalities. (Iconization, rhematization, qualia, sociophonetics, gender, personae, drag queens)*

While multiple threats to the language, culture, and existence of the 700 members of the Village of Tewa loom (Kroskrity 1993, 2021), this diasporic Pueblo society deploys sociolinguistic resources to generate hope ‘as a moral call’ (Mattingly 2010). Their heritage language is rhematized (Gal & Irvine 2019) to their community identity but now that emblem, and their very existence, has been challenged by the encroachment of English and other crises (including climate change and the pandemic). For Tewa, repairing the situation requires a hopeful ‘reorientation of knowledge and action’ (Miyazaki 2004; Borba 2019) that recontextualizes traditional linguistic practices and language ideologies (Kroskrity 1998). Tewa linguistic and discursive expressions of ‘hope’ are more agentive and directed than their English language counterparts. These practices are examined as forms of what Tuck (2009:417) called generative hope ‘about a present that is enriched by the past and the future’. (Pragmatics, language ideologies, hope)*

In our paper we present a parallel co-reference analysis of the Hungarian poem A szőlőműves (The Vine-Dresser) by Milán Füst and its English translation. We explore the textual world of the poem and compare the Hungarian and English texts using formal linguistic tools based on semiotic textology. We also reveal the possible differences between the original Hungarian text and its English translation. The results of the analysis prove that co-reference analysis devised and elaborated by János S. Petőfi can be effectively applied in a polyglot environment. We also introduce the hypertext implementation of the co-reference analy-sis of the selected poetic texts in a form of a web page. We would like to show that this has many practical advantages, for example, the analysis and its results can be transparent, accessible, and verifiable to everyone. In addition, the created web page provides additional aspects for the analysis. For example, considering the poetic text as a network, we can investigate whether the scale-free feature is also relevant in the textological environment – as it can be experienced in many other areas of reality.

This paper examines the thematic structure of a corpus of insults using the inference-boundary model of Theme and Rheme. It focuses on the concept of negative inference—which must be generated for an insult to be successfully delivered—and shows how it allows us to better understand and characterize the form that insults generally take. The analysis suggests that insults are typically structured to generate backward-looking negative inferences from the decoder, much in line with how new information (in this case, the thrust of the insult) is generally located in final position. The paper also proposes a summary statement capturing the general configuration of insults and suggestions for further research.

This article regards museums of world religions as intersemiotic sites where the knowledge of individual religions as well as religion as a broad concept is socially constructed. It examines the role of verbal interpretations in co-constructing knowledge of religion with other visual and spatial semiotics. The case study is based on a comparison of the text panels and the display cases on Christianity in two museums: St Mungo Museum of Religious Life and Art (SMM) in Glasgow, and Museum of World Religions (MWR) in Taipei. The methodology combines the micro-level analysis of theme-rheme pattern in information progression, logical-semantic relations in verbal-visual interaction, and a pragmatic account of the two epistemic communities in which the museums are situated. The results suggest that through the interaction between the text panels, labels, and individual objects, each museum has construed its own material definition of religion. Specifically, Christianity is construed as a phenomenon perceived by Christians in SMM, whereas in MWR, the knowledge of Christianity develops from the holy scriptures.

Present in many of the world's languages, expressives (also called ideophones or mimetics) are commonly discussed as iconic ‘depictions’ of speaker's sensual experiences. Yet anthropologists and linguists working with these constructions have noticed that they also index ‘social types’ that perdure across interactional events. This article analyzes the semiotic relation between depiction and social stereotypes embedded in expressive use by examining video data from interviews with speakers of Mundari, an expressive-rich Austro-Asiatic language spoken in eastern India. Presenting interview data taken from both lab-based elicitations as well as ethnographic interviews in Mundari-speaking villages, the article claims that speakers deploy multimodal resources such as gesture and gaze in concert with expressives in order to re-intepret social indexes as felt, embodied experiences (rheme) while also juxtaposing these experiences with elements in the immediately perceptible material world (dicent). The article also addresses issues of ethics, agency, and materiality entailed by multimodal expressive depiction. (Ideophones, multimodality, materiality, embodiment, semiotics)*

This article proposes a syntax and a semantics for intonation in English and some related languages. The semantics is 'surface-compositional', in the sense that syntactic derivation constructs information-structural logical form monotonically, without rules of structural revision, and without autonomous rules of 'focus projection'. This is made possible by the generalized notion of syntactic constituency afforded by combinatory categorial grammar (CCG)—in particular, the fact that its rules are restricted to string-adjacent type-driven combination. In this way, the grammar unites intonation structure and information structure with surface-syntactic derivational structure and Montague-style compositional semantics, even when they deviate radically from traditional surface structure. The article revises and extends earlier CCG-based accounts of intonational semantics, grounding hitherto informal notions like 'theme' and 'rheme' (a.k.a. 'topic' and 'comment', 'presupposition' and 'focus', etc.) and 'background' and 'contrast' (a.k.a. 'given' and 'new', 'focus', etc.) in a logic of speaker/hearer supposition and update, using a version of Rooth's alternative semantics. A CCG grammar fragment is defined that constrains language-specific intonation and its interpretation more narrowly than previous attempts.

This article introduces a new way to explain how information structure is signaled prosodically in English. I claim that METRICAL STRUCTURE plays a central role (Ladd 2008, Truckenbrodt 1995).Information structure (defined as in Steedman 1991 and Vallduvi & Vilkuna 1998) places strong constraints on the PROBABILISTIC mapping of words onto metrical prosodie structure—that is, foci usually align with nuclear accents and theme/rheme units with prosodie phrases, and themes are less metrically prominent than rhemes. It is shown that focus position, scope, and pragmatic interpretation are then derived by manipulating EXPECTED PROMINENCE within metrical structure. Broadly, the more prominent a word than expected, the more likely a contrastive reading; the less prominent, the more likely a givenness reading. Both constructed and naturally occurring examples from the Switchboard corpus are used.

The present study explores how two symbolic boundaries—linguistic variety and race—intersect, influencing how Latin American immigrants are perceived in Spain. To this end, 217 Spaniards participated in an experiment in which they evaluated three men along a series of social properties, but they were presented with different combinations of linguistic variety (Argentinian, Colombian, or Spanish) and race (a White or Mestizo photograph). The results of mixed-effects regression models found that linguistic variety conditioned participants’ evaluations of status, occupational prestige, solidarity, and trustworthiness, and both variety and race conditioned evaluations of religiousness. We contend that linguistic features become associated with a specific group of people through rhematization (Gal, 2005; Irvine & Gal, 2000) and, by extension, ideologies link those people with stereotypical characteristics. We conclude that the “ideological twinning” (Rosa & Flores, 2017) of race and linguistic variety can enhance stereotypes toward immigrants and impact their experiences in the receiving country.