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The trouble with Wagner
In this unique and hybrid book, cultural and music historian Michael P. Steinberg combines a close analysis of Wagnerian music drama with a personal account of his work as a dramaturg on the bicentennial production of The Ring of the Nibelung for the Teatro alla Scala Milan and the Berlin State Opera. Steinberg shows how Wagner uses the power of a modern mythology to heighten music's claims to knowledge, thereby fusing not only art and politics, but truth and lies as well. Rather than attempting to separate value and violence, or \"the good from the bad,\" as much Wagner scholarship as well as popular writing have tended to do, Steinberg proposes that we confront this paradox and look to the capacity of the stage to explore its depths and implications. Drawing on decades of engagement with Wagner and of experience teaching opera across disciplines, The Trouble with Wagner is packed with novel insights for experts and interested readers alike.
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Ring of Myths
In the fall of 1938, following Kristallnacht, the symphonic orchestra in Palestine cancelled the performance of Die Meistersinger von Nürnberg. No one could foresee that this would be the beginning of a never-ending boycott. The boycott began in a society struggling for its existence and collective identity; it continues in a well-established culture that maintains close ties with Germany and German culture, when numerous Israeli institutions are involved in commemorating the Holocaust. At present Wagner is known in Israel mainly as a symbol of the Holocaust. From the late twentieth-century Wagner is the only composer who aroused strong opposition when attempts were made to publicly play his music. Analysis of this controversy sheds light on the changes that have taken place in Israel -- from a pioneering to a traditional society, and from a socialist to a capitalistic one. In the Wagner Year \"The Ring of Myths\" appears in a revised edition, including interpretations from new perspectives on the place of the Holocaust in Israeli society and the processes of change until 2012.
eBook
\Was deutsch und echt--\ : Richard Wagner and the articulation of a German opera, 1798-1876
This book shows nineteenth-century German opera's entanglement with national identity formation, adding a significant perspective to discussions about Wagner's relation to German nationalism by interpreting his esthetic endeavors as a continuation of previous campaigns for the genre's emancipation.
eBook
Nietzsche, Wagner, Europe
Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the \"nationalist nonsense\" and \"politics of dissolution\" of his day, he advocated the birth of \"good Europeans,\" i.e. \"supra-national\" individuals and the \"amalgamation of nations.\"
Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the \"aestheticization\" of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of \"Dionysian\" music and of Goethe as a model of \"Good Europeanism.\"
eBook
Beyond reason
Beyond Reason relates Wagner's works to the philosophical and cultural ideas of his time, centering on the four music dramas he created in the second half of his career: Der Ring des Nibelungen, Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal. Karol Berger seeks to penetrate the \"secret\" of large-scale form in Wagner's music dramas and to answer those critics, most prominently Nietzsche, who condemned Wagner for his putative inability to weld small expressive gestures into larger wholes. Organized by individual opera, this is essential reading for both musicologists and Wagner experts.
eBook
Wagner and the creation of The Ring
\"Part cultural history, part biography, this is the fascinating story of Richard Wagner's life, influences, gift for storytelling, and artistic revolution, culminating in his dramatic journey to write The Ring Cycle. The Ring Cycle is one of the most epic and compelling operas of the nineteenth century, created by a composer who was, alongside Dickens, Tolstoy, and Victor Hugo, also one of the century's master storytellers. But the story of how Richard Wagner created the work is one full of intrigue and triumphs against unlikely odds--as well as controversy, due to the composer's anti-semitic views and popularity with the Nazi party. In Wagner and the Creation of the Ring, Michael Downes combines cultural history and biography to recount the colorful, fascinating, and insightful journey behind the creation of The Ring and its mythology. He tells the story of how and why this extraordinary masterpiece came into being, why it takes the form it does, why it fascinates and obsesses so many--and horrifies others--and why it still matters today.\"
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Wagner and the Romantic Hero
Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. He was the centre of controversy during his lifetime and yet, when he died, he was the most idolized man in Germany. The situation has not changed much since then. Simon Williams explores the reasons for this adulation and antipathy by examining an aspect that may be a fundamental cause for this radical division in the reception of Wagner's work, the phenomenon of heroism. Williams analyses this heroism as a function of Wagner's theatre and music, beginning with a definition and examination of the concept of the heroic. The book also discusses all thirteen stage works by Wagner and the phenomenon of heroism and Wagner's adaptation of the figure of the Romantic hero. Williams offers a theatrical, musical, and cultural re-evaluation of one of the most enduring figures in the arts.
eBook