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We explore pump-probe high harmonic generation (HHG) from monolayer hexagonal-boron-nitride, where a terahertz pump excites coherent optical phonons that are subsequently probed by an intense infrared pulse that drives HHG. We find, through state-of-the-art ab initio calculations, that the structure of the emission spectrum is attenuated by the presence of coherent phonons and no longer comprises discrete harmonic orders, but rather a continuous emission in the plateau region. The HHG yield strongly oscillates as a function of the pump-probe delay, corresponding to ultrafast changes in the lattice such as specific bond compression or stretching dynamics. We further show that in the regime where the excited phonon period and the pulse duration are of the same order of magnitude, the HHG process becomes sensitive to the carrier-envelope phase (CEP) of the driving field, even though the pulse duration is so long that no such sensitivity is observed in the absence of coherent phonons. The degree of CEP sensitivity versus pump-probe delay is shown to be a highly selective measure for instantaneous structural changes in the lattice, providing an approach for ultrafast multidimensional HHG spectroscopy. Remarkably, the obtained temporal resolution for phonon dynamics is ∼1 femtosecond, which is much shorter than the probe pulse duration because of the inherent subcycle contrast mechanism. Our work paves the way toward routes of probing phonons and ultrafast material structural changes with subcycle temporal resolution and provides a mechanism for controlling the HHG spectrum.

Religious clothing serves as the external manifestation of religious culture, and its evolutionary process not only reflects the developmental trajectory of religion but also demonstrates cultural exchange and social transformation in specific historical periods. This study focuses on the localization and evolution of Chinese Buddhism monks’ robes as its research subject. Through analyzing historical documents, archaeological materials, and artistic works, it explores the transformation process from Indian Kasaya to Chinese Haiqing 海青 (Chinese Buddhist Ceremonial Robe) and its cultural implications. The research findings reveal that the localization process of Chinese Buddhism monks’ robes exhibits characteristics of gradual Cultural Adaptation: while maintaining the core of Buddhist doctrine, it achieved organic integration with traditional Chinese culture through systematic reconstruction of material forms. This is specifically manifested in three aspects: formal adaptation responding to environmental constraints, the integration of craftsmanship and materials embodying cultural dialogue, and the color hierarchy system reflecting the dynamic interplay between secular power and religious authority. This process facilitated the reconstruction of monks’ multidimensional Identity Reconstruction—forming a new balance model among religious transcendence, cultural belonging, and social participation. This study provides a theoretical framework for understanding the internal logic of religious localization and the adaptive mechanisms of Cross-cultural Communication.

The Republican era of China witnessed three primary positions regarding Buddhist monastic robe reform. Taixu advocated preserving canonical forms (法服) for ritual garments while adapting regular robes (常服) to contemporary needs; Dongchu proposed diminishing ritual distinctions by establishing a tripartite hierarchical system—virtue-monk robes (德僧服), duty-monk robes (職僧服), and scholar-monk robes (學僧服); and Lengjing endorsed the full secularization of monastic robes. As a reformist leader, Taixu pursued reforms grounded in both doctrinal authenticity and contextual responsiveness. His initial advocacy for robe modifications, however, rendered him a target for traditionalists like Cihang, who conflated his measured approach with the radicalism of Dongchu’s faction. Ultimately, the broader Buddhist reform collapsed, with robe controversies serving as a critical lens into its failure. The reasons for its failure include not only wartime disruption and inadequate governmental support, but also the structural disadvantages of the reformists compared to the traditionalists, which proved decisive. This was due to the fact that the traditionalists mostly controlled monastic economies, wielded institutional authority, and commanded discursive hegemony, reinforced by lay Buddhist alignment. These debates crystallize the core tension in Buddhist modernization—the dialectic between “disenchantment” and “preservation of monastic discipline”. This dynamic of negotiated adjustment offers a vital historical framework for navigating contemporary Buddhism’s engagement with modernity.

Recent research in Sustainability has gained increasing attention within the past years, particularly regarding methods and approaches for designing sustainable products and services to address environmental and societal challenges. However, there has been limited exploration of incorporating cultural materials into the design process, which could enhance the cultural sustainability of products and services. This article aims to investigate the potential of integrating traditional royal costumes into fashion design to foster sustainability values and behaviours in contemporary society. A descriptive study focused on the Nhat Binh robe; a formal dress worn by noblewomen of the Nguyen Dynasty (1802–1945). The findings reveal that this traditional costume is rich in visual elements, offering a wealth of inspiration for fashion designers. However, existing products and services have yet to fully leverage the emotional and visual aspects of this unique cultural material. To creatively and sustainably preserve and promote traditional cultural values, this study proposes a model for incorporating traditional cultural materials into fashion design through co-design activities. This model emphasizes close collaboration between designers, artisans, and fashion consumers, with the goal of safeguarding traditional cultural values while advancing sustainable fashion. By fostering collaboration among them, the model has the potential to encourage a sense of ownership and emotional connection to the products, enriching consumer experiences. It not only addresses existing gaps in the use of cultural elements in fashion design but also positions designers to play a pivotal role in the future of sustainable fashion.

Daoist robes in the Ming Dynasty literature underwent a marked transformation from exclusive religious vestments to widespread secular attire. Originally confined to Daoist priests and sacred rites, these garments began to appear in everyday work, entertainment, and ceremonies across social strata. Drawing on a hand-coded corpus of novels that yields robe related passages, and by analyzing textual references from Ming novels, Daoist canonical works, and visual artifacts, and applying clothing psychology and semiotic theory, this study elucidates how Daoist robes were re-coded as secular fashion symbols. For example, scholar-officials donned Daoist robes to convey moral prestige, laborers adopted them to signal upward mobility, and merchants donned them to impersonate the educated elite for commercial gain. By integrating close textual reading with cultural theory, the article advances a three-stage model, sacred uniform, ritual costume, and secular fashion, that clarifies the semantic flow of Daoist robes. In weddings and funerals, many commoners flaunted Daoist robes despite sumptuary laws, using them to assert honor and status. These adaptations reflect both the erosion of Daoist institutional authority and the dynamic process of identity construction through dress in late Ming society. Our interdisciplinary analysis highlights an East Asian perspective on the interaction of religion and fashion, offering historical insight into the interplay between religious symbolism and sociocultural identity formation.

Solid waste management is a serious problem in most cities of the world due to rapid urban expansion and it causes increasing solid waste generation. The practice of solid waste management in Robe town was very poor and it is one of the chronic problems of the town. Therefore, the town needs a suitable landfill site to properly manage solid wastes and mitigate its impacts on public health and environment. The purpose of the study is to identify suitable landfill sites in Robe town, Ethiopia, that is socially and environmentally acceptable, and economically feasible by applying geographic information system and multi-criteria decision analysis and evaluation techniques. This study was based on factor criteria thematic layers of land-use and land-cover types, groundwater depth, lineament, soil permeability, river, water pipelines, slope, main and secondary roads, and constraints thematic maps of boreholes, built-up areas, and green areas. The analytical hierarchy process pair-wise comparison model was used to compute the weight of criteria. The weighted linear combination model was also used to combine different criteria weight and produce a suitable landfill site map. Landfill site suitability map was prepared by overlaying different criteria and suitability ranks were assigned as unsuitable, low suitable, moderately suitable, highly suitable and very highly suitable. The result of the study shows that 41.02 km2 (651.12%) of the area was unsuitable, 16.27 km2 (20.28%) was low suitable, 10.53 km2 (13.12%) was moderately suitable, 7.54 km2 (9.40%) was highly suitable and 4.88 km2 (6.08) was very highly suitable. From highly and very highly suitable sites, 7 candidate landfill sites were selected and evaluated in terms of area of the site, distance to nearby boreholes, built-up areas, green areas and distance from the center of the town to choose the most suitable site. According to the result of the study, landfill site 6 was the most suitable followed by landfill site 5 while landfill site 2 was the least suitable. The result also shows that selected suitable sites are expected to be friendly to the environment and the societies. Therefore, to have a sound environment and improve public safety, the town should need a landfill site and implement integrated solid waste management.

The Mongolian robe is the crystallisation of the wisdom of Mongolian people after a long period of social practice and one of the intangible cultural heritages of humanity. With the gradual disappearance of the nomadic lifestyle in the steppe, it is not easy to protect and pass on traditional Mongolian dress culture and traditional handicraft technology. This study used the digital twin concept to construct a digital twin to try on clothes for a model in a virtual environment, to realise a mirror image presentation of the target physical entity, and to use effective modern technology to protect and pass on the traditional clothing. The experiment used an AlphaM4 3D body scanner to obtain a 3D human body model, as well as reverse engineering technology to process the initial data, such as noise reduction, streamlining, hole patching and smoothing to build a personalised human body model. The traditional black cotton robe of the Nayman tribe researched in the field was mapped by the planar structure design method, and its structure and 2D samples were recovered. A 3D model of the traditional cotton robe of the Nayman tribe was established based on 3D simulation technology to achieve a 3D virtual display effect, enable better dissemination and inheritance, and give a new vitality to non-heritage clothing in the digital era. The research results can provide fresh ideas and technical support for the digital estate and development of other traditional costumes, as well as contribute to the construction of digital resources for intangible cultural heritage.

Background Wild edible plants (WEPs) are usually considered to constitute all plant resources that are neither cultivated nor domesticated but are used as nutritional supplements by local people. WEPs play a vital role in ensuring food and livelihood security for countless families and communities around the world. The objective of the study was to assess and document wild edible plants used by communities in the Arsi Robe district as food. Methods Semi-structured interviews, market surveys, and guided field walks were employed as data collection tools. The data were analyzed using preference ranking, direct matrix ranking, and Jaccard’s similarity index. Results The present study revealed various types of wild edible plants consumed by local communities in the Arsi Robe district of the East Arsi Zone. This could be justified by the documentation of 36 different wild edible plants in the study area. These WEPs belong to 31 genera and 25 families. Most of the growth forms of the edible wild plants in the district were shrubs (16, 44.44%) and trees (14, 38.88%). Amaranthus caudatus and Bridelia micrantha are the most preferred WEPs in the study area. The finding of the study also revealed that Lepidotrichilia volkensii and Premna schimperi are among the novel WEPs that had not before been documented as food items in other areas. Olea europaea subsp. cuspidata, Ficus sycomorus, Cordia africana , and Ficus sur are species with multiple uses. Agricultural expansion, charcoal production, the construction of different materials, making agricultural tools, deforestation, and other factors were the top prioritized threats affecting the abundance and diversity of wild edible plants. Conclusion Along with the sustainable utilization and conservation of the existing WEPs of the study district, priority should be given to the urgent collection, domestication, and cultivation of multiuse wild edible plant species such as Olea europaea subsp. cuspidata, Ficus sycomorus , Cordia africana , and Ficus sur in the study area.

Small molecule inhibitors that target the E3 ligase activity of MDM2-MDM4 have been explored to inhibit the oncogenic activity of MDM2-MDM4 complex. MMRi62 is a small molecule that was identified using an MDM2-MDM4 E3 ligase-based high throughput screen and a cell-death-based secondary screen. Our previous studies showed that MMRi62 promotes MDM4 degradation in cells and induces p53-independent apoptosis in cancer cells. However, MMRi62 activity in solid tumor cells such as melanoma cells, especially in BRAF inhibitor resistant melanoma cells, have not been explored. Although its promotion of MDM4 degradation is clear, the direct MMRi62 targets in cells are unknown. In this report, we show that MMRi62 is a much more potent p53-independent apoptosis inducer than conventional MDM2 inhibitors in melanoma cells. A brief structure-activity study led to development of SC-62-1 with improved activity. SC-62-1 potently inhibits and eliminates clonogenic growth of melanoma cells that acquired resistance to BRAF inhibitors. We developed a pair of active and inactive SC-62-1 probes and profiled the cellular targets of SC-62-1 using a chemical biology approach coupled with IonStar/nano-LC/MS analysis. We found that SC-62-1 covalently binds to more than 15 hundred proteins in cells. Pathways analysis showed that SC-62-1 significantly altered several pathways including carbon metabolism, RNA metabolism, amino acid metabolism, translation and cellular response to stress. This study provides mechanistic insights into the mechanisms of action for MMRi62-like quinolinols. This study also suggests multi-targeting compounds like SC-62-1 might be useful for overcoming resistance to BRAF inhibitors for improved melanoma treatment.

The digital archive of cultural heritage provides new opportunities for the protection of the cultural heritage and the development of online museums. One of the essential requirements for the digitization is to achieve accurate colour appearance reproduction. Taking the Imperial Chinese robes in the Qing Dynasty as an example , this study aims to develop a digital achieve system to digitize the robes using a high-end imaging system and accurately reproduce their colour properties on a display. Currently, there has been very limited study focused on the colour reproduction of silk fabrics or other textile materials. The conventional colour management process using a traditional colour chart however, may not be suitable for the reproduction of silk fabrics because they have very high gloss. To address this difficulty, a unique ‘Qianlong Palette’ colour chart, consisting of 210 silk fabric samples, has been specifically produced for optimizing the colour reproduction of silk fabrics and a colour image reproduction system has been developed for the digitization and archiving of the clothing fabric for the royal court. Colour characterisation models using both the ‘Qianlong Palette’ colour chart and the traditional colour chart, and different mapping methods, are compared and the model with highest accuracy used in a self-programmed interface for automatically processing textile images in the future. Finally, the digital archive system has been validated using six garments of silk fabric relics. The colour differences after the colour image reproduction are all less than 3.00ΔE*ab, indicating acceptable colour reproduction of the system. The images after colour reproduction have also been evaluated subjectively by experts from the museum and the results are considered satisfactory. Our results show that the newly designed ‘Qianlong Palette’ colour chart exhibits superior performance over the conventional colour chart in effectively predicting the colour of the silk fabrics. The self-programmed graphical user interface for image colour management can serve as a powerful tool to truly reproduce the colour appearance of various silk fabric relics in museums in the future and digitally archive those valuable cultural relics for different uses.