Catalogue Search | MBRL
Are you sure you want to remove the book from the shelf?
{{itemTitle}}
10
result(s) for
"Rock musicians England Interviews."
Sort by:
Bowie on Bowie : interviews and encounters with David Bowie
Presents some of the best interviews David Bowie has granted in his near five-decade career. Each featured interview traces a new step in his unique journey, successively freezing him in time in all of his various incarnations, from a young novelty hit-maker and Ziggy Stardust to plastic soul player, 1980s sell-out, and the artistically reborn and beloved elder statesman of challenging popular music.
Book
Englands Dreaming Tapes
The essential companion to England's Dreaming, the seminal history of punk.
eBook
Seeing yourself as others see you: developing personal attributes in the group rehearsal
An important part of the process that enables us to improve ourselves as musicians in group music making involves developing an awareness of our personal attributes as they are displayed in the rehearsal. In order to help students become more aware of themselves and of their band members’ personal attributes as they rehearse, a peer assessment system was established. The project was piloted and developed at Barnsley College and University of Huddersfield (Barnsley Campus) with first year undergraduates on the BA Popular Music course across 2000–2008. Individuals agreed to allow their bands to identify particular personal attributes for each member that, they felt, could be improved and used as peer assessment criteria. In-depth interviews were conducted with 16 students over a 4-year period and the following areas emerged as a focus of these: self-knowledge, feedback, confidence, honesty. The study has implications for devising peer assessment systems that are responsive to individual learners and their unique needs. It also suggests the desirability of providing peer assessment activities that might foster trust among participants and, if so, supports the provision of exceptional feedback. Now in its ninth year, this system has been refined into a model.
Journal Article
Walls come tumbling down : the music and politics of Rock Against Racism, 2 Tone and Red Wedge, 1976-1992
\"In August 1976, Eric Clapton made an inflammatory speech in support of Enoch Powell and 'black' repatriation, sparking an anti-racism campaign that would soon radicalise an entire generation. The following sixteen years saw politics and pop music come together as never before to challenge racism, gender inequality and social and class divisions. For the first time in UK history, musicians became instigators of social change and their political persuasion as important as the songs they sang. Through the voices of campaigners, musicians, artists and politicians, Daniel Rachel charts this extraordinary and pivotal period between 1976 and 1992, following the rise and fall of three key movements of the time: Rock Against Racism, 2 Tone and Red Wedge, revealing how they both shaped, and were shaped by, the music of a generation. Consisting of new and exclusive in-depth conversations with over 100 contributors, including Pauline Black, Billy Bragg, Jerry Dammers, Phill Jupitus, Neil Kinnock, Linton Kwesi-Johnson, Tom Robinson, Clare Short, Tracey Thorn and many more, Walls Come Tumbling Down is a fascinating, polyphonic and authoritative account of those crucial sixteen years in Britain's history, from the acclaimed writer of Isle of Noises. Walls Come Tumbling Down also features more than 150 images - many rare or previously unpublished - from some of the greatest names in photography, including Adrian Boot, Chalkie Davies, Jill Furmanovsky, Syd Shelton, Pennie Smith, Steve Rapport and Virginia Turbett.\"-- Publisher description.
Book
Henry Cow : the world is a problem
In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. The band's rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World is a Problem Benjamin Piekut tells the band's story-from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later-and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group's pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow's story resonates far beyond its inimitable music; it speaks to the avant-garde's unpredictable potential to transform the world.
Book