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77,543 result(s) for "Romances"
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Social Variation and the Latin Language
Languages show variations according to the social class of speakers and Latin was no exception, as readers of Petronius are aware. The Romance languages have traditionally been regarded as developing out of a 'language of the common people' (Vulgar Latin), but studies of modern languages demonstrate that linguistic change does not merely come, in the social sense, 'from below'. There is change from above, as prestige usages work their way down the social scale, and change may also occur across the social classes. This book is a history of many of the developments undergone by the Latin language as it changed into Romance, demonstrating the varying social levels at which change was initiated. About thirty topics are dealt with, many of them more systematically than ever before. Discussions often start in the early Republic with Plautus, and the book is as much about the literary language as about informal varieties.
Le Morte D'Arthur : King Arthur and the legends of the Round Table
Presents the epic story of King Arthur, the wizard Merlin, his Knights of the Round Table, the sword Excalibur, and his tragic and poetic death, in a prose translation of the classic legend, featuring an introduction by acclaimed poet Robert Graves.
Medieval and Early Modern Jewish Romance
This study features essays from leading scholars highlighting the important Jewish contributions to the popular medieval genre of romance. Writing against strict notions of genre boundaries and canonization, this volume provides a new understanding of medieval and early modern romance through a working definition consisting of variable elements, including language, literary devices, plot, and characters. The contributions in this volume establish that many texts written in the medieval and early modern Jewish communities across Europe and beyond can be classified as \"romance.\" Each of the nine chapters as well as the afterword by Eli Yassif discusses romance as it relates to the medieval and early modern Jewish world, as well as the greater non-Jewish context. This volume places Jewish texts into the scholarly conversation as sources for forming a new understanding of the genre of romance across religious and cultural boundaries.
Multilingualism and mother tongue in medieval French, Occitan, and Catalan narratives
The Occitan literary tradition of the later Middle Ages is a marginal and hybrid phenomenon, caught between the preeminence of French courtly romance and the emergence of Catalan literary prose. In this book, Catherine Léglu brings together, for the first time in English, prose and verse texts that are composed in Occitan, French, and Catalan-sometimes in a mixture of two of these languages. This book challenges the centrality of \"canonical\" texts and draws attention to the marginal, the complex, and the hybrid. It explores the varied ways in which literary works in the vernacular composed between the twelfth and fifteenth centuries narrate multilingualism and its apparent opponent, the mother tongue. Léglu argues that the mother tongue remains a fantasy, condemned to alienation from linguistic practices that were, by definition, multilingual. As most of the texts studied in this book are works of courtly literature, these linguistic encounters are often narrated indirectly, through literary motifs of love, rape, incest, disguise, and travel.
Romance for the Curious
Are you considering Romance as your major or career? This book, co-authored by over 20 top professors, gives you the ability and confidence to make an informed major/career choice. So, you don't know what you can do with a major in Romance? You don't know why study Romance? You don't know what the research issues and scholarship opportunities are in Romance? You are confused about the career options in Romance? Don't worry. We know choosing a career path is a major decision, but that's why we have co-authored this book to help you. Take this book as an investment in your career. You need help to make the right decision with complete confidence about your major/career which will impact the next 40 years of your life.
Without the Novel
No genre manifests the pleasure of reading—and its power to consume and enchant—more than romance. In suspending the category of the novel to rethink the way prose fiction works,  Without the Novel demonstrates what literary history looks like from the perspective of such readerly excesses and adventures. Rejecting the assumption that novelistic realism is the most significant tendency in the history of prose fiction, Black asks three intertwined questions: What is fiction without the novel? What is literary history without the novel? What is reading without the novel? In answer, this study draws on the neglected genre of romance to reintegrate eighteenth-century British fiction with its classical and Continental counterparts. Black addresses works of prose fiction that self-consciously experiment with the formal structures and readerly affordances of romance: Heliodorus's  Ethiopian Story, Cervantes's  Don Quixote, Fielding's  Tom Jones, Sterne's  Tristram Shandy, and Burney's  The Wanderer. Each text presents itself as a secondary, satiric adaptation of anachronistic and alien narratives, but in revising foreign stories each text also relays them. The recursive reading that these works portray and demand makes each a self-reflexive parable of romance itself. Ultimately, Without the Novel writes a wider, weirder history of fiction organized by the recurrences of romance and informed by the pleasures of reading that define the genre.