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In this book, Revell examines questions of Roman ethnic identity and explores Roman imperialism as a lived experience based around the paradox of similarity and difference. Her case studies of public architecture provide an understanding of how urbanism, the emperor and religion were part of the daily encounters of these communities. Revell applies the ideas of agency and practice in her examination of the structures that held the empire together and how they were implicated within repeated daily activities. Rather than offering a homogenised 'ideal type' description of Roman cultural identity, she uses these structures as a way to understand how encounters differed between communities, thus producing a more nuanced interpretation of what it was to be Roman. Bringing an innovative approach to the problem of Romanisation, Revell breaks from traditional models, cutting across a number of entrenched debates such as arguments about the imposition of Roman culture or resistance to Roman rule.

Samuel P. Müller offers here the first book-length study of the image of Latins in Byzantine historiography of the long twelfth century, arguing that this image is more complex and ambivalent than often claimed.

Despite economic growth in Kazakhstan, more than 80 per cent of Kazakhstan's ethnic Germans have emigrated to Germany to date. Disappointing experiences of the migrants, along with other aspects of life in Germany, have been transmitted through transnational networks to ethnic Germans still living in Kazakhstan. Consequently, Germans in Kazakhstan today feel more alienated than ever from their 'historic homeland'. This book explores the interplay of those memories, social networks and state policies, which play a role in the 'construction' of a Kazakhstani German identity.

The term “ethnoerotism” is advanced for expressing the attraction and union between two ethnic groups placed under the gender symbols—male and female—that contribute, with their specific energies, to the genesis of a new people or nation. By using some concepts as “myth” and “ethnosymbolism”, this outlook regarding the origin of nations is exemplified by Natividad Gutiérrez (with the descent of nations in Latin America), Vasile Pârvan (with a poem in prose about the genesis of the Romanian people), and Titus Livius and Plutarch (with the abduction of Sabine women after the founding of ancient Rome). These cases are presented in the framework of a vision about the “diachronic dimension of national identity” (Geană 2016). It also should be mentioned that (at least in the Romanian case) such a vision regarding ethnic genesis and continuity in time is passed on from generation to generation by a vivid folk tradition, as well as, in modern times, by the official system of education.

Seeking Sanctuary brings together poignant life stories from fourteen lesbian, gay, bisexual and transgender (LGBT) migrants, refugees and asylum seekers living in Johannesburg. The stories, diverse in scope, chronicle each narrator's arduous journey to South Africa, and their corresponding movement towards self-love and self-acceptance. The narrators reveal their personal battles to reconcile their faith with their sexuality and gender identity, often in the face of violent persecution, and how they have carved out spaces of hope and belonging in their new home country. In these intimate testimonies, the narrators' resilience in the midst of uncertain futures reveal the myriad ways in which LGBT Africans push back against unjust and unequal systems. Seeking Sanctuary makes a critical intervention by showing the complex interplay between homophobia and xenophobia in South Africa, and of the state of sexual orientation and gender identity (SOGI) rights in Africa. By shedding light on the fraught connections between sexuality, faith and migration, this ground-breaking project also provides a model for religious communities who are working towards justice, diversity and inclusion. Seeking Sanctuary brings together poignant life stories from fourteen lesbian, gay, bisexual and transgender (LGBT) migrants, refugees and asylum seekers living in Johannesburg. The stories, diverse in scope, chronicle each narrator's arduous journey to South Africa, and their corresponding movement towards self-love and self-acceptance. The narrators reveal their personal battles to reconcile their faith with their sexuality and gender identity, often in the face of violent persecution, and how they have carved out spaces of hope and belonging in their new home country. In these intimate testimonies, the narrators' resilience in the midst of uncertain futures reveal the myriad ways in which LGBT Africans push back against unjust and unequal systems. Seeking Sanctuary makes a critical intervention by showing the complex interplay between homophobia and xenophobia in South Africa, and of the state of sexual orientation and gender identity (SOGI) rights in Africa. By shedding light on the fraught connections between sexuality, faith and migration, this ground-breaking project also provides a model for religious communities who are working towards justice, diversity and inclusion.

After the fall of the Iron Curtain in 1989, millions of Romanians emigrated in search of work and new experiences; they became engaged in an interrogation of what it meant to be Romanian in a united Europe and the globalized world. Their thoughts, feelings and hopes soon began to populate the virtual world of digital and mobile technologies. This book chronicles the online cultural and political expressions of the Romanian diaspora using websites based in Europe and North America. Through online exchanges, Romanians perform new types of citizenship, articulated from the margins of the political field. The politicization of their diasporic condition is manifested through written and public protests against discriminatory work legislation, mobilization, lobbying, cultural promotion and setting up associations and political parties that are proof of the gradual institutionalization of informal communications. Online discourse analysis, supplemented by interviews with migrants, poets and politicians involved in the process of defining new diasporic identities, provide the basis of this book, which defines the new cultural and political practices of the Romanian diaspora.

This book examines the impact of the Roman cultural revolution under Augustus on the Roman province of Greece. It argues that the transformation of Roman Greece into a classicizing 'museum' was a specific response of the provincial Greek elites to the cultural politics of the Roman imperial monarchy. Against a background of Roman debates about Greek culture and Roman decadence, Augustus promoted the ideal of a Roman debt to a 'classical' Greece rooted in Europe and morally opposed to a stereotyped Asia. In Greece the regime signalled its admiration for Athens, Sparta, Olympia and Plataea as symbols of these past Greek glories. Cued by the Augustan monarchy, provincial Greek notables expressed their Roman orientation by competitive cultural work (revival of ritual; restoration of buildings) aimed at further emphasising Greece's 'classical' legacy. Reprised by Hadrian, the Augustan construction of 'classical' Greece helped to promote the archaism typifying Greek culture under the principate.