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"Romanticism Influence."
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Romanticism and Blackwood's magazine : 'an unprecedented phenomenon'
This collection of essays throws vast new light on the most significant literary-political journal of the Romantic age. Its chapters analyse Blackwood's wide-ranging contributions on some of the most topical issues in Romantic studies, including celebrity, British versus Scottish nationalism, and the rise of terror and detective fiction.
Book
Transatlantic Transcendentalism
The first book devoted to Coleridge’s influence on Emerson and the development of American Transcendentalism. As Samantha Harvey demonstrates, Samuel Taylor Coleridge’s thought galvanized Emerson at a pivotal moment in his intellectual development in the years 1826-1836, giving him new ways to harmonize the Romantic triad of nature, spirit and humanity. Emerson did not think about Coleridge: he thought with Coleridge, resulting in a unique case of assimilative influence. In addition to examining his specific literary, philosophical, and theological influences on Emerson, this book reveals Coleridge’s centrality for Boston Transcendentalism and Vermont Transcendentalism, a movement which profoundly affected the development of modern higher education, the national press, and the emergence of Pragmatism.
eBook
Active romanticism : the radical impulse in nineteenth-century and contemporary poetic practice
\"Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry\"-- Provided by publisher.
Book
Romantic Revisions in Novels from the Americas
Why are twentieth-century novelists from former British colonies in the Americas preoccupied with British Romantic poetry? In Romantic Revisions, Lauren Rule Maxwell examines five novels—Kincaid's Lucy, Atwood's The Handmaid's Tale, McCarthy's Blood Meridian, Fitzgerald's The Great Gatsby, and Harris's Palace of the Peacock—that contain crucial scenes engaging British Romantic poetry. Each work adapts figures from British Romantic poetry and translates them into an American context. Kincaid relies on the repeated image of the daffodil, Atwood displaces Lucy, McCarthy upends the American arcadia, Fitzgerald heaps Keatsian images of excess, and Harris transforms the albatross. In her close readings, Maxwell suggests that the novels reframe Romantic poetry to allegorically confront empire, revealing how subjectivity is shaped by considerations of place and power. Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject’s relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire. In explaining how the novels adapt figures from British Romantic poetry, Romantic Revisions provides scholars and students working in postcolonial studies, Romanticism, and eng-language literature with a new look at politics of location in the Americas.
eBook
Romantic shades and shadows
\"Romantic Shades and Shadows is, at heart, a book about literary allusion. Each poem, book, or play that one encounters is imbued with verbal textures, turns of phrase, and ideas and things that summon the specter of older literary bodies. The poetry of Wordsworth and Coleridge, for example, is haunted by the writings of Shakespeare and Milton. In tracing ghostly patterns to find literary and contextual linkages, Susan J. Wolfson explores the shifting boundaries that separate one literary time period from another, and teaches her readers how best to conduct close readings of Romantic texts\" -- Provided by publisher.
Book
British romanticism and Italian literature translating, reviewing rewriting
Drawing on a long-standing tradition of fictional images, British writers of the Romantic period defined and constructed Italy as a land that naturally invites inscription and description. In their works, Italy is a cultural geography so heavily overwritten with discourse that it becomes the natural recipient of further fictional transformations. If critics have frequently attended to this figurative complex and its related Italophilia, what seems to have been left relatively unexplored is the fact that these representations were paralleled and sustained by intense scholarly activities. This volume specifically addresses Romantic-period scholarship about Italian literature, history, and culture under the interconnected rubrics of 'translating', 'reviewing', and 'rewriting'. The essays in this book consider this rich field of scholarly activity in order to redraw its contours and examine its connections with the fictional images of Italy and the general fascination with this land and its civilization that are a crucial component of British culture between the eighteenth and nineteenth centuries.
eBook
Romanticism and the museum
\"Romanticism and the Museum aims to establish the museum - like the ruin or Alpine landscape - as one of the most productive sites for Romantic authors' thinking. It argues that public museums were integral to Britain's understanding of itself as a nation confronting the challenges of the French Revolution. This monograph makes four inter-related literary case studies to trace how Romantic-era authors mediated potentially controversial ideas through museum artefacts and settings; it highlights museum imagery in Wordsworth, Scott, Edgeworth, and in literary periodicals featuring Byron and Horace Smith. This timely study is at the confluence of several powerful currents in Romantic studies: Romantic institutions; the turn to the aesthetic and the visual; sociability; collections and collecting. Peacocke draws on diverse print sources, such as museum catalogues and guidebooks, artists' biographies, visual art, and depictions of the new exhibition spaces, to amplify her literary analysis of Romantic visions of reshaping the nation. \"-- Provided by publisher.
Book
Overcome by Modernity
In the decades between the two World Wars, Japan made a dramatic entry into the modern age, expanding its capital industries and urbanizing so quickly as to rival many long-standing Western industrial societies. How the Japanese made sense of the sudden transformation and the subsequent rise of mass culture is the focus of Harry Harootunian's fascinating inquiry into the problems of modernity. Here he examines the work of a generation of Japanese intellectuals who, like their European counterparts, saw modernity as a spectacle of ceaseless change that uprooted the dominant historical culture from its fixed values and substituted a culture based on fantasy and desire. Harootunian not only explains why the Japanese valued philosophical understandings of these events, often over sociological or empirical explanations, but also locates Japan's experience of modernity within a larger global process marked by both modernism and fascism.
What caught the attention of Japanese thinkers was how the production of desire actually threatened historical culture. These intellectuals sought to \"overcome\" the materialism and consumerism associated with the West, particularly the United States. They proposed versions of a modernity rooted in cultural authenticity and aimed at infusing meaning into everyday life, whether through art, memory, or community. Harootunian traces these ideas in the works of Yanagita Kunio, Tosaka Jun, Gonda Yasunosuke, and Kon Wajiro, among others, and relates their arguments to those of such European writers as George Simmel, Siegfried Kracauer, Walter Benjamin, and Georges Bataille.
Harootunian shows that Japanese and European intellectuals shared many of the same concerns, and also stresses that neither Japan's involvement with fascism nor its late entry into the capitalist, industrial scene should cause historians to view its experience of modernity as an oddity. The author argues that strains of fascism ran throughout most every country in Europe and in many ways resulted from modernizing trends in general. This book, written by a leading scholar of modern Japan, amounts to a major reinterpretation of the nature of Japan's modernity.
eBook
Literary Tributaries: Classical and Romantic Influences in The Wind in the Willows
Some interpreters of The Wind in the Willows have suggested that Ratty's beloved river should be understood as a symbol of the imagination. Whether this is true or not, we may benefit from thinking of Grahame's own imagination as a river that derives much of its force from both Classical and Romantic tributaries. In what follows, I will explore the lower reaches of these tributaries, not only to contextualize and illuminate The Wind in the Willows, but also to address several persistent questions about its composition and reception. I turn first to the Classical tributary, which flows with the imaginings of ancient Greek and Roman authors, especially Aesop, Homer, and various others who have offered perspectives on the figure of Pan. After that, I will turn to the Romantic tributary, which flows with the imaginings of many modern poets, though Coleridge and Wordsworth merit special attention.
Journal Article