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The constructivist moment : from material text to cultural poetics
Winner of the American Comparative Literature Association's Rene Wellek Prize (2004)
As one of the founding poets and editors of the Language School of poetry and one of its central theorists, Barrett Watten has consistently challenged the boundaries of literature and art. In The Constructivist Moment, he offers a series of theoretically informed and textually sensitive readings that advance a revisionist account of the avant-garde through the methodologies of cultural studies. His major topics include American modernist and postmodern poetics, Soviet constructivist and post-Soviet literature and art, Fordism and Detroit techno—each proposed as exemplary of the social construction of aesthetic and cultural forms. His book is a full-scale attempt to place the linguistic turn of critical theory and the self-reflexive foregrounding of language by the avant-garde since the Russian Formalists in relation to the cultural politics of postcolonial studies, feminism, and race theory. As such, it will provide a crucial revisionist perspective within modernist and avant-garde studies.
eBook
aMoskovskoe Gostepriimstvo
\"This collection of the famous satirist Arkady Averchenko includes stories from different years, presenting the reader a unique kaleidoscope of comic situations, from all sorts of amusing everyday scenes to the biting political satire. The naivete and unselfishness, innocent cunning, gentle humor in the stories of the children, fear and anger, absurd, eccentric in the stories of the post-revolutionary, cheerful mischievous laughter and bilious sarcasm - the whole palette of comic subservient pen Averchenko, this \"knight's smile\", \"Russian Mark Twain\" \"laughter of the King\" ...\"--Cataloger's translation of publisher's or bookseller's website.
Book
For Humanity's Sake
Positing the classic Russian novel as an inheritor of the Enlightenment's key values — including humanity, self-perfection, and cross-cultural communication —For Humanity's Sakeoffers a unique view of Russian intellectual history and literature.
eBook
Silhouettes of Russian Writers
Yuli Aikhenvald was one of the most popular and influential Russian literary critics of the early 1900s. His major book, Silhouettes of Russian Writers , went through six ever-expanding editions. A major presence in Vladimir Nabokov’s early career, Aikhenvald has since been neglected by other writers and critics. This collection translates several of Aikhenvald’s key essays, making him available to English-speaking readers for the first time. Today’s readers will discover in these writings original, impassioned interpretations of major Russian authors and a theoretical vision that grapples with an urgent question in this “crisis-of-the-humanities” moment: What is the function of criticism?
eBook
The icon and the square : Russian modernism and the Russo-Byzantine revival
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism.Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists.The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
eBook
The Vortex That Unites Us
The Vortex That Unites Us is a study of totality in Russian literature, from the foundation of the modern Russian state to the present day. Considering a diversity of texts that have in common chiefly their prominence in the Russian literary canon, Jacob Emery examines the persistent ambition in Russian literature to gather the whole world into an artwork. Emery reveals how the diversity of totalizing figures in the Russian canon—often in alliance with ideologies like the totalitarian state or enlightenment reason—strive for the frontiers of space and time in order to guarantee the coherence of the globe and the continuity of history. He expores subjects like romantic metaphors of supernatural possession; Tolstoy's conception of art as a vector of emotional contagion; the panoramic ambitions of the avant-garde to grasp the globe in a new poetic medium; efforts of Soviet utopians to harmonize the whole of social life along aesthetic lines; Mandelstam's evocation of writing as a transcendental authority that guarantees a grandiose historical rhythm even when manifested as authoritarian repression; and the mass market of cultural commodities in which the exiled Vladimir Nabokov found success with his novel Lolita. The Vortex That Unites Us reveals a common thread in the disparate works it explores, bringing into a single horizon a variety of typically siloed texts and aesthetic approaches. In all these cases, the medium of totality is the body, inspired by artistic vision and compelled by aesthetic response.
eBook