Explore the vast range of titles available.

The turn of the nineteenth century in the United States saw the substantial influx of immigrants and a corresponding increase in anti-immigration and nativist tendencies among longer-settled Americans.

It is easy to dismiss advertising as simply the background chatter of modern life, often annoying, sometimes hilarious, and ultimately meaningless. But Kerri P. Steinberg argues that a careful study of the history of advertising can reveal a wealth of insight into a culture. InJewish Mad Men, Steinberg looks specifically at how advertising helped shape the evolution of American Jewish life and culture over the past one hundred years. Drawing on case studies of famous advertising campaigns-from Levy's Rye Bread (\"You don't have to be Jewish to love Levy's\") to Hebrew National hot dogs (\"We answer to a higher authority\")-Steinberg examines advertisements from the late nineteenth-century in New York, the center of advertising in the United States, to trace changes in Jewish life there and across the entire country. She looks at ads aimed at the immigrant population, at suburbanites in midcentury, and at hipster and post-denominational Jews today. In addition to discussing campaigns for everything from Manischewitz wine to matzoh,Jewish Mad Menalso portrays the legendary Jewish figures in advertising-like Albert Lasker and Bill Bernbach-and lesser known \"Mad Men\" like Joseph Jacobs, whose pioneering agency created the brilliantly successful Maxwell House Coffee Haggadah. Throughout, Steinberg uses the lens of advertising to illuminate the Jewish trajectory from outsider to insider, and the related arc of immigration, acculturation, upward mobility, and suburbanization. Anchored in the illustrations, photographs, jingles, and taglines of advertising,Jewish Mad Menfeatures a dozen color advertisements and many black-and-white images. Lively and insightful, this book offers a unique look at both advertising and Jewish life in the United States.

Hoo-Doo Cowboys and Bronze Buckaroosundertakes an interdisciplinary exploration of the African American West through close readings of texts from a variety of media. This approach allows for both an in-depth analysis of individual texts and a discussion of material often left out or underrepresented in studies focused only on traditional literary material. The book engages heretofore unexamined writing by Rose Gordon, who wrote for local Montana newspapers rather than for a national audience; memoirs and letters of musicians, performers, and singers (such as W. C. Handy and Taylor Gordon), who lived in or wrote about touring the American West; the novels and films of Oscar Micheaux; black-cast westerns starring Herb Jeffries; largely unappreciated and unexamined episodes from the \"golden age of western television\" that feature African American actors; film and television westerns that use science fiction settings to imagine a \"postracial\" or \"postsoul\" frontier; Percival Everett's fiction addressing contemporary black western experience; and movies as recent as Quentin Tarantino'sDjango Unchained. Despite recent interest in the history of the African American West, we know very little about how the African American past in the West has been depicted in a full range of imaginative forms.Hoo-Doo Cowboys and Bronze Buckaroosadvances our discovery of how the African American West has been experienced, imagined, portrayed, and performed.

Beyond Bombshellsanalyzes the cultural importance of strong women in a variety of current media forms. Action heroines are now more popular in movies, comic books, television, and literature than they have ever been. Their spectacular presence represents shifting ideas about female agency, power, and sexuality.Beyond Bombshellsexplores how action heroines reveal and reconfigure perceptions about \"how\" and \"why\" women are capable of physically dominating roles in modern fiction, indicating the various strategies used to contain and/or exploit female violence. Focusing on a range of successful and controversial recent heroines in the mass media, including Katniss Everdeen fromThe Hunger Gamesbooks and movies, Lisbeth Salander fromThe Girl with the Dragon Tattoonovels and films, and Hit-Girl from theKick-Assmovies and comic books, Brown argues that the role of action heroine reveals evolving beliefs about femininity. While women in action roles are still heavily sexualized and objectified, they also challenge preconceived myths about normal or culturally appropriate gender behavior. The ascribed sexuality of modern heroines remains Brown's consistent theme, particularly how objectification intersects with issues of racial stereotyping, romantic fantasies, images of violent adolescent and preadolescent girls, and neoliberal feminist revolutionary parables. Individual chapters study the gendered dynamics of torture in action films, the role of women in partnerships with male colleagues, young women as well as revolutionary leaders in dystopic societies, adolescent sexuality and romance in action narratives, the historical import of non-white heroines, and how modern African American, Asian, and Latina heroines both challenge and are restricted by longstanding racial stereotypes.

01 02 This book explores heritage from a wide range of perspectives and disciplines and in doing so provides a distinctive and deeply relevant survey of the field as it is currently researched, understood and practiced around the world. Furthermore it establishes and develops through its various sections and chapters an accessible and clearly presented vision of heritage as a cultural process designed for use by students, advance scholars and practitioners alike. This book provides both critical insight and food for thought, directing the reader to key texts in the various aspects of the field and charting a course for future research. 13 02 Emma Waterton is a DECRA Fellow at the University of Western Sydney's Institute for Culture and Society, Australia. Her research explores the interface between heritage, identity, memory and affect. She is author of Politics, Policy and the Discourses of Heritage in Britain (2010, Palgrave Macmillan) and The Semiotics of Heritage Tourism (with Steve Watson; 2014). Steve Watson is Principal Lecturer at York St John University, UK, where he teaches cultural and heritage tourism. His research is concerned primarily with the representation and experience of heritage and he has a particular interest in Spanish travel writing. His most recent book is The Semiotics of Heritage Tourism (with Emma Waterton; 2014). 04 02 Introduction: Heritage as a Focus of Research – Past, Present and New Directions; Emma Waterton and Steve Watson PART I: HERITAGE MEANINGS 1. Heritage Methods and Methodologies; Emma Waterton and Steve Watson 2. Heritage and Discourse; Zongjie Wu and Song Hou 3. Heritage as Performance; Michael Haldrup and Jørgen Ole Bærenholdt 4. Heritage and Authenticity; Helaine Silverman PART II: HERITAGE IN CONTEXT 5. From Heritage to Archaeology and Back Again; Shatha Abu Khafajah and Arwa Badren 6. Heritage and History; Jessica Moody 7. Thinking About Others through Museums and Heritage; Andrea Witcomb 8. Heritage and Tourism; Duncan Light 9. Heritage and Geography; Nuala C. Johnson PART III: HERITAGE AND CULTURAL EXPERIENCE 10. Affect, Heritage, Feeling; David Crouch 11. Heritage and Memory; Joy Sather-Wagstaff 12. Heritage and the Visual Arts; Russell Staiff 13. Industrial Heritage and Tourism: A Review of the Literature; Alfonso Vargas Sanchez 14. Curating Sound for Future Communities; Noel Lobley 15. Heritage and Sport; Gregory Ramshaw and Sean Gammon PART IV: CONTESTED HERITAGE AND EMERGING ISSUES 16. Heritage in Multicultural Times; Cristóbal Gnecco 17. Cultural Heritage and Armed Conflict: New Questions for an Old Relationship; Dacia Viejo Rose and Marie Louise Stig Sørensen 18. Heritage and Globalisation; Rodney Harrison 19. Critical Approaches to Post-Colonial (Post-Conflict) Heritage; John Giblin PART V: HERITAGE, IDENTITY AND AFFILIATION 20. Heritage and Nationalism: An Unbreachable Couple?; Tim Winter 21. Heritage and Participation; Cath Neal 22. Heritage and Social Class; Bella Dicks 23. Of Routes and Roots: Paths for Understanding Diasporic Heritage; Ann Reed 24. Making Feminist Heritage Work: Gender and Heritage; Anna Reading PART VI: HERITAGE AND SOCIAL PRACTICE 25. 'Thinkers and Feelers' a Psychological Perspective on Heritage and Society; John Schofield 26. Heritage and Policy; John Pendlebury 27. Heritage, Power and Ideology; Katharina Schramm 28. Heritage and Economic Development; Steve Watson and María del Rosario González-Rodríguez 29. Heritage in Consumer Marketing; Georgios C. Papageorgiou 30. Heritage and Sustainable Development: Transdisciplinary Imaginings of a Wicked Philosophy; Robyn Bushell PART VII: CONCLUSIONS 31. Contemporary Heritage and the Future; Cornelius Holtorf and Anders Högberg 32. Themes, Thoughts, Reflections; Steve Watson and Emma Waterton 02 02 This book explores heritage from a wide range of perspectives and disciplines and in doing so provides a distinctive and deeply relevant survey of the field as it is currently researched, understood and practiced around the world.

The history of anthropology has been written from multiple viewpoints, often from perspectives of gender, nationality, theory, or politics.Before Boasdelves deeper into issues concerning anthropology's academic origins to present a groundbreaking study that reveals how ethnology and ethnography originated during the eighteenth rather than the nineteenth century, developing parallel to anthropology, or the \"natural history of man.\" Han F. Vermeulen explores primary and secondary sources from Russia, Germany, Austria, the United States, the Netherlands, Hungary, the Czech Republic, Slovakia, France, and Great Britain in tracing how \"ethnography\" was begun as field research by German-speaking historians and naturalists in Siberia (Russia) during the 1730s and 1740s, was generalized as \"ethnology\" by scholars in Göttingen (Germany) and Vienna (Austria) during the 1770s and 1780s, and was subsequently adopted by researchers in other countries. Before Boasargues that anthropology and ethnology were separate sciences during the Age of Reason, studying racial and ethnic diversity, respectively. Ethnography and ethnology focused not on \"other\" cultures but on all peoples of all eras. Following G. W. Leibniz, researchers in these fields categorized peoples primarily according to their languages. Franz Boas professionalized the holistic study of anthropology from the 1880s into the twentieth century.

Hong Kong is a meeting place for migrant domestic workers, traders, refugees, asylum seekers, tourists, businessmen, and local residents. In Born Out of Place, Nicole Constable looks at the experiences of Indonesian and Filipina women in this Asian world city. Giving voice to the stories of these migrant mothers, their South Asian, African, Chinese, and Western expatriate partners, and their Hong Kong–born babies, Constable raises a serious question: Do we regard migrants as people, or just as temporary workers? This accessible ethnography provides insight into global problems of mobility, family, and citizenship and points to the consequences, creative responses, melodramas, and tragedies of labor and migration policies.

How popular music reveals deep histories of racial tensions in southern culture Southern History Remixed spotlights the key role of popular music in the shaping of the United States South from the late nineteenth century to the era of rock 'n' roll in the 1940s, '50s, and '60s. While musical activities are often sidelined in historical narratives of the region, Michael Bertrand shows that they can reveal much about social history and culture change as he connects the rise of rock 'n' roll to the civil rights movement for racial equality. In this book, Bertrand traces a long-term culture war in which white southerners struggled over the region's cultural complexion with music serving as an engine that both sustained and challenged white supremacy. He shows how rock 'n' roll emerged as a working-class genre with biracial sources that stoked white racial anxieties and engaged the region's color and culture lines. This book discusses the conflict over southern identity that played out in responses to jazz, barn dance radio, Pentecostal and gospel music, Black radio programming, and rhythm and blues, concluding with a close look at the popularity of Elvis Presley within a racially segregated society. Southern History Remixed suggests that both Black and white southerners have used music as a tool to resist or negotiate a rigid regional hierarchy. Urging readers and scholars to take the study of popular music seriously, Bertrand argues that what occurs in the music world affects and reflects what happens in politics and history. A volume in the series Southern Dissent, edited by Stanley Harrold and Randall M. Miller

The intertwined stories of two archipelagos and their diasporas This volume is the first systematic comparative study of Cuba and Puerto Rico from both a historical and contemporary perspective. In these essays, contributors highlight the interconnectedness of the two archipelagos in social categories such as nation, race, class, and gender to encourage a more nuanced and multifaceted study of the relationships between the islands and their diasporas. Topics range from historical and anthropological perspectives on Cuba and Puerto Rico before and during the Cold War to cultural and sociological studies of diasporic communities in the United States. The volume features analyses of political coalitions, the formation of interisland sororities, and environmental issues. Along with sharing a similar early history, Cuba and Puerto Rico have closely intertwined cultures, including their linguistic, literary, food, musical, and religious practices. Contributors also discuss literature by Cuban and Puerto Rican authors by examining the aesthetics of literary techniques and discourses, the representation of psychological space on the stage, and the impacts of migration. Showing how the trajectories of both archipelagos have been linked together for centuries and how they have diverged recently, Cuba and Puerto Rico offers a transdisciplinary approach to the study of this intricate relationship and the formation of diasporic communities and continuities. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.