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"Sagas."
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The gown : a novel of the royal wedding
\"London, 1947: Besieged by the harshest winter in living memory, burdened by onerous shortages and rationing, the people of postwar Britain are enduring lives of quiet desperation in spite of their nation's recent victory. Among them are Ann Hughes and Miriam Dassin, embroiderers in the famed Mayfair fashion house of Norman Hartnell. Together they forge an unlikely friendship, but their bond, along with their nascent hopes for a brighter future, are tested when they are chosen for a once-in-a-lifetime honor: taking part in the creation of Princess Elizabeth's wedding gown. Toronto, 2011: More than half a century later, Heather Mackenzie seeks to unravel the mystery of a set of embroidered flowers, a legacy from her late grandmother. How did her beloved Nan, a woman who never spoke of her old life in Britain, come to possess the priceless embroideries, so similar to the exquisite motifs that embellished the stunning gown worn by Queen Elizabeth II at her wedding more than sixty years before? And what was her Nan's connection to the celebrated textile artist Miriam Dassin? The Gown takes us inside the workrooms where one of the most famous wedding gowns in history was created, balancing behind-the-scenes details with a sweeping portrait of a society left reeling by the calamitous costs of victory. Its heroines, whose points of view alternate and intersect throughout its pages, are connected by threads of loss and love, suffering and survival, regret and redemption\"-- Provided by publisher.
Book
The Cambridge introduction to the old Norse-Icelandic saga
\"The medieval Norse-Icelandic saga is one of the most important European vernacular literary genres of the Middle Ages. This Introduction to the saga genre outlines its origins and development, its literary character, its material existence in manuscripts and printed editions, and its changing reception from the Middle Ages to the present time. Its multiple sub-genres - including family sagas, mythical-heroic sagas and sagas of knights - are described and discussed in detail, and the world of medieval Icelanders is powerfully evoked. The first general study of the Old Norse-Icelandic saga to be written in English for some decades, the Introduction is based on up-to-date scholarship and engages with current debates in the field. With suggestions for further reading, detailed information about the Icelandic literary canon, and a map of medieval Iceland, this book is aimed at students of medieval literature and assumes no prior knowledge of Scandinavian languages\"-- Provided by publisher.
Book
The Saga of the Volsungs
The Saga of the Volsungsis an Icelandic epic of special interest to admirers of Richard Wagner, who drew heavily upon this Norse source in writing his Ring Cycle and a primary source for writers of fantasy such as J. R. R. Tolkien and romantics such as William Morris. A trove of traditional lore, it tells of love, jealousy, vengeance, war, and the mythic deeds of the dragonslayer, Sigurd the Volsung. Byock's comprehensive introduction explores the history, legends, and myths contained in the saga and traces the development of a narrative that reaches back to the period of the great folk migrations in Europe when the Roman Empire collapsed.
eBook
The Cambridge Introduction to the Old Norse-Icelandic Saga
The medieval Norse-Icelandic saga is one of the most important European vernacular literary genres of the Middle Ages. This Introduction to the saga genre outlines its origins and development, its literary character, its material existence in manuscripts and printed editions, and its changing reception from the Middle Ages to the present time. Its multiple sub-genres - including family sagas, mythical-heroic sagas and sagas of knights - are described and discussed in detail, and the world of medieval Icelanders is powerfully evoked. The first general study of the Old Norse-Icelandic saga to be written in English for some decades, the Introduction is based on up-to-date scholarship and engages with current debates in the field. With suggestions for further reading, detailed information about the Icelandic literary canon, and a map of medieval Iceland, this book is aimed at students of medieval literature and assumes no prior knowledge of Scandinavian languages.
eBook
Christopher's diary : echoes of Dollanganger
\"Kristin Masterwood and her boyfriend, Kane Hill, up the ante by going into her attic to re-enact scenes described in Christopher Dollanganger's diary\"--Provided by publisher.
Book
An Introduction to the Sagas of Icelanders
Combining an accessible approach with innovative scholarship, An Introduction to the Sagas of Icelanders provides up-to-date perspectives on a unique medieval literary genre that has fascinated the English-speaking world for more than two centuries. Carl Phelpstead draws on historical context, contemporary theory, and close reading to deepen our understanding of Icelandic saga narratives about the island's early history. Phelpstead explores the origins and cultural setting of the genre, demonstrating the rich variety of oral and written source traditions that writers drew on to produce the sagas. He provides fresh, theoretically informed discussions of major themes such as national identity, gender and sexuality, and nature and the supernatural, relating the Old Norse-Icelandic texts to questions addressed by postcolonial studies, feminist and queer theory, and ecocriticism. He then presents readings of select individual sagas, pointing out how the genre's various source traditions and thematic concerns interact. Including an overview of the history of English translations that shows how they have been stimulated and shaped by ideas about identity, and featuring a glossary of critical terms, this book is an essential resource for students of the literary form. A volume in the series New Perspectives on Medieval Literature: Authors and Traditions, edited by R. Barton Palmer and Tison Pugh
eBook
The Emergence of Rationality in the Icelandic Sagas: The Colossal Misunderstanding of the Viking Lore in Contemporary Popular Culture
For a long time now, Old Norse literature has often been colonized and misappropriated by modern right-wing political groups for their own ideology, symbolism, and public appearance. A critical reading of Icelandic sagas, however, easily demonstrates that those public strategies are very short-sighted, misleading, and outright dangerous for our democratic society. To stem the flood of misinformation regarding the Viking world and its literature, this article joins a small but forceful chorus of recent scholars who are hard at work deconstructing this politicization of saga literature by way of offering new readings of those texts in which the very Viking ideology is actually exposed by the poets, rejected, and supplanted by new forms of social interactions predicated on a legal system and an operation with rationality in the public sphere.
Journal Article