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"Said, Edward"
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The Cambridge introduction to Edward Said
\"One of the most famous literary critics of the twentieth century, Edward Said's work has been hugely influential far beyond academia. As a prominent advocate for the Palestinian cause and a noted music critic, Said redefined the role of the public intellectual. In his books, as scholarly as they are readable, he challenged conventional critical demarcations between disciplines. His major opus, Orientalism, is a key text in postcolonial studies that continues to influence as well as challenge scholars in the field. Conor McCarthy introduces the reader to Said's major works and examines how his work and life were intertwined. He explains recurring themes in Said's writings on literature and empire, on intellectuals and literary theory, on music and on the Israel/Palestine conflict. This concise, informative and clearly written introduction for students beginning to study Said is ideally set up to explain the complexities of his work to new audiences\"-- Provided by publisher.
Book
Edward Said and the Religious Effects of Culture
This book provides a distinctive account of Edward Said's critique of modern culture by highlighting the religion-secularism distinction on which it is predicated. This distinction is both literal and figurative. It refers, on the one hand, to religious traditions and to secular traditions and, on the other hand, to tropes that extend the meaning and reference of religion and secularism in indeterminate ways. The author takes these tropes as the best way of organizing Said's heterogeneous corpus - from Joseph Conrad and the Fiction of Autobiography, his first book, to Orientalism, his most influential book, to his recent writings on the Palestinian question. The religion-secularism distinction, as an act of imagination and narrative continuity, lies behind Said's cultural criticism, his notion of intellectual responsibility, and his public controversy with Michael Walzer about the meaning and the uses of the Exodus story and about the question of Palestine.
eBook
The Evolution of Modern Literary Criticism From Structuralism to Postmodernism: A Case Study of Edward Said and His Critique of Orientalism in Literature
The study aimed to examine the development of literary criticism throughout its history from structuralism to postmodernism, using Edward Said's criticism of Orientalism as a case study. A discourse-grounded analysis approach was used to analyze critical texts and articles related to this development. The results showed, according to Said, that the traditional Western depiction of the East is biased and based on power relations, which influenced postcolonial philosophy and the literary canon (Smith, 2018). Said sought to expose biases in Western literature’s depiction of the East (Jones, 2016). His writings have sparked debate about the role of the critic in shaping literary discourse, shifting critical focus toward questions of power, representation, and identity, and increasing opportunities for underrepresented groups to have their voices heard (Brown & Johnson, 2019). Said's critique of Orientalism has influenced contemporary literary criticism, opening the door to a more diverse and comprehensive literary study (Garcia & Lee, 2020).
Journal Article
Edward Said and the Literary, Social, and Political World
Edward Said is widely recognized for his work as a critic and theorist of Orientalism and the Palestine crisis, but far less attention has been devoted to his considerable body of literary and cultural criticism. In this edited collection, the contributors - many among the foremost Said scholars in the world - examine Said as the literary critic; his relationship to other major contemporary thinkers (including Derrida, Ricoeur, Barthes and Bloom); and his involvement with major movements and concerns of his time (such as music, Feminism, New Humanism, and Marxism). Featuring freshly carved out essays on new areas of intervention, the volume is an indispensable addition for those interested in Edward Said and the many areas in which his legacy looms.
Foreword Benita Parry. Acknowledgments. Introduction. Section A 1. \"A Roomy Place Full of Possibility\": Said’s Orientalism and the Literary Nicholas Harrison 2. Edward Said and Roland Barthes: Criticism versus Essayism. Or: Roads and Meetings Missed Andy Stafford 3. Derrida and Said: Ships that Pass in the Night Caroline Rooney 4. Said .. Bloom …. Vico Graham Allen 5. The Materiality and Ideality of Text: Said and Ricoeur Karl Simms . Section B 6. \"The Southern Question\" and Said’s Geographical Critical Consciousness. Shaobo Xie 7. Fellow Travellers and Homeless Souls: Said’s Critical Marxism Ross Abbinnett 8. Edward Said and the Interplay of Music, History, and Ideology Derek B. Scott 9. Edward Said and (the Postcolonial Occlusion of) Gender Elleke Boehmer 10. Reading Orientalism in Istanbul: Edward Said and Orhan Pamuk Kate Teltscher 11. On Late Style: Edward Said’s Humanism Pal Ahluwalia . Section C 12. Autobiography and Exile: Edward Said’s Out of Place Linda Anderson 13. Edward Said, American International Policy and War on Terror Taieb Belghazi 14. Representations of the Intellectual: the Historian as ‘Outsider’ Ranjan Ghosh . Contributors. Index.
Ranjan Ghosh teaches in the Department of English at the University of North Bengal. He was an Alexander von Humboldt Fellow in Germany and European Research Fellow in London. He is published in journals such as the Oxford Literary Review , History and Theory , Nineteenth Century Prose , Rethinking History , Storia della Storiographia , Angelaki and others. Among his many books include (In)fusion Approach: Theory, Contestation, Limits (2006) and Globalizing Dissent (Routledge, 2009).
eBook
Restating Orientalism : a critique of modern knowledge
\"Edward Said's Orientalism not only inaugurated a new and highly controversial arena of discourse but also set the terms of debate around knowledge, power, and imperialism since 1978, when the book first appeared. The substance of discussions remains extensively political, limited to the so-called problem of knowledge and power and the complicity of Orientalism in the larger project of colonialism. One of the many critiques was that Said was too sweeping in his condemnation of Orientalists, leaving no analytical space for distinguishing degrees of difference between one scholar and another. Thus any scholar who depicts Islam negatively or too positively is an Orientalist, the former a bigot of some sort and the latter an exoticizer. Restating Orientalism offers an alternative account that accepts and transcends political thought and positioning while avoiding the totalization of authorial condemnation in Said's narrative. Hallaq reopens the problem of power and knowledge to an ethical critique, asking such questions as: What makes certain forms of knowledge useful to power, and what kind of cultural configurations exist in the world in which knowledge and power have virtually no relationship with each other? Refusing to isolate or scapegoat Orientalism, the book extends the critique to other academic fields, tracing their involvement in colonialism and genocide to a seventeenth- and eighteenth- century structure of thought whose most salient characteristic was a type of domination anchored in sovereignty over life and death. Orientalism, Hallaq argues, is no more an exception to liberal and modern forms of knowledge than genocide in general was an exception in modernity, but rather is the truest representation of modern sovereign capabilities\"-- Provided by publisher.
Book
Gender as the UnSaid
This article explores the textual and geographical interstices in Edward Said’s foundational text, Orientalism (1978; “Afterword” 1995) as well as some aspects of the post-Orientalist legacy. By focusing on the representation of women, sexual dissidents and gender outlaws as part of the “UnSaid,” I aim to demonstrate that these interstitial spaces dissolve the Saidian East/West binaries.
Journal Article
Edward Said and Philosophy
This article brings to the forefront Timothy Brennan’s emphasis on Edward Said’s engagement with philosophy. An attempt is made to reconstruct some of Brennan’s claims about Said’s views on the relationship between mental representations and the external world. It is shown that Said rejected naïve or direct realism in favor of representationalism. It is also argued that, despite being seen as a post-modern thinker, Said subscribed to a version of the correspondence theory of truth. Said embraced some form of standpoint epistemology, but he did not think that this had any direct bearing on how we should think about what makes a given claim true. Finally, an attempt is made to understand the relationship between Said’s project and the classical Marxist project of ideology critique, as well as contemporary attempts to develop an epistemology of ignorance.
Journal Article