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"Sartre, Jean-Paul, 1905–1980"
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Talking with Sartre
What would it be like to be privy to the mind of one of the twentieth century's greatest thinkers? John Gerassi had just this opportunity; as a child, his mother and father were very close friends with Jean-Paul Sartre and Simone de Beauvoir, and the couple became for him like surrogate parents. Authorized by Sartre to write his biography, Gerassi conducted a long series of interviews between 1970 and 1974, which he has now edited to produce this revelatory and breathtaking portrait of one of the world's most famous intellectuals.
Through the interviews, with both their informalities and their tensions, Sartre's greater complexities emerge. In particular, we see Sartre wrestling with the apparent contradiction between his views on freedom and the influence of social conditions on our choices and actions. We also gain insight into his perspectives on the Spanish Civil War, World War II, and the disintegration of colonialism.
These conversations add an intimate dimension to Sartre's more abstract ideas. With remarkable rigor and intensity, they also provide a clear lens through which to view the major conflagrations of the past century.
eBook
Reading Sartre
\"In this volume, Joseph Catalano offers an in-depth exploration of Jean-Paul Sartre's four major philosophical writings: Being and Nothingness, Saint Genet: Actor and Martyr, The Critique of Dialectical Reason, and The Family Idiot. These works have been immensely influential, but they are long and difficult and thus challenging for both students and scholars. Catalano here demonstrates the interrelation of these four works, their internal logic, and how they provide insights into important but overlooked aspects of Sartre's thought, such as the body, childhood, and evil. The book begins with Sartre's final work, The Family Idiot, and systematically works backward to Being and Nothingness. Catalano then repeats the study by advancing chronologically, beginning with Being and Nothingness and ending with The Family Idiot and an afterword on Flaubert's Madame Bovary. Readers will appreciate Catalano's subtle readings as well as the new insights that he brings to Sartre's oeuvre\"-- Provided by publisher.
Book
Authentically Jewish
This book analyzes the different conceptions of authenticity that are behind conflicts over who and what should be recognized as authentically Jewish. Although the concept of authenticity has been around for several centuries, it became a central focus for Jews since existentialist Jean-Paul Sartre raised the question in the 1940s. Building on the work of Sartre, later Jewish thinkers, philosophers, anthropologists, and cultural theorists, the book offers a model of Jewish authenticity that seeks to balance history and tradition, creative freedom and innovation, and the importance of recognition among different groups within an increasingly multicultural Jewish community. Author Stuart Z. Charmé explores how debates over authenticity and struggles for recognition are a key to understanding a wide range of controversies between Orthodox and liberal Jews, Zionist and diaspora Jews, white Jews and Jews of color, as well as the status of intermarried and messianic Jews, and the impact of Jewish genetics. In addition, it discusses how and when various cultural practices and traditions such as klezmer music, Israeli folk dance, Jewish yoga and meditation, and others are recognized as authentically Jewish, or not.
eBook
The philosopher's touch
Renowned philosopher and prominent French critic François Noudelmann engages the musicality of Jean-Paul Sartre, Friedrich Nietzsche, and Roland Barthes, all of whom were amateur piano players and acute lovers of the medium. Though piano playing was a crucial art for these thinkers, their musings on the subject are largely scant, implicit, or discordant with each philosopher's oeuvre. Noudelmann both recovers and integrates these perspectives, showing that the manner in which these philosophers played, the composers they adored, and the music they chose reveals uncommon insight into their thinking styles and patterns.
Noudelmann positions the physical and theoretical practice of music as a dimension underpinning and resonating with Sartre's, Nietzsche's, and Barthes's unique philosophical outlook. By reading their thought against their music, he introduces new critical formulations and reorients their trajectories, adding invaluable richness to these philosophers' lived and embodied experiences. The result heightens the multiple registers of being and the relationship between philosophy and the senses that informed so much of their work. A careful reader of music, Noudelmann maintains an elegant command of the texts under his gaze and appreciates the discursive points of musical and philosophical scholarship they involve, especially with regard to recent research and cutting-edge critique.
eBook
Sartre and Adorno
Focusing on the notion of the subject in Sartre's and Adorno's philosophies, David Sherman argues that they offer complementary accounts of the subject that circumvent the excesses of its classical formation, yet are sturdy enough to support a concept of political agency, which is lacking in both poststructuralism and second-generation critical theory. Sherman uses Sartre's first-person, phenomenological standpoint and Adorno's third-person, critical theoretical standpoint, each of which implicitly incorporates and then builds toward the other, to represent the necessary poles of any emancipatory social analysis.
eBook
Aquinas and Sartre
Thomas Aquinas and Jean-Paul Sartre are usually identified with completely different philosophical traditions: intellectualism and voluntarism. In this original study, Stephen Wang shows, instead, that there are some profound similarities in their understanding of freedom and human identity.
eBook