Catalogue Search | MBRL
Are you sure you want to remove the book from the shelf?
{{itemTitle}}
121
result(s) for
"Saxons Fiction."
Sort by:
Storm of steel
\"AD 643. Anglo-Saxon Britain. Heading south to lands he once considered his home, Beobrand is plunged into a dark world of piracy and slavery when an old friend enlists his help to recover a kidnapped girl. Embarking onto the wind-tossed seas, Beobrand pursues his quarry with single-minded tenacity. But the Whale Road is never calm and his journey is beset with storms, betrayal and violence. As the winds of his wyrd blow him ever further from what he knows, will Beobrand find victory on his quest or has his luck finally abandoned him?\"--Provided by publisher.
Book
The One vs. the Many
Does a novel focus on one life or many? Alex Woloch uses this simple question to develop a powerful new theory of the realist novel, based on how narratives distribute limited attention among a crowded field of characters. His argument has important implications for both literary studies and narrative theory.
Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels asPride and Prejudice,Great Expectations, andLe Père Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The \"character-space,\" as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation.
Woloch's discussion of character-space allows for a different history of the novel and a new definition of characterization itself. By making the implied person indispensable to our understanding of literary form, this book offers a forward-looking avenue for contemporary narrative theory.
eBook
The Spread of Novels
Fiction has always been in a state of transformation and circulation: how does this history of mobility inform the emergence of the novel? The Spread of Novels explores the active movements of English and French fiction in the eighteenth century and argues that the new literary form of the novel was the result of a shift in translation. Demonstrating that translation was both the cause and means by which the novel attained success, Mary Helen McMurran shows how this period was a watershed in translation history, signaling the end of a premodern system of translation and the advent of modern literary exchange.
eBook
Ivanhoe : a romance
The classic epic of chivalry and courtly love features the disinherited knight Ivanhoe, his fair lady Rowena, and such larger-than-life characters as Richard the Lion-Hearted and Robin Hood. This novel of the Crusades, chivalry, and courtly love not only recreates history, but made history as well.
Book
Richard Marsh, popular fiction and literary culture, 1890-1915
Richard Marsh was one of the most popular and prolific authors of
the late-Victorian and Edwardian periods. His bestselling The
Beetle: A Mystery (1897) outsold Bram Stoker's
Dracula . A prolific author within a range of genres
including Gothic, crime, humour and romance, Marsh produced stories
about shape-shifting monsters, morally dubious heroes, lip-reading
female detectives and objects that come to life. However, while
Marsh's work appealed to a public greedy for sensationalist
fiction, both the cultural elite of the day and twentieth-century
literary critics looked askance at his popular middlebrow fiction.
In the wake of the recent rediscovery of Marsh's fiction, this
essay collection builds on burgeoning scholarly interest in the
author. Marsh emerges here as a fascinating writer who helped shape
the genres of popular fiction and whose stories offer surprising
responses to issues of criminality, gender and empire in this
period of cultural transition.
eBook
The Song of BEOWULF
An epic poem is a performance. The telling of Beowulf carries something of the days of its pre-literary composition, as it evolved as something memorised, half spoken and half sung, over many generations. The single manuscript we have, from about 1000 AD, is the end result of a great chain of poetic adaptation. Of all new versions Seamus Heaneys (1999) has made the most striking impact, in part for his willingness to experiment, to be a new scop or oral poet, to depart at times from the exact text and join the tradition when there was no such thing. The licence such an approach adopts can make for a riveting poem in itself, a work of wonder. But there is a different route to the flame of the original. J.D. Winters rendering of the Beowulf song accepts the text as historical fact, and by a gradual revelation of its deeper music, discovers an illumination from within. The voice is less his and more nearly of the time and world of the poem itself. But this is without recourse to an archaic register. It is the modern language and yet not the modern man speaking. The phrases of the text, like phrases of music with their crescendos and diminuendos, steadily and unhurriedly move towards the culmination of a powerfully fulfilling symphony. It is the expression of a simpler time than ours, and perhaps a more plain-speaking one. Yet its art was at least as sophisticated as the modern worlds. The clarity and concentration of meaning in the brilliantly alliterated half-lines can never be properly reconstructed. But a suggestion of that force and beauty, together with an underlying sense of the inexorable, may always be rediscovered. In the knock and flow of the lines, too, one can sense the poetry of a sea-faring nation. The nation is not England or Sweden or Denmark. It is an intermingled part of Northern Europe using the West Saxon dialect of the language in England to convey a mix of Scandinavian history and Teutonic legend. In this evocative transcreation the reader may come, no doubt as did the early listeners, to a simple truth behind the medley of international borders: the inevitable journey of the universal human.
eBook
Ethics for the Future
Which of the possible futures might be a good future, and how do we know? Stephanie Bender looks at contemporary films and novels to address major ethical challenges of the future: the ecological catastrophe, digitalisation and biotechnology. She proposes that fiction and its modes of aesthetic simulation and emotional engagement offer a different way of knowing and judging possible futures. From a critical posthumanist angle, she discusses works ranging from Don DeLillo's Zero K (2017) and Margaret Atwood's MaddAddam Trilogy (2003-2013) to Kim Stanley Robinson's New York 2140 as well as Avatar (2009), and Blade Runner 2049 (2017) among many others.
eBook