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Disknowledge
\"Disknowledge\": knowing something isn't true, but believing it anyway. InDisknowledge: Literature, Alchemy, and the End of Humanism in Renaissance England, Katherine Eggert explores the crumbling state of learning in the sixteenth and seventeenth centuries. Even as the shortcomings of Renaissance humanism became plain to see, many intellectuals of the age had little choice but to treat their familiar knowledge systems as though they still held. Humanism thus came to share the status of alchemy: a way of thinking simultaneously productive and suspect, reasonable and wrongheaded.
Eggert argues that English writers used alchemy to signal how to avoid or camouflage pressing but discomfiting topics in an age of rapid intellectual change.Disknowledgedescribes how John Donne, George Herbert, Henry Vaughan, John Dee, Christopher Marlowe, William Harvey, Helkiah Crooke, Edmund Spenser, and William Shakespeare used alchemical imagery, rhetoric, and habits of thought to shunt aside three difficult questions: how theories of matter shared their physics with Roman Catholic transubstantiation; how Christian Hermeticism depended on Jewish Kabbalah; and how new anatomical learning acknowledged women's role in human reproduction.Disknowledgefurther shows how Shakespeare, Ben Jonson, and Margaret Cavendish used the language of alchemy to castigate humanism for its blind spots and to invent a new, posthumanist mode of knowledge: writing fiction.
Covering a wide range of authors and topics,Disknowledgeis the first book to analyze how English Renaissance literature employed alchemy to probe the nature and limits of learning. The concept of disknowledge-willfully adhering to something we know is wrong-resonates across literary and cultural studies as an urgent issue of our own era.
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Ground-work : English Renaissance literature and soil science
How does soil, as an ecological element, shape culture? With the sixteenth-century shift in England from an agrarian economy to a trade economy, what changes do we see in representations of soil as reflected in the language and stories during that time? This collection brings focused scholarly attention to conceptions of soil in the early modern period, both as a symbol and as a feature of the physical world, aiming to correct faulty assumptions that cloud our understanding of early modern ecological thought: that natural resources were then poorly understood and recklessly managed, and that cultural practices developed in an adversarial relationship with natural processes. Moreover, these essays elucidate the links between humans and the lands they inhabit, both then and now.
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The science lover's guide to London
London has seen many scientific discoveries and engineering feats in its history. Scientists have made their home and studied in the metropolis, while the city is a hub for medical and scientific collections displayed in quirky and engaging museums. From Michael Faraday to Rosalind Franklin and William Harvey, London's scientists have inspired people to find out more, study, and innovate. This book takes you on an area by area journey through London to discover places and people associated with science, and even see and experience scientific phenomena. From museums and bars associated with science, and behind the scenes engineering tours, scientific genius is all over the city. This book can be used as a guidebook on a physical journey through London, or as a collection of intriguing and often obscure stories and information for science lovers to enjoy wherever they are.
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Time, Space, and Motion in the Age of Shakespeare
This focused but far-reaching work by the distinguished scholar Angus Fletcher reveals how early modern science and English poetry were in many ways components of one process: discovering the secrets of motion. Beginning with the achievement of Galileo, Time, Space, and Motion identifies the problem of motion as the central cultural issue of the time, pursued through the poetry of the age, from Marlowe and Shakespeare to Ben Jonson and Milton.
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The natural philosophy of Margaret Cavendish : reason and fancy during the scientific revolution
Margaret Cavendish, Duchess of Newcastle, led a remarkable—and controversial—life, writing poetry and prose and philosophizing on the natural world at a time when women were denied any means of a formal education. Lisa T. Sarasohn acutely examines the brilliant work of this untrained mind and explores the unorthodox development of her natural philosophy.
Cavendish wrote copiously on such wide-ranging topics as gender, power, manners, scientific method, and animal rationality. The first woman to publish her own natural philosophy, Cavendish was not afraid to challenge the new science and even ridiculed the mission of the Royal Society. Her philosophy reflected popular culture and engaged with the most radical philosophies of her age. To understand Cavendish’s scientific thought, Sarasohn explains, is to understand the reception of new knowledge through both insider and outsider perspectives in early modern England.
In close readings of Cavendish’s writings—poetry, treatises, stories, plays, romances, and letters—Sarasohn explores the fantastic and gendered elements of her natural philosophy. Cavendish saw knowledge as a continuum between reason and fancy, and her work integrated imaginative speculation and physical science. Because she was denied the university education available to her male counterparts, she embraced an epistemology that favored contemplation and intuition over logic and empiricism.
The Natural Philosophy of Margaret Cavendish serves as a guide to the unusual and complex philosophy of one of the seventeenth century’s most intriguing minds. It not only celebrates Cavendish as a true figure of the scientific age but also contributes to a broader understanding of the contested nature of the scientific revolution.
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Sound knowledge : music and science in London, 1789-1851
What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney's ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.
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A Very British Family
“It is a rule that no Trevelyan ever sucks up either to the press, or the chiefs, or the “right people”. The world has given us money enough to enable us to do what we think is right. We thank it for that and ask no more of it, but to be allowed to serve it” - G.M. Trevelyan. The Trevelyans are unique in British social and political history: a family which for several generations dedicated themselves to the service and chronicling of their country, from the radical, reforming civil servant Charles Edward Trevelyan to the historian G.M. Trevelyan. Often eccentric, priggish, high minded and utterly self-regarding, they have nonetheless left their mark on our past. This engaging history dispassionately explores the lives and achievements of this unique family and the part they played in shaping the history of Great Britain. From their inauspicious beginnings in a small dwelling in Cornwall to the present day, some Trevelyans have been famous and distinguished, others less so, but for a hundred years from the mid-nineteenth to the mid-twentieth century family members from Lord Macaulay to G.M. Trevelyan contributed to both the writing and the making of history. This book is primarily the tale of the five men who flourished during this period - Charles Edward, George Otto, Charles Philips, George Macaulay and Humphry Trevelyan - and the clever and formidable women they married. Including many vivid portraits of the most influential members of this remarkable family, The Trevelyans casts light on the period of enormous social and cultural change in which they lived and examines why they chose not to simply exploit their position as landed gentry but instead to take their place at the centre of scholarship and politics.
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