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28 result(s) for "Scotland Guidebooks."
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Sherlock Holmes and Conan Doyle Locations
This is a guide to notable locations in the life of Arthur Conan Doyle and his famous fictional detective Sherlock Holmes.It chronicles the life of each by guiding the reader through Scotland and England, with entries arranged by county or unitary authority.
Dive Scapa Flow
Dive Scapa Flow has been THE definitive guide to diving the fabled wrecks of Scapa Flow, one of the world's greatest wreck diving locations.This completely re-written and updated centenary edition is produced to coincide with the 100th anniversary of the scuttle of the 74 warships of the interned German High Seas Fleet at Scapa Flow on 21st June.
Fodor's 25 best. Edinburgh
Guide to the top 25 sights in Edinburg, including best bets for dining, lodging, sightseeing, and events. Includes color-collor pullout map.
British author house museums and other memorials : a guide to sites in England, Ireland, Scotland and Wales
The most celebrated authors of England, Ireland, Scotland and Wales are immortalized not only in their writing but also in the museums, libraries, and other memorials dedicated in their honor.Over 300 sites devoted to 40 authors are covered in this guide.The sites range from restored historic homes to memorial statues.
British rail journeys : central highlands
From the rolling hills of Perthshire to the jagged mountains of Skye, this program takes you on one of Great Britain's most outstanding scenic railway journeys, visiting the various tourist attractions along the way. On this spectacular journey you'll see expert glass-blowing, whiskey distilling, the Highland Games, beautiful towns and villages, all amidst the splendor of the Beautiful Scottish Highlands. Finally British Rail's famous Class 37 diesels carry you along the final stage from Inverness to the Kyle of Lochalsh.
Exploring the islands of Scotland
\"Geologically unique, rich in flora and fauna, wild, remote and steeped in history, the many islands around the long and rugged coastline of Scotland are among the most unspoilt and beautiful destinations to be found anywhere on our crowded planet. Formed during massive and violent upheavals in the Earth's crust nearly three billion years ago and later eroded and shaped by the action of ice, the islands of Scotland also bear the scars of thousands of years of human occupation. From Neolithic settlements, chambered burial tombs, megalithic stone circles, and Iron Age brochs, to early Celtic Christian chapels, Viking place names, clan fortresses, deserted townships of the infamous 'clearances' and more modern relics of both world wars, the islands of Scotland are a historical treasure trove second to none. From the sand-blown machair of Tiree and the white shell-sand beaches of Barra to the towering sea-cliffs and stacks of remote St Kilda and the dramatic Cullins of Skye, the Scottish islands are famed worldwide for their beauty. Internationally recognised for their flora and fauna, the islands are also home to many important nature reserves that provide a safe haven for rare and endangered plant and bird species. The surrounding seas, rich in marine life, not only support vast colonies of seabirds but also large numbers of seal, whale, dolphin and porpoise. [This book] ... not only provides the intrepid traveller with a fascinating insight into each island's history and flora and fauna, but also contains valuable information on how to get there, tourist information, what to see, where to stay and island walks\"--Introduction, page 6.
Narrative revisited : telling a story in the age of new media
In this paper, we show how the intersection of chains of multimodal cohesive ties with choices of relations among sequences of filmic units provides a strong foundation for constructing filmic narrative. Until now bridging the gap between narrative concerns and fine-grained analysis of complex multimodal artefacts such as films has been difficult: fine-grained analyses tend to lose themselves in the wealth of detail revealed and high-level narrative analyses are often pulled towards subjective interpretations. Our definition and use of the constructs of multimodal filmic cohesion and of logical sequential filmic relations establishes functional analytic categories anchored both below, in the fine-grained detail of film, and above, in the range of interpretations that they delimit. We propose this as one way in which we can move towards a more empirically-grounded notion of transmedial narration.