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"Screen process printing."
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Silk screening
With projects ranging from posters to clothing, this book helps readers explore the art of silk screening. Students learn through detailed descriptions built to foster creativity and problem solving.
Book
First do no harm
Describes how the author's work is informed by her experience of breast cancer. Outlines the specific experimental techniques used in her screen printed pieces. Source: National Library of New Zealand Te Puna Matauranga o Aotearoa, licensed by the Department of Internal Affairs for re-use under the Creative Commons Attribution 3.0 New Zealand Licence.
Journal Article
Screenprints : a history
A celebration of the rich 20th- and 21st-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the post-war period and today, by artists such as Andy Warhol, Bridget Riley and Damien Hirst.
BOOK
Performance Analysis of a Screen-Printing Process for Cost-Effective Flexible Bow-Tie Antennas
This paper presents a comparative analysis of performance for several antenna prototypes using a screen-printing process. This analysis was performed using various bow-tie antenna configurations, including single-band and multi-band antennas with linear or circular polarization over multiple operating frequency ranges. For antenna implementations, three different conductive inks and two resolutions of screen masks were tested. The performance of the fabricated prototypes has then been compared to the copper laser-etched antennas. This study revealed that with the proper selection of ink thinness, screen-printed bow-tie antennas achieve similar performances to copper laser-etched bow-tie antennas up to 6 GHz, even for linearly polarized and circularly polarized antennas. However, the printing resolution should be improved by reducing the ink thickness for bow-tie antennas at higher operating frequencies. The measurement results show a successful agreement after improving the printing resolution of the fabricated 5.8 GHz and 15 GHz bi-band bow-tie antennas.
Journal Article
Characterization of Silver Conductive Ink Screen-Printed Textile Circuits: Effects of Substrate, Mesh Density, and Overprinting
This study explores the intricate interaction between the properties of textile substrates and screen-printing parameters in shaping fabric circuits using silver conductive ink. Via analyzing key variables such as fabric type, mesh density, and the number of overprinted layers, the research revealed how the porous structure, large surface area, and fiber morphology of textile substrates influence ink absorption, ultimately enhancing the electrical connectivity of the printed circuits. Notably, the hydrophilic cotton staple fibers fabric effectively absorbed the conductive ink into the fabric substrate, demonstrating superior electrical performance compared with the hydrophobic polyester filament fabric after three overprinting, unlike the results observed after a single print. As mesh density decreased and the number of prints increased, the electrical resistance of the circuit gradually reduced, but ink bleeding on the fabric surface became more pronounced. Cotton fabric, via absorbing the ink deeply, exhibited less surface bleeding, while polyester fabric showed more noticeable ink spreading. These findings provide valuable insights for improving screen printing technology for textile circuits and contribute to the development of advanced fabric circuits that enhance the functionality of smart wearable technology.
Journal Article
Fabrication and Calibration of Pt-Rh10/Pt Thin-Film Thermocouple
Aiming at the dynamic testing of the ignition temperature of micro-initiating explosives, a novel Pt-Rh10/Pt thin-film thermocouple was designed in this paper. The author carried out the preparation of the thermocouple by using a screen printing process on an Al2O3 ceramic substrate. The formed thermocouple was made of Pt-Rh10 wire and Pt wire as compensation wires, with a size of ≤ 1 mm and a thickness of about 6 μm. In the testing process, the static calibration of the thermocouple at 50~600 °C and 650~1500 °C was completed by a portable temperature verification furnace and a horizontal high temperature verification furnace, and the results showed that the Seebeck coefficient of the thermocouple was about 10.70 μV/°C, and its output voltage–temperature curve was similar to that of a standard S-type thermocouple, which achieved the effective temperature measurement up to 1500 °C. The dynamic response of Pt-Rh10/Pt thin-film thermocouple was then tested and studied using the pulsed laser method, and the results show that the time constant of the thermocouple prepared in this paper is about 535 μs, which has the characteristics of fast response and high precision high-temperature testing. Compared with the traditional thin-film thermocouple, the thermocouple has excellent electrical conductivity, more oxidation resistance, the surface layer is not easy to peel off and other advantages.
Journal Article
THE DURABILITY OF THE CAMOUFLAGE FUNCTION OF COMBATANT
An AI camouflage design was used to create an IR camouflage textile structure, utilising Grafco screen printing inks and Chromatex HD10 pigments characterised by high brightness and colour resistance. For vector image editing, CorelDRAW software was employed. The screen-printing process was carried out following these steps: frame selection, screen selection, and image preparation. The reflection index was determined using a spectrophotometric method with a UV-VIS-NIR Perkin Elmer Lambda 950 spectrophotometer, measuring in the wavelength range of 680-1200 nm with a 10 nm step. After undergoing the wash resistance test (1-5 cycles) according to SR EN ISO 105-C06/2010, the abrasion resistance test (1000-3000 cycles) according to SR EN ISO 12947-1, and light resistance (60 hours) according to SR EN ISO 105 BO 2/2015, the reflection index showed no significant variations compared to the initial version of the textile structure. Colour differences were identified using a HunterLab device, and remission curves (K/S) and reflectance/transmittance (R/T) were obtained. The median reflection index was calculated using an original method based on determining the weight of each colour in the pattern. Developed regression equations allow for the calculation of the reflection index as a function of wavelength (nm).
Conference Proceeding
The risograph and analogue resilience
Notes the resurgence in interest in the analogue format of music and photography. Indicates the risograph is essentially an automated screen printing machine that looks like a photocopier which is now replaced by the modern photocopier. Describes the technical difficulties with the risograph in getting the printing process right but never perfect. Source: National Library of New Zealand Te Puna Matauranga o Aotearoa, licensed by the Department of Internal Affairs for re-use under the Creative Commons Attribution 3.0 New Zealand Licence.
Journal Article
Low-tech print : contemporary hand-made printing
Featuring a global showcase of 100 of the crafts most exciting and influential practitioners, Low-Tech Print is an exploration of hand-made printmaking techniques and how they are used in contemporary design and illustration. It examines the huge recent resurgence in the popularity of printmaking, with chapters on screenprinting, letterpress, relief printing, and other printing methods. The book shows how practitioners develop a love affair with these hand-made techniques and use them to create beautiful contemporary designs, explaining the process behind each technique and its historical context. In focus sections profile practitioners such as the Lambe Lambe hand-made letterpress printers of São Paulos Grafica Fidalga studio and cult printing techniques such as Gocco (Japan) and Chicha (Peru).Low-Tech Print is a must-have for all design, illustration, craft, and printmaking enthusiasts.
eBook
The Chicago Women's Graphics Collective: A Memoir
IN 1973, THE CHICAGO WOMEN'S GRAPHICS COLLECTIVE worked in an old run-down second-floor office on Belmont Avenue, which we shared with the main offices of the Chicago Women's Liberation Union (cwlu).1 They call it New Town now, but in 1973, there wasn't much new about it. There's no way that one single woman could really do it because we were using very primitive reproduction methods, and we needed at least three people to run the silk screen. [...]we were all a bunch of hippie artists. There were about 25 workgroups and other groups within the cwlu. cwlu outreach to recruit new members got a lot of new women into wgc. wgc, Women's Liberation Rock Band, and Womankind Newspaper were the cultural arms of the cwlu.
Journal Article