Catalogue Search | MBRL
Are you sure you want to remove the book from the shelf?
{{itemTitle}}
37
result(s) for
"Scrolls Fiction."
Sort by:
Shadow of the fox
\"Raised by monks in the isolated Silent Winds temple, Yumeko has trained all her life to hide her yokai nature. Half kitsune, half human, her skill with illusion is matched only by her penchant for mischief. Until the day her home is burned to the ground, her adoptive family is brutally slain and she is forced to flee for her life with the temple's greatest treasure--one part of the ancient scroll. There are many who would claim the dragon's wish for their own. With an army of demons at her heels and the unlikeliest of allies at her side, Yumeko's secrets are more than a matter of life or death. They are the key to the fate of the world itself\"-- Provided by publisher.
Book
The oracle
\"The husband-and-wife treasure-hunting team of Sam and Remi Fargo return in a new adventure as they search for an ancient scroll--which carries a deadly curse ... In 533 A.D., the last Vandal ruler in North Africa consults an oracle on how to defeat the invading Byzantine army. The oracle tells the king that a high priestess cast a curse upon the Vandal Kingdom after a sacred scroll was stolen. In order to lift the curse, the scroll must be returned to its rightful home. But the kingdom falls before the scroll is found, leaving its location a great mystery--until a current day archeological dig, funded by Sam and Remi Fargo, uncovers some vital clues. The search for the ancient scroll is put on hold when the Fargos learn that a shipment of supplies intended for their charitable foundation's school has been stolen, and they travel to Nigeria to deliver new supplies themselves. But their mission becomes infinitely more complicated when they run afoul of a band of robbers. The group takes Remi and several students hostage, and there are signs that the kidnapping is related to the missing scroll. The Fargos need all their skills to save the lives of the young girls at the school before they uncover the hidden treasure--and lift the deadly curse\"-- Provided by publisher.
BOOK
Ezekiel, P, and the Priestly School
Seeing that Ezekiel, with his law code of chaps. xl-xlviii, is connected with P in many characteristics, while, at the same time, they contradict each other in almost any tangible aspect, it is the author's contention that the two are independent manifestation of the same school, of which P is its authentic expression whereas Ezekiel is its loose and later extension. It is out of the question to argue, as was done recently, that Ezekiel saw P and modified it at will. The relationship between P and Ezekiel comprises two aspects, the first of which is the common literary language they share, which in itself calls for explanation. The lack of agreement between the two is the second aspect demanding an explanation, but only if it is assumed that, when formulating his code, Ezekiel had direct access to P. Since Ezekiel used the priestly style as his own, he should have acquired it, after the practice of the Ancient Near East, over the course of many years of training, beginning in childhood and ending up in maturity. This implies that Ezekiel received his training in Jerusalem, while upon his arrival in Babylonia he was already a qualified priestly scribe, and it was there that he became a prophet. It is a vexed question whether the P scrolls were obtainable at all in Tel Abib by the river Chebar.
Journal Article
Unrolling a Narrative Scroll: Artistic Practice and Identity in Late-Nineteenth-Century Bengal
Two and a half thousand years ago, long before Lakshman Sena ruled Bengal, there was a monster who came out of its cave every night and ate people. The people could not kill him because they feared him so much. They finally put a plan together and made a mirror. When the monster came out that night and saw his reflection, he was so startled to see another creature as big and powerful as himself that he lashed out at the mirror, shattering the glass. But, each broken piece reflected himself back at him. As he turned, these creatures seemed to surround him. He felt they had multiplied. So in his fear and rage, he hit his head and wept himself to death. The people came back the next morning and saw the splintered glass and the dead monster. Now, how to tell all the other villages the news that they could live without fear? So, the same man who had come up with the scheme to kill the monster was asked to devise a second plan. A big leaf was used to paint the picture of the monster. This image was circulated from village to village, and the man was packed off to tell the story. Wherever he told the tale, they gave him rice and, of course, food to eat. Soon it transformed his livelihood. He no longer cultivated land. Then they wanted new stories, so he went to the Ramayana and Mahabharata and added songs to storytelling and pictures on cloth.
Journal Article
Between Representations: The Historical and the Visionary in Chen Hongshou's Yaji
Chen Hongshou's Yaji (Elegant Gathering) seems to portray a celebratory assembly of historical men. Yet it defies generic expectations. Chen questions the possibility of celebration during times of war. Presenting the assembly as an imaginary event, he introduces a story that throws into doubt the ability of the fictive actors to perceive the source of their salvation in a vision of the bodhisattva Guanyin. Working between fiction and history, between the visible and the invisible, Chen engages the viewer in contemporary debates about the nature of seeing and the efficacy of Buddhist practices.
Journal Article