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43 result(s) for "Self-actualization (Psychology) in women Fiction."
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The drowning girl : a memoir
Imp, a struggling schizophrenic, fights to determine whether or not the strange mythological creatures she meets are due to her condition or are from something else entirely in this new novel from the award-winning author of The Red Tree.
The Traces of Oppression and Trauma to Ethnic Minorities in Indonesia Who Experienced Rape on the 12 May 1998 Tragedy
This study explores oppression and trauma to ethnic Chinese minority women in Indonesia who experienced rape on the 12 May 1998 tragedy through literary data. The research method used was qualitative-narrative. The data source used was a novel titled Mei Merah (MM). The data analysis technique was carried out through stages that identified literary texts related to women's oppression from ethnic minorities; clarification of literary texts related to the oppression of women from ethnic minorities; data exposure; and data validation. The results show that ethnic Chinese women in Indonesia who experienced rape undergo trauma, impacting their psychological conditions. This was shown through Humaira, the novel’s character, who experienced a phase of trauma, a phase of madness, and a phase of suicide due to rape. It happened because of a profound traumatic experience. Moreover, ethnic minority women who are raped often go abroad to remove traces because they feel ashamed and traumatized by being raped.
Clara sola
In a remote village in Costa Rica, Clara, a withdrawn 40-year-old woman, experiences a sexual and mystical awakening as she begins a journey to free herself from the repressive religious and social conventions which have dominated her life.
The bones of grace
\"From the award-winning, nationally bestselling author of A Golden Age and The Good Muslim comes a lyrical, deeply moving modern love story about belonging, migration, tragedy, survival, and the mysteries of origins. On the eve of her departure to find the bones of the walking whale--the fossil that provides a missing link in our evolution--Zubaida Haque falls in love with Elijah Strong, a man she meets in a darkened concert hall in Boston. Their connection is immediate and intense, despite their differences: Elijah belongs to a prototypical American family; Zubaida is the adopted daughter of a wealthy Bangladeshi family in Dhaka. When a twist of fate sends her back to her hometown, the inevitable force of society compels her to take a very different path: she marries her childhood best friend and settles into a traditional Bangladeshi life. While her family is pleased by her obedience, Zubaida seethes with discontent. Desperate to finally free herself from her familial constraints, she moves to Chittagong to work on a documentary film about the infamous beaches where ships are destroyed, and their remains salvaged by locals who depend on the goods for their survival. Among them is Anwar, a shipbreaker whose story holds a key that will unlock the mysteries of Zubaida's past--and the possibilities of a new life. As she witnesses a ship being torn down to its bones, this woman torn between the social mores of her two homes--Bangladesh and America--will be forced to strip away the vestiges of her own life. and make a choice from which she can never turn back\"-- Provided by publisher.
Ida
Gertrude Stein wanted Ida to be known in two ways: as a novel about a woman in the age of celebrity culture and as a text with its own story to tell. With the publication of this workshop edition of Ida, we have the novel exactly as it was published in 1941, and we also have the full record of its creation. Logan Esdale offers informative critical commentary and judiciously selected archival materials to illuminate Stein's experience of authorship from the novel's beginning in early summer 1937, through the various drafts and negotiations with her publisher, to the reviews that greeted the book's publication. Stein's careful and systematic preservation of all Ida-related materials for her archive at the Yale University Library was a conscious decision, and an invitation for us to study the complexity of her creative process.
A lady's guide to selling out : a novel
\"Once a book-loving English major, Casey lands a job at a top ad agency that highly values her ability to tell a good story. Her best friend thinks she's a sellout, but Casey tells herself that she's just paying the bills ... When her hard-to-please boss assigns her to a top-secret campaign that pairs literary authors with corporations hungry for upmarket cachet, Casey is both excited and skeptical. But as she crisscrosses America, wooing her former idols, she's shocked at how quickly they compromise their integrity ... Casey can no longer ignore her own nagging doubts about the human cost of her success. By the time the year's biggest book festival rolls around in Las Vegas, it will take every ounce of Casey's moxie to undo the damageand, hopefully, save her own soul\"--Amazon.com.
Verdens verste menneske
Julie is turning thirty and her life is an existential mess. Several of her talents have gone to waste, and her older boyfriend, Aksel – a successful graphic novelist – is pushing for them to settle down. One night, she gatecrashes a party and meets the young and charming Eivind. Before long, she has broken up with Aksel and thrown herself into yet another new relationship, hoping for a new perspective on her life. But she will come to realize that some life choices are already behind her.
Mary Ventura and the ninth kingdom : a story
An allegorical tale describes young Mary Ventura's train voyage to the mysterious ninth kingdom, on which she is befriended by an enigmatic woman.
Marlon James and the Metafiction of the New Black Gothic
Much of the criticism on Marlon James' novels focuses on their representation of graphic violence and salaciously profane language. In this essay, I intervene in these discussions by shifting focus from the violence itself to the generic elements this violence engages or represents. More specifically, I discuss James' use of violence, doubling, and abjection in The Book of Night Women and John Crow's Devil to argue that both novels engage these gothic tropes to offer critiques of canon formation in Caribbean writing. More specifically, I contend that they deploy gothic tropes of violence and horror to convey metafictional concerns about the relationship between literature and black sovereignty, both sexually and nationally. I suggest, moreover, that in taking this tack James's writing finds company with other contemporary African Diasporic art – literature, music, tv shows, and film – that constitutes a new iteration of the black gothic aesthetic. This new black gothic art functions, through temporal collapses, to demonstrate how and why disruptive and traumatic aspects of the slave past continue to manifest, and in fact are redoubled, in the neoliberal present of late capitalism.